| Photos (see all 13 | slideshow) | Videos |
| Steven Weber | ... | John 'Jack' Torrance | |
| Rebecca De Mornay | ... | Winifred 'Wendy' Torrance | |
| Courtland Mead | ... | Daniel "Danny" / "Doc" Anthony Torrance | |
| Melvin Van Peebles | ... | Richard "Dick" Hallorann | |
| Wil Horneff | ... | Tony | |
| Pat Hingle | ... | Pete Watson | |
| Elliott Gould | ... | Stuart Ullman | |
| John Durbin | ... | Horace 'Harry' Derwent | |
| Stanley Anderson | ... | Delbert Grady | |
| Cynthia Garris | ... | Decayed Lorraine Massey | |
| Mickey Giacomazzi | ... | Waiter (episodes 1, 3) (as Micky Giacomazzi) | |
| Tomas Herrera | ... | George Hatfield (episode 1) | |
| Tim Perovich | ... | Croquet Player (episode 1) | |
| Kenn Solomon | ... | Basketball Player (episode 1) | |
| Jan Van Sickle | ... | Al Shockley | |
| Peter Boyles | ... | AA Member (episode 2) | |
| Dan Bradley | ... | 2nd Bodyguard (episode 2) | |
| Lou Carlucci | ... | 1st Bodyguard (episode 2) | |
| Bertha Lynn | ... | TV Announcer (episode 2) | |
| J.P. Romano | ... | First Waiter (episode 3) | |
| David Sosna | ... | Gene (episode 3) | |
| David Zambrano | ... | Mitch (episode 3) | |
| Mick Garris | ... | Hartwell (episode 3) | |
| Shawnee Smith | ... | Waitress (episode 3) | |
| Ron Allen | ... | TV Weatherman (episode 3) | |
| Rich Beall | ... | Airline Gate Agent (episode 3) (as Richard Beall) | |
| Joyce Bulifant | ... | Customer (episode 3) | |
| Wendelin Harston | ... | Car Rental Clerk (episode 3) | |
| Lois Hicks | ... | Bookstore Lady (episode 3) | |
| Stephen King | ... | Band Leader (1997) | |
| Billie McBride | ... | Principal (episode 3) | |
| Sam Raimi | ... | Howie Langston (episode 3) | |
| Lisa Thornhill | ... | Lorraine Massey | |
| Michael O'Neill | ... | Dr. Daniel Edwards (episode 2) | |
| Christina Faust | ... | Screaming Female Ghost (episode 3) (as Christa Faust) | |
| Peter James | ... | Praying Ghost (episode 3) | |
| Roger Baker | ... | Rover the Dogman (episode 3) | |
| Richard Christian Matheson | ... | First Hitman (episode 2) | |
| Richard Peterson | ... | Second Hitman (episode 2) | |
| David J. Schow | ... | 1st Ghost in Playhouse (episode 3) | |
| Preston Sturges Jr. | ... | 2nd Ghost in Playhouse (episode 3) (as Preston Sturges) | |
| rest of cast listed alphabetically: | |||
| Frank Darabont | |||
| Miguel Ferrer | ... | Mark James Torrance (voice) (uncredited) | |
| Christopher Loucks | ... | Graduation Attendee (episode 3) (uncredited) | |
Directed by | |||
| Mick Garris | |||
Writing credits(WGA) | ||
| Stephen King | (novel) | |
| Stephen King | (teleplay) | |
Produced by | |||
| Mark Carliner | .... | producer | |
| Elliot Friedgen | .... | supervising producer | |
| Laura Gibson | .... | associate producer | |
| Stephen King | .... | executive producer | |
Original Music by | |||
| Nicholas Pike | |||
Cinematography by | |||
| Shelly Johnson | |||
Film Editing by | |||
| Patrick McMahon | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Randy Moore | |||
Set Decoration by | |||
| Ellen Totleben | |||
Costume Design by | |||
| Warden Neil | |||
Makeup Department | |||
| Joe Colwell | .... | makeup artist | |
| Bill Corso | .... | makeup artist | |
| Joel Harlow | .... | prosthetics makeup artist | |
| Rob Hinderstein | .... | special makeup effects artist | |
| Steve Johnson | .... | prosthetics makeup artist | |
| Tim Jones | .... | hair stylist | |
| Barry R. Koper | .... | makeup artist (as Barry Koper) | |
| Tracey Levy | .... | makeup artist | |
| Ve Neill | .... | makeup artist | |
| Douglas Noe | .... | makeup artist | |
| Ashlee Petersen | .... | makeup artist (as Ashlee Peterson) | |
| Jill Rockow | .... | makeup artist | |
| Lisa Marie Rosenberg | .... | hair stylist | |
| Barbara Wilder | .... | additional hair stylist | |
Production Management | |||
| Robert Birnbaum | .... | unit production manager | |
| Robert Del Valle | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Stephen King | .... | third unit director | |
| Peter Merwin | .... | second assistant director | |
| Lincoln Myers | .... | dga trainee | |
| David Sosna | .... | first assistant director (as David O. Sosna) | |
| Denise Strong | .... | second second assistant director | |
| Jerram A. Swartz | .... | first assistant director: second unit | |
Art Department | |||
| Peter Croyle | .... | propmaker gangboss | |
| Matthew D. Egan | .... | propmaker gangboss | |
| Robert E. Knight | .... | lead scenic painter | |
| Tim Perovich | .... | property master | |
| Lars Petersen | .... | construction coordinator | |
| Robert Lee Robinson | .... | lead man | |
| Victoria Stasica | .... | set dressing | |
| Steven C. Voll | .... | general foreman | |
| Gregory P. Alcus | .... | on-set dresser (uncredited) | |
| Steven Hintz | .... | carpenter (1997) (uncredited) | |
Special Effects by | |||
| Lou Carlucci | .... | special effects (episodes 2 and 3) | |
| Jeffrey Cupernell | .... | model maker | |
| Patrick M. Gerrety | .... | creature effects | |
| Edward T. Reiff Jr. | .... | special effects technician | |
Visual Effects by | |||
| Rick Cortes | .... | digital compositor | |
