| Photos (see all 30 | slideshow) |
| Tue. July 15 | 2:45 AM | TBS |
| Tom Everett Scott | ... | Andy McDermott | |
| Julie Delpy | ... | Serafine Pigot | |
| Vince Vieluf | ... | Brad | |
| Phil Buckman | ... | Chris | |
| Julie Bowen | ... | Amy Finch | |
| Pierre Cosso | ... | Claude | |
| Thierry Lhermitte | ... | Dr. Thierry Pigot | |
| Tom Novembre | ... | Inspector LeDuc | |
| Maria Machado | ... | Chief Bonnet | |
| Ben Salem Bouabdallah | ... | Detective Ben Bou | |
| Serge Basso | ... | Officer with Flashlight | |
| Charles Maquignon | ... | Bouncer | |
| Jochen Schneider | ... | Lycanthrope | |
| Alan Mckenna | ... | Lycanthrope | |
| Hervé Sogne | ... | Lycanthrope | |
| Edgar Kohn | ... | Lycanthrope | |
| Jean-Claude Deret | ... | Professor Martin | |
| Isabelle Constantini | ... | Serafine's Mom (Alex Price-Pigot) | |
| David F. Friedman | ... | Nightclub Visitor | |
| Christian Magnani | ... | Bruno | |
| Chris Bearne | ... | Surgeon | |
| Pierre Bodry | ... | Waiter on Train | |
| Pieter Riemens | ... | Waiter in Restaurant | |
| Emile Cappachione | ... | Bodybuilder | |
| Serge Hugel | ... | French Car Driver | |
| John Waller | ... | British Car Driver | |
| Nicholas Waller | ... | Taxi Driver | |
| Anthony Waller | ... | Metro Driver |
Directed by | |||
| Anthony Waller | |||
Writing credits(WGA) | ||
| John Landis | (characters in An American Werewolf in London) | |
| Tim Burns | (written by) & | |
| Tom Stern | (written by) and | |
| Anthony Waller | (written by) | |
Produced by | |||
| Klaus Bauschulte | .... | associate producer: Berlin | |
| Alexander Buchman | .... | co-producer | |
| Richard Claus | .... | producer | |
| Jimmy de Brabant | .... | associate producer: Luxembourg | |
| Patricia McMahon | .... | line producer | |
| Jacques-Eric Strauss | .... | co-associate producer: Paris | |
| Anthony Waller | .... | executive producer | |
Original Music by | |||
| Wilbert Hirsch | |||
Cinematography by | |||
| Egon Werdin | (director of photography) | ||
Film Editing by | |||
| Peter R. Adam | |||
Casting by | |||
| Gail Levin | |||
Production Design by | |||
| Matthias Kammermeier | |||
Art Direction by | |||
| Hucky Hornberger | |||
Set Decoration by | |||
| Andrea Schlimper | |||
Costume Design by | |||
| Maria Schicker | |||
Makeup Department | |||
| Julia Díaz | .... | additional makeup artist | |
| Marliess Hupperts | .... | additional makeup artist | |
| Marie-Claire Junker | .... | makeup artist | |
| Victor Leitenbauer | .... | makeup artist | |
| Katja Reinert-Alexis | .... | hair stylist (as Katja Reinert) | |
| Katja Reinert-Alexis | .... | makeup artist (as Katja Reinert) | |
Art Department | |||
| Manuel Demoulling | .... | property master | |
| Robert Hickson | .... | storyboard artist | |
| Peter Lloyd | .... | storyboard artist | |
| Phillip Norwood | .... | storyboard artist | |
| Edouard Pallardy | .... | painter | |
| Jill Robertson | .... | construction buyer | |
| Tiffany Rodenfels | .... | art department | |
| David Russell | .... | storyboard artist | |
| Robert Schaetz | .... | scenic artist: wolfcam effects | |
| Otfried Suppin | .... | prop master assistant | |
| Nicholas Waller | .... | storyboard artist | |
| Bruno Zenatello | .... | metal construction | |
Sound Department | |||
| Hubert Bartholomae | .... | sound designer | |
| Bernd Burkhardt | .... | adr recordist | |
| Pit Kuhlmann | .... | foley artist | |
| Pit Kuhlmann | .... | sound effects editor | |
| Frederic Legier | .... | adr recordist | |
| Andreas Musolff | .... | sound editor | |
