Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later ... See full summary »
In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven ... See full summary »
Anna is a young and elegant wife of Mr. Karenin, who is wealthy and old. She meets the handsome Count Vronsky. Anna and Vronsky fall in love with each other, and he comes to be with her in St. Petersburg. They are very happy together and make a great looking couple, but soon their happiness gets under social pressures. Anna is hopelessly begging Mr. Karenin for a divorce, but he wants to keep the mother of their child. She has another baby born from her lover Vronsky. Conflict between her untamed desires and painful reality causes her a depression and suicidal thoughts. Written by
Sean Bean was chosen by the director Bernard Rose to play Count Vronsky because Rose had seen him playing the role of Richard Sharpe in the Sharpe's series on British television - the director thought he looked natural in a period-military uniform See more »
During the movie, title cards inform the viewer that the story arch unfolds in the years 1880 to 1882 - yet at the end of the movie Vronsky leaves to fight in the Russo-Turkish war of 1877- 1878. See more »
Violin Concerto in D Major, op. 35
Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky)
Performed by The St. Petersburg Philharmonic Orchestra
Conducted by Georg Solti (as Sir Georg Solti) Maxim Vengerov, violin
Maxim Vengerov appears courtesy of Teldec Classics GmbH Hamburg
Courtesy of Icon Records and London Records See more »
I have to say, I was dragged to see this one by my girlfriend and to say I was sceptical about it's likely entertainment value would be a considerable understatement. Unfortunately for my pride, this film completely blew me away.
I won't dwell on the story, as it is apparently very well known (except to heathens such as myself), but I do know that it did capute love and denial and sadness in a way I've never seen before.
The cinematography is also fantastic. Watch out especially for the dancing scenes in the ballroom and the horse racing.
If all period costume movies were like this, then I'd abandon Sci-Fi altogether!
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