With Jack having the knowledge of the Ancient repository once again in his mind, he and Daniel attempt to unearth the location of the lost city of the Ancients. Bra'tac, bringing with him the news of...
When an old enemy, the Cylons, resurfaces and obliterate the 12 colonies, the crew of the aged Galactica protects a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony of Earth.
Edward James Olmos,
A prequel series, set 100 years before the original Star Trek series, which focuses on the early years of Starfleet, leading up to the formation of the Federation and the Earth-Romulan Wars. The series is set aboard the Earth ship Enterprise NX-01, captained by Jonathan Archer.
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
General Hammond summons Colonel Jack O'Neill out of retirement to embark on a secret rescue mission. O'Neill confesses that he disobeyed orders to destroy the Stargate on Planet Abydos, and that scientist Daniel Jackson may still be alive. Arriving on Abydos with his team, O'Neill meets up once again with the scientist, who has discovered a giant elaborate cartouche in hieroglyphics. All signs point to the fact that this is a map of many Stargates that exist throughout the galaxy - a development that makes the dream of the SG-1 team to travel throughout the universe in time a reality. Written by
The series has four different opening credits sequences. The first is the original non-clip version, which was used for the premiere and Showtime airings of the show. It was based on the Stargate (1994) movie opening credits, panning around a statue of Ra. The second opening credits sequence/set was the one used for syndicated airings. It includes clips from the series. The third opening credits sequence was used on Sci Fi Channel. It is similar to the first sequence through not showing clips, but pans in and out on an activating Stargate. It ends showing SG-1, from the back and in a row of four, entering the Stargate. The fourth version appears on episodes during the first half of the ninth season. It shows a stargate floating in space and footage of SG-1 walking towards the stargate at the SGC. the stargate then becomes active and the camera goes into the stargate, showing the footage used for traveling trough the stargate. The third version of the credits returned for the second half of season nine. See more »
Between the episodes Stargate SG-1: Small Victories and Stargate SG-1: Redemption: Part 2, the Beta (Antarctic) stargate is used at the SGC for gate travel, since the original gate ended up at the bottom of the Pacific Ocean in "Small Victories" and later fell into the possession of the Russians until its return to the SGC in "Redemption Pt 2". We notice that in Stargate SG-1: Solitudes (the first episode to feature the Beta gate) the point of origin symbol (an octagon with a line below it) is different from the point of origin symbol of the original gate (pyramid and circle), however in various episodes that featured the Beta gate in use, the point of origin symbol mysteriously changes to the symbol from the original gate. See more »
I nominate this and BABYLON 5 as the best television sci-fi series made. Both stand out in my mind because unlike early STAR TREK series, there is a consistent evolution of plots and characters. If you look at the original STAR TREK and STAR TREK:TNG, they were fine shows, but there was no overall theme or plot that connected all the episodes. In many ways, you could usually watch the shows totally out of sequence with no difficulty understanding what is occurring. This was less the case with DEEP SPACE 9 (with its giant battles that took up all of the final season) and the other TREK shows, as there was more of a larger story that unified them. This coherence seems to have developed as a concept with BABYLON 5 and saw this to an even greater extent with SG-1. The bottom line is that in many ways this series was like watching a family or a long novel slowly take form. Sure, there were a few "throwaway" episodes that were not connected to the rest, but these were very few and far between and were also usually pretty funny.
And speaking of funny, I loved that SG-1 kept the mood light from time to time and wasn't so dreadfully serious. In this way, I actually enjoyed it more than BABYLON 5. Jack O'Neill was a great character with his sarcasm and love of Homer Simpson--it's really too bad he slowly faded from the series in later seasons.
To truly appreciate SG-1, you should watch it from the beginning and see how intricately the plots work. This coherence gives the show exceptional staying power. And, if you don't like SG-1 after giving it a fair chance, then sci-fi is probably NOT the genre for you.
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