6.7/10
41,961
145 user 81 critic

Absolute Power (1997)

A career thief witnesses a horrific crime involving the U.S. President.

Director:

Writers:

(book), (screenplay)

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Tim Collin
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Walter Sullivan
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Christy Sullivan
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Sandy Lord (as Ken Welsh)
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Laura Simon (as Penny Johnson)
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Michael McCarty
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Red Brandsford
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Valerie
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Storyline

Based on the novel by David Baldacci, Absolute Power is about the ruthlessness of people in power. The President believes that everything he does is beyond reproach, including an affair or two. That leads to murder and everyone around him is involved. There is only one witness, a thief named Luther Whitney. They are sure he'll talk, but when? The Secret Service is determined to keep him quiet, but catching a thief isn't always easy. Written by Kristie Murray <hankm@cris.com>

Plot Summary | Add Synopsis

Taglines:

Corrupts Absolutely.


Motion Picture Rating (MPAA)

Rated R for violence, sexuality and language | See all certifications »

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Details

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Language:

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Release Date:

14 February 1997 (USA)  »

Also Known As:

Poder absoluto  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

ITL 2,426,607,000 (Italy) (30 May 1997)

Gross:

$50,007,168 (USA) (13 June 1997)
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Company Credits

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Three of the main characters have portrayed astronauts. Glenn and Harris in "The Right Stuff", and Eastwood in "Space Cowboys". Also one Actor, Penny Johnson-Jerold was in, Outer Space on "Star Trek, T.N.G." and "Deep Space 9" See more »

Goofs

Both Collin and Jenkins affix silencers to their rifles as they take positions prior to the café meeting. Both should have been well aware that it is impossible to silence a rifle that fires a supersonic bullet. Indeed, when the rifles are fired, the shots may be clearly heard. See more »

Quotes

Repairman: Just part of my job.
Seth Frank: I hate it when people say that. "Just part of my job." It *is* your fucking job.
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Soundtracks

Power Waltz
Composed by Clint Eastwood
Orchestrated and conducted by Lennie Niehaus
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User Reviews

 
What Starts Out With Immense Potential...
21 November 2006 | by (Manitoba, Canada) – See all my reviews

What starts out with immense potential gradually evaporates into preposterousness in ABSOLUTE POWER. That doesn't make it an entirely bad picture, but it certainly puts a damper on what could have been. Clint Eastwood is an aging thief (he's been an aging something or other for his last 20 movies) who secretly witnesses President Gene Hackman get rough with his mistress. The encounter ends with her being shot by the Secret Service as she tries to defend herself, and the incident is promptly disguised to look like run-of-the-mill foul play. He may be on the outside of the law looking in, but Clint ain't about to let the powers that be get away with this one.

The opening 20 minutes of ABSOLUTE POWER are quite suspenseful, bordering on mesmerizing. There we are, trapped in a walk-in, two-way mirrored vault along with our pilfering hero, helpless to stop the horror unfolding just meters away. Eastwood may start out as the bad guy, but his status is quickly upgraded as he flees the scene holding what may be the only piece of evidence that can prove his astonishing observation. From then on we find ourselves rooting him on, even if he is in reality nothing more than the lesser of two evils.

What unravels ABSOLUTE POWER is its laziness and improbability. In an attempt to set up one stirring scene after another, the characters begin doing and saying things one would expect of a low-rate Jean-Claude Van Damme movie. A one-dimensionally evil Secret Service man surreptitiously hunkers down in a tall building trying to snipe Eastwood ala Lee Harvey Oswald. A police detective has no problem with Eastwood sneaking around his home at all hours of the night. A three-minute argument by Eastwood's thief is enough to convince the mistress's widower of the involvement of the most powerful man on earth. And to call the ending outlandish and unsatisfying would be a pair of understatements.

As well, though it's usually the other way around, ABSOLUTE POWER would have benefited from a longer running time. One comes away with the sense that Eastwood, who also directed, tried to cram too much into too little. The film certainly had the material to go longer, and its compactness gives the whole endeavor a choppy feel at times.

ABSOLUTE POWER is a film you really want to like. There is considerable talent involved here, and the movie's heart seems to be in the right place. But like that one photo we all have in our album, this one didn't turn out as good as we would have hoped.


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