| Photos (See all 69 | slideshow) | Videos (see all 2) |
| Jennifer Lopez | ... | Terri Flores | |
| Ice Cube | ... | Danny Rich | |
| Jon Voight | ... | Paul Serone | |
| Eric Stoltz | ... | Dr. Steven Cale | |
| Jonathan Hyde | ... | Warren Westridge | |
| Owen Wilson | ... | Gary Dixon | |
| Kari Wuhrer | ... | Denise Kalberg | |
| Vincent Castellanos | ... | Mateo | |
| Danny Trejo | ... | Poacher | |
| Frank Welker | ... | Anaconda (voice) |
Directed by | |||
| Luis Llosa | |||
Writing credits(WGA) | ||
| Hans Bauer | (written by) and | |
| Jim Cash | (written by) & | |
| Jack Epps Jr. | (written by) | |
Produced by | |||
| Jack Epps Jr. | .... | producer | |
| Andy Fickman | .... | associate producer | |
| Verna Harrah | .... | producer | |
| Carole Little | .... | producer | |
| Beau Marks | .... | co-producer | |
| Leonard Rabinowitz | .... | producer | |
| Stelvio Rosi | .... | line producer | |
| Susan Ruskin | .... | executive producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Bill Butler | |||
Film Editing by | |||
| Michael R. Miller | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Kirk M. Petruccelli | |||
Art Direction by | |||
| Barry Chusid | |||
Set Decoration by | |||
| Daniel Loren May | (as Daniel L. May) | ||
Costume Design by | |||
| Kathy Monderine | |||
Makeup Department | |||
| Ken Diaz | .... | makeup artist: Mr. Voight | |
| Dino Ganziano | .... | hair stylist: Mr. Voight | |
| Donna Barrett Gilbert | .... | key hair stylist | |
| Joel Harlow | .... | special makeup effects artist | |
| Rob Hinderstein | .... | makeup artist | |
| Dayne Johnson | .... | makeup artist | |
| Jim Kail | .... | key makeup artist (as James Kail) | |
| Sônia Silva | .... | make up: Brazil (as Sonia Regina Silva) | |
Production Management | |||
| Valeria Costa Amorim | .... | assistant production manager | |
| Jim Dyer | .... | unit production manager (as James R. Dyer) | |
| Caíque Martins Ferreira | .... | production manager | |
Sound Department | |||
| Douglas B. Arnold | .... | sound mixer | |
| John H. Arrufat | .... | dialogue editor | |
| Steve Birkett | .... | boom operator | |
| Destiny Borden | .... | first assistant sound editor | |
| Simon Coke | .... | sound effects editor | |
| Ronald Eng | .... | dialogue editor | |
| Ed Fassl | .... | sound effects editor | |
| Richard C. Franklin | .... | supervising sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Nerses Gezalyan | .... | sound mixer | |
| Hector C. Gika | .... | sound effects editor | |
| Avram D. Gold | .... | adr editor | |
| Kimberly Harris | .... | adr supervisor (as Kimberly Harris-Rivolier) | |
| Gary A. Hecker | .... | foley artist | |
| Drake Jenevein | .... | assistant sound editor | |
| Daniel J. Leahy | .... | sound re-recording mixer | |
| Larry Mann | .... | foley editor | |
| Tony Negrete | .... | assistant sound editor | |
| Mark Pappas | .... | foley editor | |
| Monique Salvato | .... | adr assistant | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Jeffrey Wilhoit | .... | foley artist | |
| Gary Wright | .... | dialogue editor | |
| David Yaffe | .... | sound mixer: replacement mixer | |
Special Effects by | |||
| Tony Allard | .... | special effects technician | |
| Steve Blumenkrantz | .... | animatronic effects | |
| Ty Boyce | .... | animatronic snakes | |
| Ty Boyce | .... | electrical/hydraulic designer | |
| Dave Caldwell | .... | animatronic effects | |
| Terry Chapman | .... | special effects foreman | |
| Walt Conti | .... | animatronics effects | |
| Manuel Contreras | .... | animatronic effects | |
| Alan Cooney | .... | animatronic effects | |
| Charles E. Dolan | .... | special effects foreman | |
| Stephanie Englert | .... | animatronic effects | |
| Chuck Gaspar | .... | special effects supervisor | |
| Joss Geiduschek | .... | animatronic effects | |
| David Hoehn | .... | creature effects prosthetics artist: Edge Innovations | |
| Nori Honda | .... | sculptural designer: Steve Johnson's XFX Inc | |
| Jonathan Horton | .... | animatronic effects | |
| Tom Hsiu | .... | animatronic effects | |
| Dana Klaren | .... | special effects technician | |
| David Knight | .... | animatronic effects | |
| Krissy Luster | .... | animatronic effects | |
