A rag-tag bunch of seniors, complete outsiders at their surf-crazed Laguna Beach High School, decide to crash the biggest team surf contest. In order to prevail, however, they must do one ... See full summary »
A modern-day updating of the Dracula legend that finds Steven, a good-looking American hero devastated by the death of his girlfriend, wandering through Europe and looking for happiness. A ... See full summary »
When a rap mogul from Atlanta tries to join a conservative country club in the Carolinas he runs into fierce opposition from the board President- but it's nothing that he and his entourage can't handle.
Billie Frank is a shy, young multiracial girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise and Roxanne. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker, who wants them to sing backup for his latest pop-music discovery. But when super DJ Julian Dice hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Written by
During filming, tracks using backup singer Mary Ann Tatum were used in place of Mariah Carey's voice to avoid bootlegging. Carey recorded her vocals close to the release date of the soundtrack, and all lead vocals used in the film are hers. See more »
When Billie sings "I Didn't Mean to Turn You On" on stage for the first time, the microphone cord wrapped around her hand and arm, and her hands on the microphone pole change position in every shot. See more »
so bad it goes past good and comes back to bad again
I rented Glitter because I'd read it was destined to become a 'so bad it's good' classic, but I was disappointed. This is no Showgirls. What makes Glitter a bad movie is that it's a bland, soulless procession of clichés, exactly like Mariah Carey's songs. And that just makes it boring-bad instead of spectacularly bad. And though Mariah is plenty vacuous in the starring role, she doesn't reach the heights of strenuously bad acting that Elizabeth Berkeley does in Showgirls. The only element of this movie that satisfies my so-bad-it's-good criteria is the character of Mariah's boyfriend. Here you have the whitest man on Earth, saying 'hip' things like "I'm a'ight" and "when you got no food in yo crib". If only the movie had contained more cringe-worthy gems like those!
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