Proxate Corporation recruits a boozy former ship captain and offers him a new identity: Sean Murdoch. His job: to take charge of large ship on one voyage. Once aboard, Murdoch realizes that...
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Proxate Corporation recruits a boozy former ship captain and offers him a new identity: Sean Murdoch. His job: to take charge of large ship on one voyage. Once aboard, Murdoch realizes that the ship is a prison ship, and the cargo are criminally insane inmates. Murdoch's other problem: someone has planted bombs aboard the vessel. Murdoch's acrimonious relationship with the prison warden lends extra drama to the story. Written by
Ken Miller <firstname.lastname@example.org>
It's a slap in Malcom McDowell's face: shoot his agent!
Terrible use of scene cuts. All continuity is lost, either by awful scripting or lethargic direction. That villainous robot... musta been a jazz dancer? Also, one of the worst sound tracks I've ever heard (monologues usually drowned out by music.) And... where'd they get their props? That ship looks like a milk carton... I did better special effects on 8mm at the age of 13!
I'd recommend any film student should watch this flick (5 minutes at a time) so as to learn how NOT to produce a film. Or... was it the editors' fault?
It's really too bad, because the scenario was actually a good concept... just poorly executed all the way around. (Sorry Malcom. You should have sent a "stunt double". You're too good an actor for such a stink-bomb.)
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