The daughter of the werewolf from AWIL is alive and living in Paris where her mother (from the first film) and stepfather are trying to overcome her lycanthropic disease. A trio of American tourists on a thrill seeking trip around Europe manage to stop her from plunging to her death from the top of the Eiffel tower and are embroiled in a horrific but often hilarious plot involving a secret society of werewolves based in the city and a drug which allows werewolves to change at any time... This time there's no need for a full moon... Written by
Ben Jewitt <firstname.lastname@example.org>
When Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg. See more »
[outside the Club Luna]
Claude said no one is to be admitted once the door was locked.
The full moon is rising; would you rather I remained out here with you?
[opens the door and lets Serafine in, quickly locking the door behind her]
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Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.
Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.
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