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The Apostle (1997)

PG-13 | | Drama | 20 February 1998 (USA)
After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

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Cast

Cast overview, first billed only:
...
Horace
Paul Bagget ...
Tag Team Preacher #3 (as Brother Paul Bagget)
...
Female Sonny Supporter
...
Mary Lynette Braxton ...
Mother Blackwell
...
Helper
Christopher Canady ...
Sister Johnson's Twin
Christian Canady ...
Sister Johnson's Twin
...
Elizabeth Chisolm ...
Singer
William Atlas Cole ...
Bayou Man (as Brother William Atlas Cole)
Frank Collins Jr. ...
Soloist #4 (as Reverend Frank Collins Jr.)
Carl D. Cook ...
Civic Auditorium Preacher (as Prophet Carl D. Cook)
Naomi Craig ...
Scripture Reader
Wayne Dehart ...
Liquor Store Preacher
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Storyline

Eulis 'Sonny' Dewey is a preacher from Texas living a happy life with his beautiful wife Jessie. Suddenly his stable world crumbles: Jessie is having an affair with young minister Horace. Sonny gets enraged and hits Horace with a softball bat, putting him into a coma. After that he leaves town, takes a new name, 'Apostle E.F.' and goes to Louisiana. There he starts to work as a mechanic for local radio station owner Elmo, and Elmo lets him preach on the radio. E.F. starts to preach everywhere: on the radio, on the streets, and with his new friend, Reverend Blackwell he starts a campaign to renovate an old church. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Lust, Obsession, Revenge... Redemption See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and a related scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 February 1998 (USA)  »

Also Known As:

Apostel!  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$40,969 (USA) (19 December 1997)

Gross:

$20,733,485 (USA) (12 June 1998)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Farrah Fawcett's cousin, Jan Fawcett, played a stand in for her part. See more »

Goofs

When the car takes off to go into the river, the tires squeal on a dirt road. See more »

Quotes

Horace: You feel alright?
Sonny: Oh yeah. I feel just about as good as I've ever felt, Rodney.
Horace: Well... my name's not Rodney.
Horace: Sonny, listen to me... I'm really and truly sorry about what's happened here, I really am.
Sonny: Well why don't you just but out. Before I take my, my boot here and tear you out another asshole... right where your nose is at.
Horace: Sonny, there's no call for that kind of talk, now...
Sonny: Well, we'll see about that...
See more »

Crazy Credits

During the end credits there is a scene showing Sonny (Robert Duvall) preaching to the prisoners during out-of-prison work. See more »

Connections

Featured in If We Picked the Winners (1998) See more »

Soundtracks

You Didn't Have to Say It, Out Loud
Written by Randy Sharp, Chris Farren
Performed by Chris Farren
Courtesy of Windswept Pacific Entertainment Co.
See more »

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User Reviews

A story of spiritual struggle
27 December 2001 | by (Chicago, Illinois) – See all my reviews

In order to fully appreciate "The Apostle" it might help to have some experience with southern Pentecostal culture. I do, and was completely taken in by the film. My wife, on the other hand, doesn't have that experience and understands neither the film nor my fondness for it. But I think that, if one is not distracted or confused or simply put off by the loud, emotional, sometimes corny religiosity portrayed here, one can see a strong, compelling story of a seriously, ultimately fatally flawed man whose faith in God and in God's mission for him reaches to his very core.

On the surface, one can view Sonny Dewey as just another example of a certain type of religious fraud: the backslapping, perpetually-grinning, wisecracking good old boy who uses religion and exploits his flock for his own selfish ends. He looks like someone who doesn't practice what he preaches. He womanizes, he's not above taking a snort from this pocket flask, he has a troubled marriage and we get the hint that he is the source of more than his share of the trouble, even to the extent of driving his wife into the arms of another man. He seems to be just another Elmer Gantry or, to pick from the real world, he's just like one of the fallen televangelists of recent years. But just when you're comfortable with that judgment of him, Sonny proves you wrong. He admits to his faults, some more freely than others. But he makes no excuses for them and, in the end, he knows that he is going to pay for them.

What really draws me into the film, and what really makes Sonny interesting for me, is the way Duvall has made him such a complex character. He's a bad guy and a good guy. He is darkness and he is light. He is sometimes endearing and other times someone you really don't feel comfortable trusting. But by creating this ambiguity, Duvall does a service not only to the way religious leaders are characterized in film, he also pays homage to core religious issues. By diving into the murky waters of Sonny's soul, Duvall goes into territory known to any seriously religious person. As much as you might want things to be black and white, a good portion of the time you're being pulled back into the shadows: there are good intentions and evil deeds; there are selfless aspirations and appetites to be fed. Sometimes you swing wildly from one side to the other. Sometimes you are on an even keel. Sometimes you're not sure.

Faith and work determine how such a struggle will turn out. Sonny is energized by both. He believes in what he is doing. He believes that God has given him a mission and he is determined to accomplish it, even in spite of himself. While it might be tempting to make a stark contrast between the message Sonny preaches and the actions he has done that are contrary to it, one must always remember that a good preacher always preaches to himself as well as his congregation. But some of the more revealing moments of the film are not when Sonny is in front of a congregation, or even with other people generally, but when he is alone with God: ranting at God in anger; dedicating himself to God in the moment that he becomes the Apostle; the soul-searching moments when he forgives his wife and resigns himself to his fate.

The no-punches-pulled realness of Sonny's struggle is a refreshing departure from the usual film portrayals of religious figures: plaster saint, con-man, one-dimensional milquetoast. But it also brings to the forefront the question of whether Sonny, or any of us, can be used for divine purpose.

"The Apostle" is beautifully filmed and captures well a portion of the rural South: you can almost feel the humidity and smell the swampwater. And while the well-known actors in the film (Farrah Fawcett, Billy Bob Thornton, Miranda Richardson) all turn in fine performances, it is the unknowns --the church members and townfolk -- that really give the film an added authenticity.


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