During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees, and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
Jonathan Ke Quan
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
200 years after the conclusion of Alien 3, the Company is able to resurrect Ripley through the process of cloning and the scientists successfully take the Queen Alien out of her. But, Ripley's DNA gets mixed up with the Queen's and she begins to develop certain alien characteristics. The scientists begin breeding the aliens, but they later escape. Soon the Xeno-morphs are running amok on the ship, which is on course to Earth. The Queen then gives birth to a deadly new breed of alien, which could spell disaster for the entire human race. It's up to Ripley and a band of space pirates to stop the ship before it reaches Earth. Written by
Andrew Kasch <akasch@Chattanooga.net>
Sigourney Weaver made the behind-the-back half-court basketball shot successfully after two weeks of basketball practice, tutored by a basketball coach. Her conversion rate during that two weeks was about one shot in from every six. When the day came to shoot the scene, director Jean-Pierre Jeunet wanted to have the ball dropped in from above, rather than wait for Weaver to sink the shot herself, which "would probably take about 200 takes." Weaver insisted that the she could get the shot in herself, which she was finally allowed to do. She sank the shot on the very first take, even though she was six feet further past the three-point line. Ron Perlman was completely stunned (and thoroughly impressed), and turned directly at the camera and broke character, saying, "Oh my God!" The editors looked at the shot and decided that there was "enough room to get the scissors in." Weaver was excited about making the shot, but Jeunet was concerned that audiences would believe the shot to be faked due to the ball leaving the frame. Upon Weaver's insistence, he kept the shot as it was. Weaver described the miracle shot as "one of the best moments in her life", after her wedding day and the birth of her daughter, of course. See more »
Ripley retains an inherited genetic memory, even though she's a newborn in some sense. See more »
My mommy always said there were no monsters. No real ones. But there are.
See more »
Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
With Alien 3 closing the story arc of the Alien trilogy, this film begins with a fresh slate. The Alien films have always been a director's series but in this film it was the writing that ultimately killed it. Resurrection tries to be too many things at once. It has a very artistic and dynamic visual style, but cardboard characters. It has a very overt sense of humor, but it is all done in a very juvenile manner. Much of the maturity and restraint of the previous three films is thrown out in favor of a more comic book style. The cinematography and set design is gorgeous to the point of decadence. Sigourney Weaver has been given an interesting character to play and does it with a strange sense of detachment that lends more depth to the proceedings than the script ever could. Thinking back, the first three films all had very solid overall stories and well developed characters while Resurrection has a very solid concept but can't seem to build a coherent movie around it. If you follow the overall themes of the series with the first, second and third being birth, life, and death respectively that leaves Resurrection on shaky thematic ground. Since this is Alien: RESURRECTION obviously the filmmakers wished for rebirth to be the theme, but somehow it never quite works. The characters are basically action movie clichés, and the action sequences of the movie are hopelessly contrived. Why does the Alien always stop to snarl before it attacks giving people just enough time to shoot it? Alien 3 did not have this problem and it reinforced how dangerous the creature really was. Resurrection turns the Aliens into monsters from a B-movie. Very few scenes in the film are particularly memorable. Sure, the underwater chase is a nice bit of action derring-do, but there's no real sense of danger...except for the supporting characters you barely know who get killed in the reverse order they appear in the credits. Two fantastic scenes that I wish there were more of in the film are the doctor's examination of the Aliens where he "plays" with them. Now that was a scene of inspired genius. The other scene was when Ripley wakes up in her circular chamber. It is interesting to note that neither of these scenes have any dialogue, because the dialogue is pretty atrocious. Ron Pearlman is always fun to watch and makes a good comic duo with Dominique Pinon, but Winona Ryder absolutely kills this movie with her nonperformance. The effects look less realistic this time out and the score at times seems to try too hard to emulate the second and third films with Goldsmith's original Alien theme being used on several occasions. The film is a brilliant exercise in dynamic visuals but the story really does not go anywhere. Unlike the first three films this one does not take itself seriously at all so the danger level becomes nonexistent. I believe Jean-Pierre Jeunet was an excellent choice for a director but the script served him very badly. This is an interesting film to watch for an interesting scene here and there but not in the same league as the previous films.
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