| Jörn Poetzl | .... | foley artist | |
| Frank Reinke | .... | sound recording engineer | |
| Derek Sample | .... | adr recordist | |
| Jan Wouter Stam | .... | additional sound mixer | |
| Roberto van Eijden | .... | production sound | |
| Seppe van Groeningen | .... | boom operator | |
Special Effects by | |||
| Jan Bernotat | .... | animatronic engineer | |
| Michael Geissler | .... | animatronic engineer | |
| Clive R. Kay | .... | special effects contact lenses | |
| Franziska Loeding | .... | special effects | |
| Waggi von Seidlein | .... | animatronic engineer | |
| Daniel v. Volckamer | .... | animatronic engineer | |
| Harrie Wiessenhaan | .... | rain effects | |
Visual Effects by | |||
| Dawn Bowery | .... | digital compositor | |
| Mark Buschbacher | .... | film scanning recording: POP film | |
| Michelle Butler | .... | production coordinator: SBS | |
| John Carey | .... | compositing supervisor | |
| Wade Childress | .... | visual effects cameraman | |
| Jeffrey Cilley | .... | recording technician | |
| Jim L. Clark | .... | creature animator: Santa Barbara Studios | |
| Thomas Clary | .... | production manager: POP film | |
| Michael Cooper | .... | executive in charge of production: EFILM | |
| Mitch Enzmann | .... | motion control operator | |
| Scott Gordon | .... | computer graphics supervisor | |
| John Grower | .... | visual effects supervisor | |
| Diane Holland | .... | visual effects producer | |
| Arthur Jeppe | .... | digital artist: Santa Barbara Studios | |
| Bruce Jones | .... | visual effects executive producer | |
| Michael Kaelin | .... | technical assistant: SBS | |
| Greg Kimble | .... | digital optical supervisor: POP film | |
| Scott Liedtka | .... | technical director | |
| Kenneth Littleton | .... | digital effects supervisor: POP Film | |
| Oliver Woody Lloyd | .... | roto and paint artist | |
| Peter Lloyd | .... | visual effects art director | |
| Jason MacLeod | .... | system engineer | |
| Brandon McNaughton | .... | digital effects compositor: POP Film | |
| Andrew Mumford | .... | digital artist: wolfcam effects | |
| Matt Rhodes | .... | custom software | |
| Kathi Samec | .... | systems manager: SBS | |
| Robert Scopinich | .... | digital compositor | |
| James Straus | .... | animation director | |
| Jon Tanimoto | .... | digital compositor | |
| Lucy Taylor | .... | digital compositor | |
| Peter G. Travers | .... | lead technical director | |
| Yon Van Kline | .... | visual effects editor: Santa Barbara Studios | |
| Bobby Vignato | .... | digital artist: wolfcam effects | |
| Nicholas Waller | .... | visual effects script supervisor | |
| Bruce Walters | .... | visual effects supervisor | |
| Kelly Wilcox | .... | animator: computer graphics werewolf | |
| Lance Wilhoite | .... | roto and paint artist | |
| Lance Wilhoite | .... | visual effects compositor | |
| Adam Howard | .... | visual effects animator (uncredited) | |
| Stephen Sobisky | .... | project manager: Viewpoint Datalabs (uncredited) | |
Stunts | |||
| Joel Bissen | .... | stunts | |
| Richard Bradshaw | .... | stunts (as Richard Bradshow) | |
| Willem de Beukelaer | .... | stunts (as Willem De Beukelaar) | |
| Gil Demurger | .... | stunt coordinator | |
| Roland Goddijn | .... | stunt performer | |
| Dave Holland | .... | stunt coordinator (as David Holland) | |
| Mireille Husman | .... | stunt double: bungee jump | |
| Martin Lader | .... | stunts | |
| Philippe Lebreton | .... | stunts | |
| Tony Lucken | .... | stunts (as Anthony Lucken) | |
| Marco Maas | .... | stunts | |
| Karin Marié | .... | stunts | |
