During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
200 years after the conclusion of Alien 3, the company is able to resurrect Ripley through the process of cloning and the scientists successfully take the Queen Alien out of her. But, Ripley's DNA gets mixed up with the Queen's and she begins to develop certain alien characteristics. The scientists begin breeding the aliens, but they later escape. Soon the Xeno-morphs are running amok on the ship, which is on course to earth. The Queen then gives birth to a deadly new breed of alien, which could spell disaster for the entire human race. It's up to Ripley and a band of space pirates to stop the ship before it reaches earth. Written by
Andrew Kasch <akasch@Chattanooga.net>
Joss Whedon originally scripted the Newborn creature as a deadly four-legged, eyeless, bone-white creature with red veins running along the sides of its head. It had an inner jaw, similar to the all the other aliens. It also had a pair of pincers on the sides of his head. These pincers were used to hold its prey still as it drained the prey of blood with its inner jaw. The creature was also larger, nearly the size of the queen alien. In later script revisions, the creature was changed into a "more believable" hybrid of human and alien. See more »
When Call gets into Ripley's cell, she takes a stiletto from her left boot with her left hand. In the next shot, as she walks towards Ripley, she's holding it with her right hand. See more »
My mommy always said there were no monsters. No real ones. But there are.
See more »
Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
With Alien 3 closing the story arc of the Alien trilogy, this film begins with a fresh slate. The Alien films have always been a director's series but in this film it was the writing that ultimately killed it. Resurrection tries to be too many things at once. It has a very artistic and dynamic visual style, but cardboard characters. It has a very overt sense of humor, but it is all done in a very juvenile manner. Much of the maturity and restraint of the previous three films is thrown out in favor of a more comic book style. The cinematography and set design is gorgeous to the point of decadence. Sigourney Weaver has been given an interesting character to play and does it with a strange sense of detachment that lends more depth to the proceedings than the script ever could. Thinking back, the first three films all had very solid overall stories and well developed characters while Resurrection has a very solid concept but can't seem to build a coherent movie around it. If you follow the overall themes of the series with the first, second and third being birth, life, and death respectively that leaves Resurrection on shaky thematic ground. Since this is Alien: RESURRECTION obviously the filmmakers wished for rebirth to be the theme, but somehow it never quite works. The characters are basically action movie clichés, and the action sequences of the movie are hopelessly contrived. Why does the Alien always stop to snarl before it attacks giving people just enough time to shoot it? Alien 3 did not have this problem and it reinforced how dangerous the creature really was. Resurrection turns the Aliens into monsters from a B-movie. Very few scenes in the film are particularly memorable. Sure, the underwater chase is a nice bit of action derring-do, but there's no real sense of danger...except for the supporting characters you barely know who get killed in the reverse order they appear in the credits. Two fantastic scenes that I wish there were more of in the film are the doctor's examination of the Aliens where he "plays" with them. Now that was a scene of inspired genius. The other scene was when Ripley wakes up in her circular chamber. It is interesting to note that neither of these scenes have any dialogue, because the dialogue is pretty atrocious. Ron Pearlman is always fun to watch and makes a good comic duo with Dominique Pinon, but Winona Ryder absolutely kills this movie with her nonperformance. The effects look less realistic this time out and the score at times seems to try too hard to emulate the second and third films with Goldsmith's original Alien theme being used on several occasions. The film is a brilliant exercise in dynamic visuals but the story really does not go anywhere. Unlike the first three films this one does not take itself seriously at all so the danger level becomes nonexistent. I believe Jean-Pierre Jeunet was an excellent choice for a director but the script served him very badly. This is an interesting film to watch for an interesting scene here and there but not in the same league as the previous films.
182 of 268 people found this review helpful.
Was this review helpful to you?