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Amistad (1997)

In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.

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Nominated for 4 Oscars. Another 9 wins & 38 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Secretary John Forsyth
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Yamba
Abu Bakaar Fofanah ...
Fala
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Calderon
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Derrick N. Ashong ...
Buakei
Geno Silva ...
Ruiz
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Storyline

Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find help when they land. Instead, when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release. Written by M Parkinson, Sarasota, FL, USA

Plot Summary | Plot Synopsis

Taglines:

Freedom is not given. It is our right at birth. But there are some moments when it must be taken. See more »

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated R for some scenes of strong brutal violence and some related nudity | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

25 December 1997 (USA)  »

Also Known As:

Amistad - Das Sklavenschiff  »

Box Office

Budget:

$36,000,000 (estimated)

Opening Weekend:

$4,661,866 (USA) (14 December 1997)

Gross:

$44,175,394 (USA) (5 April 1998)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Chiwetel Ejiofor appeared in 12 Years a Slave (2013). See more »

Goofs

The Tecora is shown under sail making good forward speed, despite the fact that her main sail is back winded. See more »

Quotes

[first lines]
Ruiz: [to Pedro Montes] That one wants us to sail them back. That one thinks he can sail all the way back without us.
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Crazy Credits

The events depicted did not historically occur at Fort El Morro See more »

Connections

Featured in Pete Postlethwaite: A Tribute (2011) See more »

Soundtracks

Ya Weh
Traditional West African Chant
Adapted by Arthur Abraham (as Dr. Arthur Abraham) and Debbie Allen
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User Reviews

 
The most un-Spielberg film of his oeuvre.
22 April 2003 | by (Switzerland) – See all my reviews

Dismissed on its release as a dry civics lesson or as "Schindler's List with slaves", which is a shame, because there is so much intricate stuff going on here that fans of Spielberg and his normally in-your-face approach might not grasp the moral ambiguity and more subtle touches that roam beneath the surface. In a year dominated by Titanic this was publicly dismissed as too serious or arty...

Why is it un-Spielberg? Ponderous pacing replaces storytelling fluidity and speed, his normally active camera is replaced by more painterly compositions.. Instead of having stuff jump at you, you have to search for it or feel it without truly realizing it: touches of genius are very present, but differ from the original style (like the brutal insurrection scenes, cargo dumping scene, etc).

The story itself focuses on a mutiny aboard a transatlantic slave ship, led by Cinque. The ship is intercepted by the American navy and a messy trial ensues to see who has rights regarding the cargo, Spain, America... or are the slaves not "legal" slaves after all? Cue abolitionists hiring young property lawyer Baldwin. These events, based on facts, occur before the Civil War.

I can feel people sighing from here. "Oh, no: not a courtroom drama...". Labelling it as such would be missing the point by a mile. It is so much about context and moral ambiguity, and ultimately the tragic ridicule of the situation. Amistad is also a technical marvel. Janusz Kaminski's (SPR, Schindler's List, AI, Minority Report...) photography is superb, a dark study in sepia browns. The acting is magnificent, mainly two amazing performances. One by Anthony Hopkins as former president John Quincy Adams (an unusual turn for him, where he really soars), and the other by Djimon Hounsou (later cast as Juba in Gladiator) as Cinque being the true gem.

Ultimately, Amistad's greatest strength is that it avoids offering any easy answers and in that sense, does to subconscious issues about race and slavery what Kubrick's 2001 did to space travel and progress, albeit with more humanity and more accessible drama. It's a shame this film is never talked about.


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