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Good-natured astronomer Sam is devastated when the love of his life, Linda, leaves him for a suave Frenchman named Anton. He therefore does what every other normal dumpee would do; go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, intent on winning her back and waiting until she decides to leave her current lover. What Sam does not count on is being joined several weeks later by ultra hip tomboy Maggie, a photographer and motor-cyclist who is determined to get revenge on Anton, her ex-fiance. Hostile at first, the two of them eventually join forces in an attempt to separate the couple, and ruin Anton's life. However, complications ensue when Sam and Maggie start falling for each other. Written by
When Sam paints the wall, he paints the same (unpainted) spot twice. See more »
[listening to Anton and Linda's boisterous lovemaking]
Oh, this is horrible! This is horr- this is worse than I'd imagined!
Want me to turn it off?
No, no, I... I need to hear it.
How very brave.
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Written by M.C. Solaar (as MC Solaar) and Philippe Zdar (as Zdar)
Performed by M.C. Solaar (as MC Solaar)
Courtesy of Polydor, a Division of PolyGram France
By Arrangement with PolyGram Film & TV Licensing See more »
A black romantic comedy- something you don't come across very often.
When you hear the words `romantic comedy', the first thing that springs to mind is some sugary, smiley, big-haired, feather-light Julia Roberts escapade. `Addicted to Love' presents us with the polar opposite to this, even if the premise is pretty the same as you'd find in the usual rom-com. The result is a deft, reckless, amusing and entertaining heavy-handed movie. There isn't much to bicker about here.
Meg Ryan and Matthew Broderick show tremendous colour and prove to be likeable characters as the vengeful stalkers. Tcheky Karyo is funny as the clumsy French fool. Kelly Preston is the least convicted of the four main characters, but is still relatively good.
The film has its own generally funny slapstick moments that compensate for the lack of verbal wit. The narrative that follows is good enough to keep you wanting more, and the jokes are all very well timed. The title Robert Palmer song adds to the reckless, but endearing epitome of the film. The directing styles aren't amazing, but they're hip and stylish for the most part.
Overall, it isn't film of the century and is far from outstanding, but `Addicted to Love' is original, entertaining and very funny for the most part. I give it 6.8 out of 10.
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