The story of the assassination of U.S. Senator Robert F. Kennedy who was shot in the early morning hours of June 5, 1968 in the Ambassador Hotel in Los Angeles, and 22 people in the hotel whose lives were never the same.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find help when they land. Instead, when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release. Written by
M Parkinson, Sarasota, FL, USA
Beginning during Cinque's lifetime, rumors circulated that he himself became a slave trader after his return to Africa. ('Oxford History of the American People', 1965 states: "The court with a majority of Southerners, was so impressed by the old statesman's eloquence that it ordered Cinque and the other Negroes set free, and they were returned to Africa. The ironic epilogue is that Cinque, once home, set himself up as a slave trader.") However, recent research disproves these rumors (Joseph Yannielli, 'Cinque the Slave Trader: Some New Evidence on an Old Controversy', Common-Place, Vol. 10, October 2009). It is believed that Cinque and the other freed prisoners from the Amistad returned to Africa in 1842, at which time Cinque's home country of Sierra Leone was being torn apart by civil war. Cinque and his companions from the Amistad kept in contact with members from the local Christian mission, and this contact provides today's researchers with pieces of information regarding his later life. After a while, Cinque left the area to trade along the coast of West Africa. Most stories of his later life are simply rumor. George Thompson's 'Thompson in Africa: or, An account of the missionary labors, sufferings...' (1852) puts forward the idea that Cinque had moved to Jamaica. Others held that he had become a merchant or a chief, perhaps trading in slaves himself. However, this rumor of Cinque himself engaging in the slave trade has been seriously disputed. The origin of these claims appears to be statements made by early 20th-century author William A. Owens who claimed to have seen letters from AMA missionaries suggesting Cinque was a slave trader. While it is likely that some of the freed Amistad prisoners probably did engage in the slave trade upon their return to Africa, today most historians agree that Cinque was not among them, and these claims are false. See more »
In one scene, where Isabella II is dining, a portrait of Louis XIV is hanging in the dining room. Even though Isabella was his Great-Great-Great-Great-Granddaughter, it's very unlikely that the Royal Palace of a Spanish Monarch would have a portrait of a French king prominently displayed, especially one who had been dead for 115 years when Isabella II was born. The portrait is actually hanging in the dining room of "Marble House" in Newport, Rhode Island, where much of the movie was filmed. See more »
[to Pedro Montes]
That one wants us to sail them back. That one thinks he can sail all the way back without us.
See more »
The events depicted did not historically occur at Fort El Morro See more »
What is freedom? How does one determine who is free? In 1839, those questions were more difficult to answer then they are now. Yet, the mistakes of our forefathers must be examined in order to rectify current situations.
That is, in essence, what Steven Spielberg's gripping drama "Amistad" is about. Through its various dramas, Spielberg presents a case about a group of Africans, who, after being seized from their home, were forced onto a ship and sent to the United States aboard "La Amistad". On their way there, the slaves, led by Cinque (Djimon Hounsou), rebelled, killing off part of the crew. However, the ship was still directed towards the United States, where the Africans were brought to trial under murder.
In the court, various factions claim ownership of the slaves, and therefore try to seize them away. The United States government, led by President Martin Van Buren (Nigel Hawthorne), and Secretary of State Secretary Forsyth (David Paymer), try to ship the Africans to Spain, where an 11 year old Isabella II (Anna Paquin) wants them back. The two Spaniards who own "La Amistad" want the slaves for themselves. The American ship that found the slaves also wants them. In the midst of this are two abolitionists (Stellan Skaarsgard and Morgan Freeman), who want the slaves to be free. They enlist the help of lawyer Matthew McConaughey, who tries to free them. Through various legal proceedings, the case appears before the Supreme Court, where it is argued by ex-President John Quincy Adams (Anthony Hopkins).
The film itself is a visual wonder. Spielberg favorite Janusz Kaminski sets the film in a dark, somber mood when appropriate, and a visual setting when appropriate as well. At times, the film is very slow, and very methodical. Spielberg is not at his finest here, the courtroom scenes have a tendency to lag. But Spielberg's finest work in the film, the opening scene, a scene of Cinque's family, and the brutal voyage of the slaves to America, is altogether stunning. It is this emotional force that carries the film. McConaughey is superb as the lawyer defending the Africans, Hopkins is sensational as the old Adams, Freeman is outstanding when used (Spielberg vastly under uses his supreme talents), and the rest of the cast is stellar. The movie, however, belongs to Hounsou. His emotional intensity is brilliant. Spielberg manages to make even the slowest scenes sparkle with focus on Hounsou, and the film's extraordinary power is simply captivating. The film is flawed, for most of the supporting characters are merely cardboard. But that doesn't matter. The story is a gripping one, and one of extreme importance. Kudos to Spielberg for finding it, finding the right men for the job, and letting the audience listen to the words of Cinque. A good job all around. ***1/2 out of 4, or an 8 out of 10.
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