Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find help when they land. Instead, when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release. Written by
M Parkinson, Sarasota, FL, USA
The film prompted a lawsuit by writer Barbara Chase-Riboud, who alleged the screenplay for the film plagiarized her book 'Echo of Lions', a fictionalized account of the Amistad incident. The book had been pitched to Steven Spielberg's Amblin Entertainment by Jacqueline Kennedy Onassis. Amblin executives met with Chase-Riboud, turned down that project, then made this film. Amistad writer David Franzoni had previously been hired, by a different production company, to write a screenplay based explicitly on 'Echo of Lions', and his Amidstad script replicated fictional elements, characters, and situations invented by Chase-Riboud. Spielberg's lawyer called the suit baseless and disparaged the Chase-Riboud book, while Franzoni claimed he'd never read it. The suit was eventually settled for an undisclosed amount, on the condition the author make statements publicly supporting the movie. See more »
There is a scene where the men are shown lying on their bunks and their heads are all moving to the rocking motion of the ship. However, there is a chain hanging nearby that is not moving at all. This is because the ship was in port when this scene was filmed and someone out of view was leading all the actors to move their heads to give the impression that the ship was sailing on the high seas. See more »
[to Pedro Montes]
That one wants us to sail them back. That one thinks he can sail all the way back without us.
See more »
The events depicted did not historically occur at Fort El Morro See more »
Amistad is a very well crafted, well acted, and well told story. It is also mostly true to the history of events surrounding the Amistad 'mutiny', and the defense of the Africans responsible for it by John Quincy Adams and a young lawyer named Baldwin. I put the word mutiny in quotes because it is absurd to think of people fighting against murder, enslavement and rape as any form of crime. The film is unabashed about showing us the brutality and outrageousness of the covertly institutionalized slave trade that haunted one of America's darkest, most retrograde periods, and pulls no punches about the cultural differences between its victims, its culprits, and those who felt that it was not their problem.
Amistad ranks as one of McConaughey's finest performances, perhaps his best. But nearly the entire cast is blown off the screen by the passionate, sensitive and profound performance of Djimon Hounsou. Hopkins is good as Adams, but what else is new? Though the film does not have a literary feel - it is pure cinema - it is a truly great story featuring bold characters and a deep and simple emotionality which draws its audience in. Alistad has a spirit that can only be described as truthfulness.
Despite his detractors, Spielburg proves again and again that morally decent films with positive messages can be entertaining and artfully crafted.
32 of 35 people found this review helpful.
Was this review helpful to you?