Thirty-something Jonna, successful ad executive with cozy architect husband Niklas and two small children, leads a double life. She is constantly on the lookout for quick casual sex. When ... See full summary »
A platoon of eagles and vultures attacks the residents of a small town. Many people die. It's not known what caused the flying menace to attack. Two people manage to fight back, but will they survive Birdemic?
Two young people stand on a street corner in a run-down part of New York, kissing. Despite the lawlessness of the district they are left unmolested. A short distance away walk Maria and ... See full summary »
Beate Charlotte Lunde
Billie Frank is a shy, young multiracial girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise and Roxanne. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker, who wants them to sing backup for his latest pop-music discovery. But when super DJ Julian Dice hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Written by
Mariah Carey started shopping her film idea to studios in 1997. She started writing songs for the soundtrack before it got a green light. Carey admits that when the project was approved in 2000, she found songs for the movie that she'd written and forgotten about. She was only supposed to do six songs, but many collaborations with producers, writers, and artists, including Jimmy Jam, Terry Lewis, and Rick James, led to her writing the entire soundtrack. She also worked on a song with Prince, but they missed the deadline. See more »
When Billie sings "I Didn't Mean to Turn You On" on stage for the first time, the microphone cord wrapped around her hand and arm, and her hands on the microphone pole change position in every shot. See more »
We ask ourselves, is she black? Is she white? We don't care. She's exotic. I want to see more of her breasts.
See more »
so bad it goes past good and comes back to bad again
I rented Glitter because I'd read it was destined to become a 'so bad it's good' classic, but I was disappointed. This is no Showgirls. What makes Glitter a bad movie is that it's a bland, soulless procession of clichés, exactly like Mariah Carey's songs. And that just makes it boring-bad instead of spectacularly bad. And though Mariah is plenty vacuous in the starring role, she doesn't reach the heights of strenuously bad acting that Elizabeth Berkeley does in Showgirls. The only element of this movie that satisfies my so-bad-it's-good criteria is the character of Mariah's boyfriend. Here you have the whitest man on Earth, saying 'hip' things like "I'm a'ight" and "when you got no food in yo crib". If only the movie had contained more cringe-worthy gems like those!
67 of 92 people found this review helpful.
Was this review helpful to you?