In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven ... See full summary »
Anna is a young and elegant wife of Mr. Karenin, who is wealthy and old. She meets the handsome Count Vronsky. Anna and Vronsky fall in love with each other, and he comes to be with her in St. Petersburg. They are very happy together and make a great looking couple, but soon their happiness gets under social pressures. Anna is hopelessly begging Mr. Karenin for a divorce, but he wants to keep the mother of their child. She has another baby born from her lover Vronsky. Conflict between her untamed desires and painful reality causes her a depression and suicidal thoughts. Written by
Sean Bean was chosen by the director Bernard Rose to play Count Vronsky because Rose had seen him playing the role of Richard Sharpe in the Sharpe's series on British television - the director thought he looked natural in a period-military uniform See more »
Although the film claims to be set in the 1880s, the book must be set earlier than that because it was published in 1875. See more »
Trio Élégiaque No. 1 in G Minor
Written by Sergei Rachmaninoff
Performed by The Beaux Arts Trio (as Beaux Arts Trio)
Courtesy of Philips Classics by arrangement with PolyGram Film & TV Licensing See more »
Faithful to the novel and a pleasure for the eyes.
Of all the versions of the Tolstoy novel which I have seen (two with Greta Garbo, the deplorable one with Vivien Leigh, another with Jacqueline Bisset), this is the one that really reflects the scope and social observation of the book. The careful direction and art direction, the St.Petersburg backgrounds, as well as the exquisite cinematography, make this movie a real feast for the eyes, with magnificent plastic compositions and lighting in every shot. The abused Tchaikovsky music was used discreetly. Sophie Marceau plays a very young Anna, and makes her credible all the time. Sean Bean and James Fox, as Vronsky and Karenin, are admirable. And even if the screen play by director Bernard Rose is a little too literary, the complete story was told, and the result was the best Anna Karenina the screen has offered.
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