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Aprile (1998)

 -  Comedy | Drama  -  27 March 1998 (Italy)
6.9
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Reviews: 10 user | 19 critic

Nanni Moretti takes a comic look at the ebbs and flows of his life as he becomes a father for the first time. He struggles with distractions while trying to make a documentary of the Italian federal elections.

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Title: Aprile (1998)

Aprile (1998) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
...
Himself
...
Himself
Silvia Nono ...
Herself
Pietro Moretti ...
Himself
Agata Apicella Moretti ...
Herself
Nuria Schoenberg ...
Herself
Silvia Bonucci ...
Herself
Quentin de Fouchécour ...
Himself (as Quentin de Fouchecour)
Renato De Maria ...
Himself
Claudio Francia ...
Himself
Jacopo Francia ...
Himself
Matilde Francia ...
Herself
...
Himself
Giovanna Nicolai ...
Herself
Nicola Piepoli ...
Himself
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Storyline

Nanni, a renowned director, is working on a musical when suddenly he has a change of heart and cancels the film on the first shooting day. He has a new idea, making a documentary about the Italian federal elections, but work isn't going very fast, much to the frustration of the crew. Nanni can't stop thinking, worrying and getting excited about the birth and early days of life of his newborn son, yet is torn by his sense of obligation to make the documentary. Written by Arnoud Tiele (imdb@tiele.nl)

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

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Details

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Release Date:

27 March 1998 (Italy)  »

Also Known As:

Abril  »

Filming Locations:

 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

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Aspect Ratio:

1.66 : 1
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Connections

References City Hall (1996) See more »

Soundtracks

Yaad-e-nabi Gulsham Mehka
Composed by Nusrat Fateh Ali Khan
Performed by Nusrat Fateh Ali Khan & Party
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User Reviews

 
Conceivably there are people who enjoy Nanni Moretti movies...
13 November 2000 | by (Gold Coast, Australia) – See all my reviews

...however I am not one of them. Caro Diario at least was watchable for two thirds of the time, but the boring and self-centred third section of that movie gave us a taste of what was to come in this extraordinarily self-indulgent mess. Moretti says he feels a need to make this movie, but doesn't want to, whereas the viewer feels that he should stick with it, but really doesn't want to either. A film about Italian politics and elections could be fascinating, but this is not that film. At one point, Moretti and his friends are standing outside the Communist Party headquarters, discussing the interviews they are preparing to conduct with Party leaders inside, but it's characteristic of this film that we never get to see anything of them. Interposed with Moretti's political ravings are the events leading up to the birth of his son, and subsequent home movie shots of him with the baby and later the infant Pietro (the film drags us through several years and more than one election period). We keep expecting to see some definitive sequence or cogent argument, but they never come. I for one doubt that I could have the patience to ever sit through a Nanni Moretti movie again. He succeeds in making an hour and twenty minutes seem like an eternity.


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