The daughter of the last Russian Tsar, Nicolas II, Anastasia is found by two Russian con men, Dimitri and Vladimir, who seek the reward that her grandmother, the Dowager Empress Marie, promised to the ones who'll find her. But the evil mystic of the Tsar family, Rasputin, still wants the Romanov family to be destroyed forever. Written by
Meg Ryan was in her mid-thirties when she voiced the eighteen-year-old Anya. See more »
Throughout the "Paris Holds the Key (to Your Heart)" number the rose in Anastasia's hair disappears and reappears several times. See more »
Dowager Empress Marie:
There was a time, not very long ago, where we lived in an enchanted world of elegant palaces and grand parties. The year was 1916, and my son, Nicholas, was the czar of Imperial Russia.
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The version shown on HBO and related channels contains extra credits for the Spanish-language version of the film. The song over those credits, a Spanish version of "Journey to the Past," was on the film's soundtrack album. See more »
Has the sumptuous look of a Broadway musical...delightful entertainment...
Some of the most beautiful animation and backgrounds in recent history are a central ingredient of "Anastasia", a charming full-length feature based on the famous title character and set against the period of the Russian revolution. Expert vocal work by Angela Lansbury (Dowager Empress), Meg Ryan (Anastasia), John Kusack (Dimitri) and many others, make the characters seem more dimensional than in most animated features. Particularly Dimitri and Anastasia, whose love-hate relationship seems startlingly real given the superb animation.
The score is studded with some Oscar-nominated music and the sinister moments have the kind of villain you love to hate (Rasputin). Some of the scenes might be too intense for small children--as well as a realistic railway scene on a runaway car--but all in all, should delight young and old. Angela Lansbury's voice is especially effective as the Empress. The art of animation doesn't get any better than this! This Don Bluth/Gary Goldman production is as good as anything Disney might have attempted.
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