The daughter of the last Russian Tsar, Nicolas II, Anastasia is found by two Russian con men, Dimitri and Vladimir, who seek the reward that her grandmother, the Dowager Empress Marie, promised to the ones who'll find her. But the evil mystic of the Tsar family, Rasputin, still wants the Romanov family to be destroyed forever. Written by
The real Anastasia was indeed born at the Peterhof Palace, which was called "The Farm" by her family. It was designed in imitation of the Palace of Versailles, in France. See more »
At the beginning of the film when Marie gives Anastasia a music box, Dimitri is seen in the background being grabbed and taken away to the kitchen. However, when Rasputin appears at the ball, Dimitri can be seen again behind the Dowager Empress and Anastasia. Although Rasputin's appearance may have been later on in the night, it is unlikely Dimitri was able to leave the kitchen again if he had already left once. See more »
Dowager Empress Marie:
There was a time, not very long ago, where we lived in an enchanted world of elegant palaces and grand parties. The year was 1916, and my son, Nicholas, was the czar of Imperial Russia.
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The first part of the initial set of the credits shows clips of the film. See more »
Let others carp about the disservices to history: this Anastasia rises above its flaws to offer an engaging, emotionally resonant story of a girl's search for identity. Within its historical, quasi-factual context, the film presents a situation almost everyone can relate to--that of trying to find one's place in the world. Orphaned Anya's quest for her past (and, consequently, her future) strikes universal emotional chords: singing "Journey to the Past," she sets out with both trepidation and hope to find her identity and her place in the world. The haunting, poignant "Once Upon a December" sequence, one of the finest scenes in any recent film, is unforgettable, as we watch Anya's yearnings take the form of a ghostly dance with memories of a vanished life. And the final reunion where hostility melts gradually into acceptance, is one of the most moving and satisfying moments in film. Everything about the film bespeaks loving attention and quality: the magnificent animation and design re-create lavish Russian and Parisian locations (complete with recognizable artworks and cameos by celebrities of the '20s), and the screenplay balances action, humor, and genuine emotion. Villain Rasputin is clearly aimed at children, and some of the repartee between Anya and unlikely hero Dimitri may seem jarringly anachronistic, but viewers of any age should still enjoy this timeless coming-of-age story.
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