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Good-natured astronomer Sam is devastated when the love of his life, Linda, leaves him for a suave Frenchman named Anton. He therefore does what every other normal dumpee would do; go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, intent on winning her back and waiting until she decides to leave her current lover. What Sam does not count on is being joined several weeks later by ultra hip tomboy Maggie, a photographer and motor-cyclist who is determined to get revenge on Anton, her ex-fiance. Hostile at first, the two of them eventually join forces in an attempt to separate the couple, and ruin Anton's life. However, complications ensue when Sam and Maggie start falling for each other. Written by
When Sam is on the plane looking at pictures of himself and Maggie, one of them has him kissing her cheek and her making a surprise face. However, when they did this pose at the diner, Maggie's grandmother didn't take a picture of the pose. She told them to change it. See more »
I sleep naked. It's the only way I'm comfortable, so don't think of it as a come-on, because if you so much as breathe in my direction I will nail your willy to that beam.
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Victime de la mode
Written by M.C. Solaar (as Claude M'Barali) and Christophe Viguier
Performed by M.C. Solaar (as MC Solaar)
Courtesy of Polydor, a Division of PolyGram France
By Arrangement with PolyGram Film & TV Licensing See more »
Brilliant astronomer Sam (Matthew Broderick) is totally in love with small town girl Linda (Kelly Preston) who's never been away from home. She goes away to NYC for a job. He's devastated when she sends him a Dear John letter. He goes to NYC to track her down. He finds her living with Anton (Tchéky Karyo), and he sets up various equipment to watch the couple from across the street. One night, he's interrupted by mysterious Maggie (Meg Ryan) who is angry with her ex Anton. Together they bring havoc to Anton life.
This starts as a dark comedy by director Griffin Dunne. Meg Ryan is playing against type by being a bitter angry chick. She is the MPDG before the phrase was coined. I can certainly understand the loop people were thrown into way back when the movie first came out. Seeing it now with more time past, I can appreciate the comedy. She works as this obsessed vindictive chick, but is able to keep her cutie charm.
Matthew Broderick is also not the usual rom-com material. He's way too weak and not the alpha male common in a rom-com. He's funniest when he's most pathetic.
This usual pairing is a challenge when this movie goes into traditional rom-com mode. But Meg Ryan is able to bring out the charm at the right time. That's probably the saving grace of this movie. However I could see a darker scarier actress who could have made this even more interesting.
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