| Tim Drnec | .... | motion control operator | |
| Mark Leo Perry | .... | 3D technical director | |
| Carlyle O. Livingston II | .... | miniature effects crew chief: VIFX (as Carlyle Livingston) | |
| Rob Menapace | .... | motion control operator | |
| David Robert | .... | lead modeler | |
| Chris Ryan | .... | digital compositor | |
| Boyd Shermis | .... | visual effects supervisor | |
| Brad Spencer | .... | film scanning: VIFX | |
| Paul Taglianetti | .... | production coordinator: VIFX | |
| Brian C. Davis | .... | 3D digital artist: VIFX (uncredited) | |
| Gian Ganziano | .... | visual effects (uncredited) | |
| Dan Kaufman | .... | digital effects supervisor (uncredited) | |
| Michelle Murdocca | .... | executive producer of digital imaging (uncredited) | |
Stunts | |||
| Dan Bradley | .... | stunt coordinator | |
| Laura Dash | .... | stunt double | |
| Peter West | .... | stunt driver | |
Camera and Electrical Department | |||
| Robert J. Babin | .... | first company grip (as Bob Babin) | |
| Danny Brazen | .... | grip | |
| Michael C. Butler | .... | crane operator (as Michael Butler) | |
| Don Devine | .... | director of photography: second unit | |
| David Eubank | .... | first assistant camera: second unit | |
| Terry Hall | .... | chief lighting technician | |
| Kent Harvey | .... | camera loader | |
| Kent Harvey | .... | second assistant camera: "b" camera | |
| Stephen King | .... | still photographer | |
| Rick Senteno | .... | assistant chief lighting | |
| Stefan Tarzan | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Nina Axelrod | .... | location casting (as Nina Kether Axelrod) | |
| Eileen Barker | .... | extras casting associate | |
| Brian McCulley | .... | location casting assistant | |
Costume and Wardrobe Department | |||
| Nancy Butts Martin | .... | costume supervisor | |
| Michelle M. Pershing | .... | key costumer | |
| Randall Thropp | .... | costume supervisor | |
Editorial Department | |||
| Carrigan Compton | .... | post-production assistant | |
| Skip Kimball | .... | telecine colorist | |
| Chad Mochrie | .... | assistant editor | |
| Chad O. Mochrie | .... | assistant editor | |
Music Department | |||
| Joe Garland | .... | composer: song "In the Mood" | |
| Michael Jay | .... | music editor | |
| Stan Jones | .... | music editor | |
Transportation Department | |||
| Richard Belyeu | .... | transportation coordinator | |
Other crew | |||
| Sherry Erickson | .... | location manager | |
| Christian Feldhaus | .... | first assistant accountant | |
| Dawn Jeffory | .... | acting coach: Courtland Mead (as Dawn Jeffory-Nelson) | |
| Anne Johns | .... | assistant production coordinator | |
| Larry K. Johnson | .... | script supervisor | |
| Kathleen Long | .... | production coordinator | |
| Yuell Newsome | .... | stock librarian | |
| Tony Smusz | .... | production assistant | |
| Yvonne Yaconelli | .... | production coordinator | |
| Michael Hubert | .... | assistant production coordinator (uncredited) | |
| Reg Krueger | .... | key craft service (uncredited) | |
| Thomas J. O'Connor | .... | production assistant (uncredited) | |
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| The Shining | The Living and the Dead | "Gantz" | City of Shoulders and Noses | 1408 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb TV section | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
Claiming the TV mini-series of The Shining is better than the 1980 Kubrick film because it's more like the book is like saying the 1976 version of King Kong is better than the 1933 film because the special effects are better. Yes, the mini-series is more like the book, but that doesn't mean it is good.
I loved the book, and was surprised at some of the changes in the 1980 film. But I still loved the movie. Movies are a visual medium , so not every concept from a book will work. Best example is the topiary hedge scene. In King's book, the idea of attacking hedge animals was frightening. Kubrick didn't use the idea and inserted a hedge maze. The hedge animals show up in the mini-series and the scene is laughable. Visually, hedges aren't scary. I'm guessing Kubrick understood this.
Worst of all, the mini-series tries too hard to be a drama. The Shining is a scary story, why not concentrate on that fact? So much time is spent on exposition and character background, that the result is just frustration waiting for something to occur. Basically, the problem is pacing. Usually, people complain that Kubrick's film are long and drawn out, but his Shining is a crack of the whip compared to this adaptation. While the acting and look of the film is decent, I'd have to say that King's adaptation fails mostly because of the fact that it is just like the book. Books work cause they're in your head. Movies show you those images. Kubrick's version worked because he concentrated on the aspects of the story that worked best visually. That scene where Jack is in the empty bar which suddenly is fully stocked with an eager bartender is great stuff, and those moments tell us all we need to know about Jack's drinking problem and the effect the Overlook was having on him.