A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through ... See full summary »
Henry Petosa and Freddy Ace are twins who were separated being babies, and they do not know each other. Henry was adopted by a honest man, while Freddy becomes a gangster. Henry is very shy... See full summary »
Lara Flynn Boyle,
Several lost-soul night-owls, including a nightclub owner, a talkback radio relationships counseller, and an itinerant stranger have encounters that expose their contradictions and ... See full summary »
Lesley Ann Warren
Helen's husband died tragically. She's seeking her satisfaction somewhere in a little Irish village. She begins to paint again and meets with a restorer, who works on the local railway ... See full summary »
A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a popular ... See full summary »
Benny, a hapless grifter, is thrown off a train after cheating at cards, and into the life of Tanya, a lovely bartender. Tanya has been supporting her husband, a former ballplayer, since ... See full summary »
Lara Flynn Boyle,
Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks. Written by
Written by Leonard Bernstein and Stephen Sondheim
Performed by Tom Waits
Published by Leonard Bernstein Music Publishing Company, LLC.
& G. Schirmer Inc.
Courtesy of Elektra Entertainment Group by arrangement with
Warner Special Products See more »
There's no doubt Julie Christie was one of the most unique personalities of the late sixties and early seventies. A remote beauty who was sexy and charming in Billy Liar and Darling, haunting and enigmatic in Don't Look Now and McCabe and Mrs. Miller and one of the few things worth remembering about Doctor Zhivago. Her notorious pickiness when it comes to choosing roles has served her well and she is one of the few stars from that time who has moved quite gracefully through a film career. Her resources as an actress allow the character of Phyllis Mann to come alive in a way that few could accomplish and the magic she creates is unforgetable. Laid back hipster Alan Rudolph's sexual roundelay has a lush look on top and a jazzy score below but it's Christie who sears the visuals with sadness, mystery, and wit. Nick Nolte's rugged charm serves him well throughout and when these two are alone together on screen, the art of film acting is proudly displayed. Watch the scene when a drunken Phyllis tries to rekindle their physical relationship and notice the body language. Note to filmmakers: Rudolph's genius is knowing when not to move the camera and in trusting his actors to do the work.
The film seems ponderous and flat at first and Johnny Lee Miller and Lara Flynn Boyle are still learning their craft (their scenes do grate), but Afterglow is a cockeyed success for those with patience.
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