A small village off the mainland is about to receive a huge winter storm. It won't be just another storm for them. A strange visitor named Andre Linoge comes to the small village and gives ... See full summary »
Becky Ann Baker,
After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one led by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.
Television adaptation of Stephen King novel that follows a recovering alcoholic professor. He ends up taking a job as a winter caretaker for a remote Colorado hotel which he seeks as an opportunity to finish a piece of work. With his wife and son with him, the caretaker settles in, only to see visions of the hotel's long deceased employees and guests. With evil intentions, they manipulate him into his dark side which takes a toll on he and his family. Written by
The miniseries brings back the animate hedge animals from the novel; these were replaced with a hedge maze in The Shining (1980) because Stanley Kubrick felt the effects of the time were not up to it. See more »
When the family runs out of the hotel following the first snow storm, a yellow rental truck is visible on the far right of the screen, at the corner of the hotel (possibly widescreen only). See more »
Lady in Room:
With a little boy here. And a little boy there. Here a boy, there a boy, everywhere a boy, boy. Hello, Danny. I've been waiting for you. We've all been waiting for you.
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I have loved Kubrik's interpretation of The Shining since the first time it scared me. But that's what it really is, an interpretation. It's well known how Kubrik did his work and the limited amount of input that King had in the original movie. This new interpretation stays closer to the book and you genuinely get the idea that it's the hotel that is evil, while I've always felt that Kubrik's design made it feel more like the Jack went mad. The final scene of Kubrik's version, where he pans over the photos and you see Jack in all of them, has always felt like an homage to what the true meaning was supposed to be. This new version filled me with chills and goosebumps the whole way through. In one scene, when all the chairs in the dining area slide from their tables to the floor, not only was I shivering but I actually jumped. I've read the book; I knew it was coming but it was so perfectly executed that the creepiness was sustained throughout the entire show. That kind of horror/suspense is so rare nowadays, especially for a television mini-series! I truly feel that both versions stand on their own and applaud King for showing the chutzpah to go back and show us another view of The Overlook.
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