| John Raff | .... | animatronic effects | |
| Gary Reyes | .... | animatronic effects | |
| Edward Roberts | .... | animatronic effects | |
| Alan Schier | .... | animatronic effects | |
| John Titus | .... | animatronic effects | |
| Tim Walkey | .... | special effects foreman | |
| John Williams | .... | animatronic effects | |
| Rich E. Cordobes | .... | special effects technician (uncredited) | |
| Garth Patil | .... | special effects (uncredited) | |
| Dirk Rogers | .... | special effects technician: Altered Anatomy EFX (uncredited) | |
Visual Effects by | |||
| Scott Anderson | .... | visual effects editor | |
| Elisabeth Arko | .... | technical assistant | |
| Bill Houston Ball | .... | visual effects | |
| Jacquie Barnbrook | .... | visual effects coordinator | |
| Travis Baumann | .... | digital artist: CFC | |
| Jim Berney | .... | technical director: SPI | |
| John Berri | .... | assistant visual effects editor | |
| Allen Blaisdell | .... | visual effects photography | |
| Colin Campbell | .... | compositing lead | |
| Rusty Case | .... | senior systems architect | |
| Anthony Ceccomancini | .... | pre-visualization coordinator | |
| John Decker | .... | digital artist | |
| Thomas R. Dickens | .... | lead prop modeler: SPI | |
| Rob Engle | .... | software developer | |
| Darcy Fray | .... | visual effects coordinator | |
| Robin Griffin | .... | visual effects producer | |
| Michael S. Harbour | .... | digital artist | |
| Ralph Horan | .... | executive producer: visual effects | |
| Martin A. Kline | .... | visual effects art director | |
| Kelvin Lee | .... | lead animator | |
| Ann Monn | .... | visual effects artist | |
| John Nelson | .... | visual effects supervisor | |
| Felix Ojeda | .... | digital artist | |
| Janek Sirrs | .... | visual effects | |
| Serge Sretschinsky | .... | supervising technical director | |
| David Tanner | .... | software engineer | |
| Aileen Timmers | .... | visual effects producer | |
| Audrea Topps Harjo | .... | software production coordinator | |
| Michael J. Travers | .... | digital artist: SPI | |
| Barry Weiss | .... | senior staff: SPI | |
| Manny Wong | .... | creature animator | |
| Terrence Masson | .... | animation consultant (uncredited) | |
| Paul McGhee | .... | film scanning and recording (uncredited) | |
| Hal Miles | .... | digital artist (uncredited) | |
| Lance Powell | .... | technical coordinator (uncredited) | |
| Attila Veress | .... | film scanner operator (uncredited) | |
Stunts | |||
| Jennifer Badger | .... | stunts | |
| Sandy Berumen | .... | stunts | |
| Nick Brett | .... | stunts | |
| Phil Culotta | .... | stunts | |
| Carol Daniels | .... | stunts | |
| J. Mark Donaldson | .... | stunts | |
| Richard Epper | .... | stunts | |
| Patricia Eskenazi | .... | stunt double: Kari Wehrer | |
| Stephanie Finochio | .... | stunt double | |
| Mickey Giacomazzi | .... | stunts | |
| Terry Jackson | .... | stunt double: Jonathan Hyde | |
| Terry James | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts (as Hugh O'Brien) | |
| Chuck Picerni Jr. | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Jeff Podgurski | .... | stunts | |
| Dennis Scott | .... | stunts | |
| Mike Smith | .... | stunts | |
| Patrick J. Statham | .... | stunts | |
| Dain Turner | .... | stunts | |
| Tierre Turner | .... | stunts | |
| Eddie L. Watkins | .... | stunts (as Eddie Watkins) | |
| April Weeden | .... | stunts | |
| Webster Whinery | .... | stunt coordinator | |
Animation Department | |||
| David Simmons | .... | animator | |
| David B. Vallone | .... | animator | |
Casting Department | |||
| Debora Da Silva Medeiros | .... | extras casting: Brazil | |
| John Papsidera | .... | casting associate | |
Costume and Wardrobe Department | |||
| Gala Autumn | .... | set costumer | |
| Roberto Carneiro | .... | costumer | |
| Bridgitte Ferry | .... | costumer | |
| Inéz Salgado Miranda | .... | wardrobe assistant: Brazil | |
| Maria Beatriz B. Salgado | .... | wardrobe assistant: Brazil | |
Editorial Department | |||
| Dale E. Grahn | .... | color timer | |
| Mo Henry | .... | negative cutter | |
| Lisa Kramer | .... | apprentice editor | |
| Margaret Liu | .... | assistant film editor | |
| Gregg London | .... | additional film editor | |