| Stuart St. Paul | .... | supervising stunt coordinator | |
| Michiel Versprille | .... | stunt double: bungee jump | |
| Steef Versprille | .... | bungee jump stunt expert: Amsterdam Unit | |
| Malcolm Weaver | .... | assistant stunt coordinator | |
| Diana Wiersma | .... | stunts | |
| Harrie Wiessenhaan | .... | stunt coordinator | |
| Rick Wiessenhaan | .... | stunt coordinator | |
| Karin Marié | .... | stunt double: Julie Delpy (uncredited) | |
Camera and Electrical Department | |||
| Benny Ashoff | .... | assistant camera | |
| Valerie Blom | .... | best girl | |
| Guillaume De Esteban | .... | assistant electrician | |
| Gilbert Degrand | .... | electrician | |
| Patrick de Ranter | .... | steadicam operator | |
| Steve Galle | .... | 2-D camera match mover | |
| Daniel Koppelkamm | .... | steadicam operator | |
| David Norris | .... | camera operator: Wescam camera, New York | |
| Michel Revest | .... | underwater assistant camera | |
| Erwin Roodhart | .... | camera operator: second unit | |
| Erwin Roodhart | .... | gaffer | |
| Roland Savoye | .... | underwater camera operator | |
| Roger Simonsz | .... | additional camera operator | |
| Roger Simonsz | .... | director of photography: second unit | |
| Carlo Thiel | .... | focus puller | |
| Anthony Waller | .... | camera operator | |
| Egon Werdin | .... | camera operator | |
| Jörg Widmer | .... | camera operator: "b" camera | |
| Jörg Widmer | .... | director of photography: second unit | |
| Jörg Widmer | .... | steadicam operator | |
Animation Department | |||
| Jim L. Clark | .... | animator | |
| Darren Lurie | .... | animator | |
| Michael Parks | .... | animator | |
| Mark Wendell | .... | computer animation: Eiffel Tower animation | |
Casting Department | |||
| Isabelle Constantini | .... | casting: Luxemburg | |
| Patrick Maurin | .... | casting: Paris | |
Costume and Wardrobe Department | |||
| Cynthia Dumont | .... | associate costume design | |
| Françoise Meyer | .... | wardrobe | |
| Diana Reimann | .... | additional wardrobe | |
| Uli Simon | .... | wardrobe | |
Editorial Department | |||
| Amy Tompkins | .... | editor: E film | |
| Alex Zaphiris | .... | colorist: E film | |
Music Department | |||
| Paul Andrews | .... | composer: song "Downtime" | |
| Petr Belohlavek | .... | orchestra coordinator | |
| Wilbert Hirsch | .... | music producer | |
| Boris Jojic | .... | orchestrator | |
| Mario Klemens | .... | conductor | |
| George Kochbek | .... | additional music arranger | |
| George Kochbek | .... | music producer | |
| Pavel Kuehn | .... | conductor: choir | |
| David Was | .... | music supervisor | |
| Angie Rubin | .... | music editor (uncredited) | |
Transportation Department | |||
| Graham Johnston | .... | driver | |
| Sander van Meurs | .... | transportation coordinator: Amsterdam | |
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| An American Werewolf in London | Underworld | Underworld: Evolution | Resident Evil: Apocalypse | Rambo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
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It's very hard to compare this movie with American Werewolf in London.There, the first-time seen transformation effects, the plot and the acting were very satisfying, and the movie was a classic of contemporary horror. Here, lots of loose ends in the screenplay and incredibly poor acting made this film enjoyable only for the see-all-terror-movies buffs. The movie shows well the trend of using CG (computer graphics) in every key scene, which really seems artificial and boring after some shots.