A small village off the mainland is about to receive a huge winter storm. It won't be just another storm for them. A strange visitor named Andre Linoge comes to the small village and gives ... See full summary »
Becky Ann Baker,
Carrie White is a lonely and painfully shy teenage girl with telekinetic powers who is slowly pushed to the edge of insanity by frequent bullying from both classmates at her school, and her own religious, but abusive, mother.
Television adaptation of Stephen King novel that follows a recovering alcoholic professor. He ends up taking a job as a winter caretaker for a remote Colorado hotel which he seeks as an opportunity to finish a piece of work. With his wife and son with him, the caretaker settles in, only to see visions of the hotel's long deceased employees and guests. With evil intentions, they manipulate him into his dark side which takes a toll on he and his family. Written by
Stephen King's The Shining is a new adaptation from the author himself, made for television, that bears very little resemblance to the 1980 Stanley Kubrick version. That's not surprising since Kubrick threw out most of King's novel and presented his own version of the story. Here King redresses the balance in a miniseries that follows his original almost to the letter, and manages to be effectively creepy despite the budget and censorship limitations of the TV format. Stephen Weber takes over the role of Jack Torrance, the caretaker who slowly descends into madness in the haunted Overlook Hotel. His performance is as far from Jack Nicholson as you could get, with his insanity building slowly and menacingly rather than being virtually mad from the get-go. Rebecca De Mornay is superb as Wendy Torrance, struggling to hold her fragile family together amid the spooky goings-on. Young Courtland Mead plays Danny, whose unique gifts give the story its title, as one of those infuriating TV brats who overacts left, right, and center. Fortunately, there are enough creepy moments and a number of frights to hold the whole thing together, the woman-in-the-bathtub scene being a standout shocker. Sure, there is nothing quite like Nicholson's "Here's Johnny!" moment, but this is the story King wanted to tell and it still shines brighter than most of the other recent screen adaptations of his work.
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