After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

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Cast

Cast overview, first billed only:
...
Horace
Paul Bagget ...
Tag Team Preacher #3 (as Brother Paul Bagget)
...
Female Sonny Supporter
...
Mary Lynette Braxton ...
Mother Blackwell
...
Helper
Christopher Canady ...
Sister Johnson's Twin
Christian Canady ...
Sister Johnson's Twin
...
Elizabeth Chisolm ...
Singer
William Atlas Cole ...
Bayou Man (as Brother William Atlas Cole)
Frank Collins Jr. ...
Soloist #4 (as Reverend Frank Collins Jr.)
Carl D. Cook ...
Civic Auditorium Preacher (as Prophet Carl D. Cook)
Naomi Craig ...
Scripture Reader
Wayne Dehart ...
Liquor Store Preacher
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Storyline

Eulis 'Sonny' Dewey is a preacher from Texas living a happy life with his beautiful wife Jessie. Suddenly his stable world crumbles: Jessie is having an affair with young minister Horace. Sonny gets enraged and hits Horace with a softball bat, putting him into a coma. After that he leaves town, takes a new name, 'Apostle E.F.' and goes to Louisiana. There he starts to work as a mechanic for local radio station owner Elmo, and Elmo lets him preach on the radio. E.F. starts to preach everywhere: on the radio, on the streets, and with his new friend, Reverend Blackwell he starts a campaign to renovate an old church. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Lust, Obsession, Revenge... Redemption See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and a related scene of violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 February 1998 (USA)  »

Also Known As:

Apostel!  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$40,969 (USA) (19 December 1997)

Gross:

$20,733,485 (USA) (12 June 1998)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Robert Duvall had to use $4 million of his own money to complete the film. When the movie did well at the box office the distributors reimbursed him. See more »

Goofs

When The Apostle is in his car at the accident scene his window is closed. As he gets out of the car and closes the door, the window is partially open. See more »

Quotes

Brother Blackwell: [laughing] Now, Apostle, I know what you're thinking, but... All-All I can say is that whenever you've been on the radio, most all the white people think you're black. Now, most all the colored people know you ain't black; but they sho do like you're style of preachin'. So, what you see is what we got.
Sonny: Yeah. Yeah, well we got what the Lord sent... what the Lord sent.
Brother Blackwell: That's right.
See more »

Crazy Credits

During the end credits there is a scene showing Sonny (Robert Duvall) preaching to the prisoners during out-of-prison work. See more »

Connections

Referenced in Bad Santa: Not Your Typical Christmas Movie (2004) See more »

Soundtracks

You Didn't Have to Say It, Out Loud
Written by Randy Sharp, Chris Farren
Performed by Chris Farren
Courtesy of Windswept Pacific Entertainment Co.
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User Reviews

Can I get a witness?
16 July 2004 | by (Seattle) – See all my reviews

I didn't grow up down South, or even in the midwest, but I do know a little bit about the Pentacostal Church and Christian fundamentalism. Robert Duvall is an ambitious actor and film maker, and The Apostle hits home with its perceptive and loving portrayal of country people in the United States. It is refreshing to see that culture portrayed as something other than gaggles of yahoos. The Apostle focuses on the community spirit of the church, and thereby shatters some of the mystery of its appeal in a culture as self-centered as our own. There are no saints in this story, just a protagonist and his supporters trying to make sense of a country in which there is little love and way too much usury. The film is harsh on a number of levels, very no-nonsense though drawn out at various moments. But it's real, and that's more than can be said for ninety per cent of what passes for films about U.S. culture these days. It's said by some folks that Robert Duvall has been trying to make this film for a lot of years, and there are parts of The Apostle that contain faint echoes of his 1983 project Tender Mercies. It hardly matters, since both are interesting films for different reasons. Some day we'll see Robert Duvall as the vast repository of Americana he really is, until then, The Apostle is one of the best testimonies to his strengths that I know of. Can I get a witness?


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