A naturally talented basketball player, Noah Cruise is determined to become a doctor using his basketball scholarship to UCLA pre-med, rather than succumb to the lure of former sports agent... See full summary »
Preston A. Whitmore II
When a rap mogul from Atlanta tries to join a conservative country club in the Carolinas he runs into fierce opposition from the board President- but it's nothing that he and his entourage can't handle.
Regina, the once popular girl has to make new friends at her new, conservative school. Problems arrive when she becomes enemies with Lívia, the school's queen bee, and falls in love with ... See full summary »
When an oil company unwittingly unleashes a prehistoric shark from its icy prison, the Jurassic killer maroons a group of thieves and beautiful young female college students on an abandoned... See full summary »
Billie Frank is a shy, young multiracial girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise and Roxanne. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker, who wants them to sing backup for his latest pop-music discovery. But when super DJ Julian Dice hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Written by
"Glitter" might have been a camp classic if the story wasn't so dull and downbeat. It's yet another rewrite of "A Star Is Born", here turned into a vehicle for pop star Mariah Carey and apparently patterned after her own rise to the top (audiences weren't fooled, however, by the updated, late-night-movie clichés). Carey's funky/erotic music is driving (and her performance as blazing new talent Billie Frank is adequate), but the script for "Glitter" seems left over from the 1950s. Didn't the writers realize that times have changed and that Billie didn't have to be such a diva-doormat? Actresses of a lot higher caliber than Mariah Carey have fallen into this trap--they just don't want to see themselves on the screen acting bitchy and tough, so they end up playing the simp. "Glitter" features some rich cinematography (nice shots of the Big Apple), but it is too soft to make an impression--even as an unintended comedy. *1/2 from ****
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