When Joseph receives a beautiful coat from his parents, his eleven brothers hate him even more and are driven to sell him to desert merchants who take him to Egypt! There he is made the ... See full summary »
The daughter of last Russian Tsar, Anastasia, is found by two Russian con men, Dimitri and Vladimir, who seek the reward that her grandmother, Marie, promised to the ones who'll find her. But the evil mystic of the Tsar family, Rasputin, still wants the Romanov family to be destroyed forever. Written by
When Meg Ryan was offered the role of Anya, she could not decide if she wanted to accept it or not. Upon hearing of Ryan's indecision, Fox took an audio clip of Ryan talking in Sleepless in Seattle and created a short animated sequence of Anya speaking the lines. They sent the clip to Ryan, and she was so impressed that she changed her mind and accepted the role. See more »
On the boat, when Anastasia says "Is that possible?" she puts the music box down at her feet. When she climbs into the bunk, the music box is nowhere to be seen. See more »
Dowager Empress Marie:
There was a time, not very long ago, where we lived in an enchanted world of elegant palaces and grand parties. The year was 1916, and my son, Nicholas, was the czar of Imperial Russia.
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The version shown on HBO and related channels contains extra credits for the Spanish-language version of the film. The song over those credits, a Spanish version of "Journey to the Past," was on the film's soundtrack album. See more »
Let others carp about the disservices to history: this Anastasia rises above its flaws to offer an engaging, emotionally resonant story of a girl's search for identity. Within its historical, quasi-factual context, the film presents a situation almost everyone can relate to--that of trying to find one's place in the world. Orphaned Anya's quest for her past (and, consequently, her future) strikes universal emotional chords: singing "Journey to the Past," she sets out with both trepidation and hope to find her identity and her place in the world. The haunting, poignant "Once Upon a December" sequence, one of the finest scenes in any recent film, is unforgettable, as we watch Anya's yearnings take the form of a ghostly dance with memories of a vanished life. And the final reunion where hostility melts gradually into acceptance, is one of the most moving and satisfying moments in film. Everything about the film bespeaks loving attention and quality: the magnificent animation and design re-create lavish Russian and Parisian locations (complete with recognizable artworks and cameos by celebrities of the '20s), and the screenplay balances action, humor, and genuine emotion. Villain Rasputin is clearly aimed at children, and some of the repartee between Anya and unlikely hero Dimitri may seem jarringly anachronistic, but viewers of any age should still enjoy this timeless coming-of-age story.
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