After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one lead by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A small village off the mainland is about to receive a huge winter storm. It won't be just another storm for them. A strange visitor named Andre Linoge comes to the small village and gives ... See full summary »
Becky Ann Baker,
Television adaptation of Stephen King novel that follows a recovering alcoholic professor. He ends up taking a job as a winter caretaker for a remote Colorado hotel which he seeks as an opportunity to finish a piece of work. With his wife and son with him, the caretaker settles in, only to see visions of the hotel's long deceased employees and guests. With evil intentions, they manipulate him into his dark side which takes a toll on he and his family. Written by
The first shot of the Torrances talking about the Donner Party while driving is virtually identical to the same shot in The Shining (1980). See more »
When Jack photographs the wasps in Danny's room, the flash does not appear as it did while photographing Danny and Wendy's stung areas on their bodies a few moments ago. This type of camera did not have an "on/off" flash option. (Part I) See more »
[to Danny Torrance, describing his power]
You ain't a pistol, Danny. You're an all-out atomic bomb.
See more »
I have loved Kubrik's interpretation of The Shining since the first time it scared me. But that's what it really is, an interpretation. It's well known how Kubrik did his work and the limited amount of input that King had in the original movie. This new interpretation stays closer to the book and you genuinely get the idea that it's the hotel that is evil, while I've always felt that Kubrik's design made it feel more like the Jack went mad. The final scene of Kubrik's version, where he pans over the photos and you see Jack in all of them, has always felt like an homage to what the true meaning was supposed to be. This new version filled me with chills and goosebumps the whole way through. In one scene, when all the chairs in the dining area slide from their tables to the floor, not only was I shivering but I actually jumped. I've read the book; I knew it was coming but it was so perfectly executed that the creepiness was sustained throughout the entire show. That kind of horror/suspense is so rare nowadays, especially for a television mini-series! I truly feel that both versions stand on their own and applaud King for showing the chutzpah to go back and show us another view of The Overlook.
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