| Benjamin Rapoport | .... | assistant film editor | |
Music Department | |||
| Elton Ahi | .... | scoring engineer | |
| Tom Boyd | .... | musician: oboe soloist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Joanie Diener | .... | music editor | |
| Gary A. Hecker | .... | anaconda vocal effects | |
| Stephen Lotwis | .... | music editor | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| Lizette Martins de Lima | .... | transportation office manager: Brazil | |
| Robert Hunter Jr. | .... | transportation captain (as Robert Hunter) | |
| Greg Nutt | .... | transportation captain | |
| Gregory Nutt | .... | transportation co-captain | |
| John F. Teeple | .... | driver | |
| Leo Wery | .... | transportation captain: Brazil | |
Thanks | |||
| Napoleon A. Chagnon | .... | special thanks | |
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Growing up in the 50's gave me the privilege of being one the last generations of filmgoers to enjoy the Saturday afternoon double-feature matinee experience at the neighborhood theatre. These double-features were primarily low budget sci-fi/horror epics with slender threads of plot, lovely damsels in distress (Beverly Garland, Barbara Rush), square-jawed heroes (Peter Graves, Richard Carlson) and budget monsters from Mars, the grave, melted icebergs, mad scientist's labs or atomic fallout. Well not really. The monsters were usually guys in rubber suits (Creature From The Black Lagoon, This Island Earth), or cheap trick photography (Tarantula, Attack of the 50 Ft Woman), or `Mask and Glove' illusions (I Was A Teenage Werewolf/Frankenstein, Monster On The Campus), or, if we were really lucky, a Ray Harryhausen stop motion creation.
Needless to say this wasn't great cinema, but what it WAS, was great fun. Were you scared? Not really. Did you have the need for everything to be fact-based and believable? Of course not! You went to be entertained, to let your imagination merge with the sounds and images and have a good time, laughing or screaming. Could anyone really take the monster from `It Conquered The World' seriously, or wonder whether `The Creature From The Black Lagoon' was biologically possible or if it could anatomically deflower Julie Adams? Didn't matter. Instead, you let yourself meld into the film's world and travel along for the ride.
Thus whether you were on the obviously and badly animated `Angry Red Planet', or trapped with James Best on the island of dogs in make-up which were trying to pass for `The Killer Shrews', you surrendered to the magic.
My heart weeps for the post `Star Wars' filmgoers, these people weaned on special effects, the MTVers and video viewers who've had their imaginations and attention spans kidnapped and are told what to see and how to interpret it. I truly am sorry. You people missed a modern day, Grade B double feature, sci-fi/horror classic called `Anaconda'. And we hadn't seen one this good since `Alien'.
Being an intelligent man, I realize the futility of convincing the non-believers who can't draw from the needed background reservoir to understand, so I won't bother preaching this film's virtues or try to win you over by fact and argument. This, however, is what I will say
This is a brilliant re-creation of the lost art of the 1950's double-feature horror genre; not really a homage to, more the real thing. It's `Creature From The Black Lagoon', with a really cheesy computer animated snake in place of a guy in a really cheesy rubber suit. It's a Saturday afternoon classic for people who remember and understand them. Story is great, script is great, cinematography is great, direction is great, acting is great, the women beautiful and endangered, the heroes machismo and handsome, the monster phantasmagorical, and we get a bonus surprise by one of the greatest American actors, Jon Voight, doing a magnificent over-the-top, slimy, nasty, reprehensibly heartless villain, complete with a sly wink to the audience. His performance is the key to the film. He understood the film's intent and translated it to the screen for you. If it's in your realm of understanding and experience, you get it and are able to partake in this little slice of cinema heaven.
In 20 years, they'll be calling this a classic. I'm calling it one now.