A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
High school teacher Trevor Garfield is stabbed by bad-boy student. Fifteen months later, he moves to Los-Angeles to the unruly, predominantly Latino school. He has to tame wolf-like students. Written by
187 is the police code in California for homicide. See more »
When Cesar is hit with the arrow, it's obvious that he's wearing some kind of chest protector under his shirt. See more »
Alright, let's go people, let's go. One minute until tardy lock-down... take your hat off, thank you... let's go, let's go. Everybody move inside, move inside... morning Trevor, good morning. Let's go, get inside... let her go! No smoking - I don't smoke, you don't smoke. Let's go people, today's a *good* day to learn.
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A nice, thoughtful alternative to all those countless DANGEROUS MINDS clones made during the time.
Kevin Reynolds' 187, although billed as another "straight-laced-teacher-turns-troubled-urban-highschool-teens-into-well-rounded-individuals" movie, goes above and beyond this tired premise. The provocative story (which was apparently written by an actual highschool teacher) breathes new life into the otherwise stale highschool-drama subgenre.
Samuel L. Jackson's performance as Trevor Garfield is fantastic, and his many emotional scenes and powerfully delivered lines of dialogue work well at allowing the audience to sympathize with the disenchanted Garfield and relate to his humdrum life. Also, the characters are much more dynamic and developed here than in most movies of this kind. The student as well as the faculty roles are all given unique personalities, backgrounds, and adequate motivation for their actions, which is a refreshing departure from the typical "the reason they're bad kids is because they grew up in the 'hood"-style characterizations.
Although a few of the supporting performances are somewhat stilted (mainly because they are overshadowed by Jackson's excellence), the highly original story is clever enough keep anyone's interest piqued until the heartrending (although arguably contrived) ending. 187, aside from being smart, touching, and one-of-a-kind, really shows off Reynolds' ability to successfully convert a good, solid screenplay into a good, solid film. And since this movie was made directly after his abominable WATER WORLD, we should all by doubly impressed by his efforts!
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