With Jack having the knowledge of the Ancient repository once again in his mind, he and Daniel attempt to unearth the location of the lost city of the Ancients. Bra'tac, bringing with him the news of...
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
When an old enemy, the Cylons, resurfaces and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
General Hammond summons Colonel Jack O'Neill out of retirement to embark on a secret rescue mission. O'Neill confesses that he disobeyed orders to destroy the Stargate on Planet Abydos, and that scientist Daniel Jackson may still be alive. Arriving on Abydos with his team, O'Neill meets up once again with the scientist, who has discovered a giant elaborate cartouche in hieroglyphics. All signs point to the fact that this is a map of many Stargates that exist throughout the galaxy - a development that makes the dream of the SG-1 team to travel throughout the universe in time a reality. Written by
The series has four different opening credits sequences. The first is the original non-clip version, which was used for the premiere and Showtime airings of the show. It was based on the Stargate (1994) movie opening credits, panning around a statue of Ra. The second opening credits sequence/set was the one used for syndicated airings. It includes clips from the series. The third opening credits sequence was used on Sci Fi Channel. It is similar to the first sequence through not showing clips, but pans in and out on an activating Stargate. It ends showing SG-1, from the back and in a row of four, entering the Stargate. The fourth version appears on episodes during the first half of the ninth season. It shows a stargate floating in space and footage of SG-1 walking towards the stargate at the SGC. the stargate then becomes active and the camera goes into the stargate, showing the footage used for traveling trough the stargate. The third version of the credits returned for the second half of season nine. See more »
The characters of Kasuf, Skaara and Sha'Re (originally from Stargate, the movie this series is based off of) appear through the series in various episodes. In the movie, all three characters spoke virtually no English whatsoever, however in the TV series (in which the First Season is set one year after the movie) all three speak perfect English. It is possible that Daniel Jackson taught them English during the year-long span between movie and TV series, but it is highly unlikely they learned it so well in such a short span of time. See more »
They're getting something we want, we're getting something we want.
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If it wasn't for The X-Files it would be unparalleled in Sci-Fi
A magnificent program which shows just how imaginative and professional TV can be when the director, cast, crew and screenwriters all work to the best of their considerable ability. The simple fact that it doesn't play like the film over and over again (Something which has plagued many film-cum-TV-shows of late) shows how original it really is and though yes, I admit, the first series was very 'Star Trek' in its recycling of the same story types it always remained somehow different.
Congratulations must primarily go to the cast as they are all incredibly believable and easy to relate to. Richard Dean Anderson is excellent as the hard-bitten, cynical soldier, Michael Shanks plays the James Spader role to perfection, Christopher Judge is fantastic as the Moses-like Teal'c (His range of facial expressions is unparalleled) and Amanda Tapping is possibly the best of the bunch simply because she makes her character so believable as the tough female soldier/scientist (Denise Crosby in Star Trek:TNG is a good example of how NOT to do it).
The show looks fantastic, the special effects are great and look exceedingly expensive but no show can survive on sfx alone and fortunately a masterful screenwriting crew keep the stories exciting and thought-provoking (You don't get much of that these days) and the blending of so many different story arcs is a great achievement. All in all a brilliant show and long may it continue.
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