The daughter of the last Russian Tsar, Nicolas II, Anastasia is found by two Russian con men, Dimitri and Vladimir, who seek the reward that her grandmother, the Dowager Empress Marie, promised to the ones who'll find her. But the evil mystic of the Tsar family, Rasputin, still wants the Romanov family to be destroyed forever. Written by
In real life, Gregori Efimovich a.k.a. Rasputin was a very controversial figure who, in fact, was the Romanov's advisor and Tsarina Alexandra's most trusted confidant. Rumor has it that Rasputin told the Tsarina he was about to be assassinated and that if one of her relatives killed him, all the Romanov family would die within a year. While of course these facts were too dark to be included in the movie, there is a reference: during the song "A Rumor in St. Petersburg", an old woman tells Dimitri to buy "Count Yussupov's pajamas", while offering a pair of ragged clothes. Yussupov, who actually was a prince, really existed, was indeed related to Alexandra Romanov and was the one who killed the real Rasputin, along with a group of noblemen. See more »
In Vlad's first spoken line in the movie "Well, Dimitri, I got us a theater!" he has a very stuffy English accent, but throughout the rest of the film he has a thick Russian accent. See more »
Dowager Empress Marie:
There was a time, not very long ago, where we lived in an enchanted world of elegant palaces and grand parties. The year was 1916, and my son, Nicholas, was the czar of Imperial Russia.
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Clips of the characters shown are shown along with the names of their respective actors during the the beginning of the second part of the initial credits. See more »
Let others carp about the disservices to history: this Anastasia rises above its flaws to offer an engaging, emotionally resonant story of a girl's search for identity. Within its historical, quasi-factual context, the film presents a situation almost everyone can relate to--that of trying to find one's place in the world. Orphaned Anya's quest for her past (and, consequently, her future) strikes universal emotional chords: singing "Journey to the Past," she sets out with both trepidation and hope to find her identity and her place in the world. The haunting, poignant "Once Upon a December" sequence, one of the finest scenes in any recent film, is unforgettable, as we watch Anya's yearnings take the form of a ghostly dance with memories of a vanished life. And the final reunion where hostility melts gradually into acceptance, is one of the most moving and satisfying moments in film. Everything about the film bespeaks loving attention and quality: the magnificent animation and design re-create lavish Russian and Parisian locations (complete with recognizable artworks and cameos by celebrities of the '20s), and the screenplay balances action, humor, and genuine emotion. Villain Rasputin is clearly aimed at children, and some of the repartee between Anya and unlikely hero Dimitri may seem jarringly anachronistic, but viewers of any age should still enjoy this timeless coming-of-age story.
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