7.8/10
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89 user 19 critic

12 Angry Men (1997)

PG-13 | | Crime, Drama | TV Movie 17 August 1997
Twelve men must decide the fate of one when one juror objects to the jury's decision.

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From $2.99 (SD) on Amazon Video

Won 1 Golden Globe. Another 6 wins & 22 nominations. See more awards »

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Foreman
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Storyline

Made for cable television remake of the 1957 classic about twelve jurors quick to condemn a Latino youth on trial for murdering his father before reviewing the evidence. Juror #8 holds out with a verdict of not guilty, thus setting the stage for arguments and reasons why or why not the boy may be guilty. Written by Humberto Amador

Plot Summary | Plot Synopsis

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for language | See all certifications »

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Details

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Release Date:

17 August 1997 (USA)  »

Also Known As:

Douze hommes en colère  »

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(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the original 1957 script, the defense attorney is referred to several times as 'he'. In the 1997 script, the defense attorney is again referred to as 'he', but, in the opening scene of the 1997 version, the defense attorney who is sitting next to the defendant is a woman (oops!). See more »

Goofs

After it starts raining, and they take a break, Juror #7 picks up a piece of wadded up paper twice between shots. See more »

Quotes

Juror #10: The kid's a punk, he don't even speak good English!
Juror #11: He doesn't even speak good English
See more »

Connections

Version of Studio One in Hollywood: Twelve Angry Men (1954) See more »

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User Reviews

 
Very capable remake
19 February 2001 | by (Strongsville, OH) – See all my reviews

12 Angry Men (William Friedkin, 1997)

Friedkin's made-for-television adaptation of the classic 1957 film is surprisingly well-thought-out and executed with a style most straight-to-small-screen works lack. Jack Lemmon and George C. Scott presage their conflicts in the later made-for-TV remake Inherit the Wind as the two jurors who refuse to budge from their convictions that a murder case does and does not have reasonable doubt attached to it, respectively.

As with the original, 12 Angry Men is really an ensemble piece, the first American example of avant-garde filmmaking on a mass scale; with the exception of a few brief flashes at beginning and end, the film takes place in two adjoining rooms, a jury room and a men's room, allowing the director no scenic latitude at all and forcing him to concentrate on the actors themselves. Friedkin, as Lumet before him, gathers a mix of the well-known and the underrated from all corners of the Hollywood backlot, gives each a speech, and goes to great pains to ensure that those who espouse even the most controversial views are as charismatic as those who are warmer and fuzzier. In other words, this is an actors' movie, pure and simple, and if you enjoy watching actors do what they do, you'll get a kick out of this. ****


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