When a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action film he knows is horrible, he steals the master reels and tries to make a deal.
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
A monk from Tibet is sent to Hong Kong by his master. He is to recover a magical bottle to which he has the cap from a lawyer. When these items were united long ago they protected Tibet ... See full summary »
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
A dark and handsome true-crime thriller about kidnapping and police corruption in Hong Kong. Once of Jackie Chan's most serious roles, but still overflowing with spectacular acrobatic ... See full summary »
Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Director Alan Smithee comes to Hollywood to make a movie. Due to a variety of factors, he decides to disown it and direct it under a pseudonym. Unfortunately, the Director's Guild requires that if a director disowns a movie in this fashion, he *must* use the official Director's Guild pseudonym...which happens to be Alan Smithee. Written by
During post-production, Joe Eszterhas announced through the media that Cinergi Pictures didn't have the money to pay for a soundtrack. He said he would finance the soundtrack himself, and asked artists to submit tracks for it. He received 9,200 CDs and cassettes, mostly from unknown, unsigned artists. He listened to a few tracks from each album, and compiled the soundtrack. See more »
I disagree with the people here saying this is one of the worst films ever made. I'm somewhat of a connosieur of bad films, and that just isn't the case. It's competently put together from front to back, but the script definitely could have used another draft or two.
At its worst, it's just unfunny, not mind-bendingly horrible as some would have you to believe. Certainly if you know nothing about the inner workings of Hollywood you won't understand the references and almost none of it will be funny.
I'm sure there were lots of references I didn't understand -- I get the feeling people working in Hollywood would get more out of this movie than the rest of us. One odd reference is the repeated name of "Michael Ovitz" throughout the movie. It appears in the song "I Wanna Be Michael Ovitz" in the soundtrack, there's a "Paging Dr. Ovitz..." in the background in a hospital, etc. It's not quite clear what writer Eszterhas's feelings toward Ovitz are -- does he hate him or look up to him?
Another thing I don't understand is why director Arthur Hiller felt he had to change his credit to "Alan Smithee", except that it's amusingly appropriate. Looking at the film, I can't imagine that it was changed too radically in the editing, except perhaps the ultra-acidic put-downs on the title cards that introduce new characters.
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