Regina, the once popular girl has to make new friends at her new, conservative school. Problems arrive when she becomes enemies with Lívia, the school's queen bee, and falls in love with ... See full summary »
A platoon of eagles and vultures attacks the residents of a small town. Many people die. It's not known what caused the flying menace to attack. Two people manage to fight back, but will they survive Birdemic?
Thirty-something Jonna, successful ad executive with cozy architect husband Niklas and two small children, leads a double life. She is constantly on the lookout for quick casual sex. When ... See full summary »
Two young people stand on a street corner in a run-down part of New York, kissing. Despite the lawlessness of the district they are left unmolested. A short distance away walk Maria and ... See full summary »
Beate Charlotte Lunde
Billie Frank is a shy, young multiracial girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise and Roxanne. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker, who wants them to sing backup for his latest pop-music discovery. But when super DJ Julian Dice hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Written by
"Glitter" might have been a camp classic if the story wasn't so dull and downbeat. It's yet another rewrite of "A Star Is Born", here turned into a vehicle for pop star Mariah Carey and apparently patterned after her own rise to the top (audiences weren't fooled, however, by the updated, late-night-movie clichés). Carey's funky/erotic music is driving (and her performance as blazing new talent Billie Frank is adequate), but the script for "Glitter" seems left over from the 1950s. Didn't the writers realize that times have changed and that Billie didn't have to be such a diva-doormat? Actresses of a lot higher caliber than Mariah Carey have fallen into this trap--they just don't want to see themselves on the screen acting bitchy and tough, so they end up playing the simp. "Glitter" features some rich cinematography (nice shots of the Big Apple), but it is too soft to make an impression--even as an unintended comedy. *1/2 from ****
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