Laid up after an accident on the slopes, ski champ Marti Gerrard receives a wrong-number phone call from software tycoon Connor Hill. The two hit it off and become regular phone friends... ...
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Several of the Collin's neighbors are victims of a series of burglaries. One evening their house is tragically hit, too: Mr. Collins finds his wife dead in the bathroom, his 16 years old ... See full summary »
Thanks to a roommate's practical joke, bookish college student Joanna Halbert finds herself signed up with a Malibu-based escort service. Her initial annoyance turns to curiosity when she ... See full summary »
When popular and beautiful cheerleader Stacey is stabbed to death, who could have done it? It could have been asocial Goth girl Monica, it could've been angst-ridden Jill - or maybe it was the plain girl nobody suspected.
Waitress Elise's dream to become a painter isn't going anywhere, unlike her ex Gerry's, so she eagerly accepts to house-sit a month the country estate eccentric gentleman Frank inherited ... See full summary »
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
"The Legacy" is a secret society that began many centuries ago to accumulate knowledge and artifacts to help fight against the evil in the world. This particular Legacy team is set in San ... See full summary »
Holly Winters (Tori Spelling) is an unhappy-in-love, prosecuting attorney. After suffering a serious head injury, she gains the psychic power to read minds and decides to use this new-found power to catch a killer...
Laid up after an accident on the slopes, ski champ Marti Gerrard receives a wrong-number phone call from software tycoon Connor Hill. The two hit it off and become regular phone friends... until Hill's wife is murdered and Gerrard realises that she may be his only alibi. Written by
Do you know when you look at your collection of old, videotaped movies, and realize that there are some that you've only seen once or twice, and you can't remember if they're worth the time it takes to see them? The Alibi is/was one of those films; I found it, not long ago, and decided I might as well give it a chance. I'm not entirely sure if I'm happy with my decision... on one hand, the film is really, really bad, on the other, now I have another free tape... yeah, you get it. The plot is predictable and not in any way original. The pacing is bad. The acting is bad, but that's not really surprising, seeing as the two leads are former soap-opera stars... they're used to overact. The characters are poorly written clichés. The film even manages to screw up the easiest damn way to impress me(through film): court scenes. Even those don't elicit one single emotion for or against any of the cardboard-thin characters. The film just has no real redeeming qualities whatsoever... even the dialog is bad. The thing is, it's so full of clichés that it's laughable. And that's the one thing that lifts this above a rating of 1/10: the(albeit unintentionally so) comic relief of the many clichés and stereotypes. I didn't pay very much attention to the film, but just about every time I looked at the screen, there was something to laugh at. One final note: I considered using the line "Tori Spelling can't act" as a one line summary, but I guess everyone knows that, so I opted for the current one, seeing as it's more informative. All in all, a thoroughly bad film, but not the worst if you've got nothing else to do and if it's on TV. Good for a few laughs, if you can sit through it. 3/10
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