Step into the world of gypsy life. Come meet Angelo and his family. See the gypsy court system. A gypsy wedding where a boy's family pays for his wife. Come see the gypsy lifestyle, how they live, how they love family.
Earl Pilcher, Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining ... See full summary »
James Earl Jones,
Eulis 'Sonny' Dewey is a preacher from Texas living a happy life with his beautiful wife Jessie. Suddenly his stable world crumbles: Jessie is having an affair with young minister Horace. Sonny gets enraged and hits Horace with a softball bat, putting him into a coma. After that he leaves town, takes a new name, 'Apostle E.F.' and goes to Louisiana. There he starts to work as a mechanic for local radio station owner Elmo, and Elmo lets him preach on the radio. E.F. starts to preach everywhere: on the radio, on the streets, and with his new friend, Reverend Blackwell he starts a campaign to renovate an old church. Written by
In the bulldozer scene (Chapter 30), Troublemaker has stood up after praying. People are scattered around him. The shot changes immediately to where these same people are standing in a defined circle holding hands singing around him for a few seconds, then it reverts back to the first shot where the people are scattered around him. (1:47:02 through 1:47:16). See more »
[Sonny sees his momma laying on the floor]
Mama, I can't take you with me now, so get on back in your chair. Now i know you've died on me and gone on home to heavan so i hope you can still hear me. Now, you be good while i'm gone and i'll call you tonight okay? I can't take you with me now. Alright? Eh? Eh, Mama?
[as hes going out the door]
Hug St. Peters neck for me would ya? Bye Mama, kiss an angel for me. Gotta hit the road Mama, i gotta work! Gotta go to work!
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During the end credits there is a scene showing Sonny (Robert Duvall) preaching to the prisoners during out-of-prison work. See more »
I didn't grow up down South, or even in the midwest, but I do know a little bit about the Pentacostal Church and Christian fundamentalism. Robert Duvall is an ambitious actor and film maker, and The Apostle hits home with its perceptive and loving portrayal of country people in the United States. It is refreshing to see that culture portrayed as something other than gaggles of yahoos. The Apostle focuses on the community spirit of the church, and thereby shatters some of the mystery of its appeal in a culture as self-centered as our own. There are no saints in this story, just a protagonist and his supporters trying to make sense of a country in which there is little love and way too much usury. The film is harsh on a number of levels, very no-nonsense though drawn out at various moments. But it's real, and that's more than can be said for ninety per cent of what passes for films about U.S. culture these days. It's said by some folks that Robert Duvall has been trying to make this film for a lot of years, and there are parts of The Apostle that contain faint echoes of his 1983 project Tender Mercies. It hardly matters, since both are interesting films for different reasons. Some day we'll see Robert Duvall as the vast repository of Americana he really is, until then, The Apostle is one of the best testimonies to his strengths that I know of. Can I get a witness?
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