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Rough Riders (1997)

TV Movie  |   |  Action, Drama, History  |  20 July 1997 (USA)
7.5
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Undersecretary of the Navy Theodore Roosevelt resigns to form a volunteer militia unit called "The Rough Riders" to fight in the Spanish American War.

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Title: Rough Riders (TV Movie 1997)

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Won 1 Primetime Emmy. Another 4 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Henry Nash
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Edith Roosevelt
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Craig Wadsworth
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Sgt. Hamilton Fish
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William Tiffany
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Wadsworth, Sr.
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Lt. Woodbury Kane
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Storyline

In 1898 the US government decided to intervene on the side of the Cuban rebels in their struggle against Spanish rule. Assistant Navy Secretary Theodore Roosevelt decides to experience the war first hand by promoting and joining a volunteer cavalry regiment. The regiment, later known as the Rough Riders, brings together volunteers from all corners of the nation and all walks of life. When Roosevelt and his men finally land on Cuba, they face ambush, intense enemy fire, and a desperate, outnumbered charge up a defended hill. Written by Anonymous

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Details

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Release Date:

20 July 1997 (USA)  »

Also Known As:

Teddy Roosevelt & the Rough Riders  »

Filming Locations:

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Technical Specs

Runtime:

(DVD)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Col. Leonard Wood was a Medal of Honor holder from the Indian wars, and was great friends with TR. Wood was actually a medical doctor. See more »

Goofs

Roosevelt is shown in Cuba using a custom nickel-plated and engraved 1873 Peacemaker .44/40 revolver with ivory grips. In fact, Roosevelt carried a much smaller blued-steel .38 caliber Colt revolver, presented to him before departing the united states, by his brother-in-law, a navy officer. The revolver was salvaged from the sunken wreckage of the U.S.S.Maine, the battleship that blew up in Havana harbor under mysterious circumstances and propelled the Untied Staes into the war with Spain. This revolver was on display in Sagamore Hill, Roosevelt's estate in Long Island, until being stolen in the late 1980s. See more »

Quotes

[first lines]
Henry Nash: I miss you, boys. Been more that twenty years. My God, we were young. Well, it was a young country then, full of promise and hope. Anything was possible then if you were an American.
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Connections

Version of Teddy the Rough Rider (1940) See more »

Soundtracks

Garryowen
(uncredited)
18th Century British drinking and marching song
Performed at the train departure of the Rough Riders
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User Reviews

Tom Berenger & Illeana Douglas + loads of fun
18 November 2003 | by (Biloxi Ms) – See all my reviews

Tom Berenger is a superb actor, and I think his talent is often overlooked. He was funny, affecting, and ennobling in "Major League," a comedy about a misbegotten baseball team. He was chilling, on a knife's-edge (a one-man Hitchcock plot - no way to tell where he was, or what he might do, or what he knew... but no mistaking the motivation and emotion, either... indescribably human, he was) in "Betrayed." His performance there was such that one hated and feared him from the very start, but ended up praying that he would not be slain. I heard little about his effectiveness in either case. And yet, there was, of course, his screen-shattering performance as Sgt. Barnes in the brilliant, alligorical, and hard-hitting Oliver Stone production, "Platoon." He won plaudits for that one, and well-deserved ones.

In this one,"Rough Riders," he is given a juicy, meat-filled slice of adolescent Americana, to play - an incorrigible and inimitable American hero, the irrepressible Theodore Roosevelt. Rather than restraining himself, or attempting to portray TR as - well, as an adult - Berenger seems to let his performance carry itself, unconsciously. He is as over-the-top as TR himself. This is, at all times, under a thin, barely-controlled layer of respectability, very similiar itself to the state in which TR himself seemed to be born. TR's life, much of the time, was a bouncy, swashbuckling melodrama - and Berenger plays all of this to the hilt, and with the necessary controlled-abandon. He might be critisized for over-acting if it wasn't for the plain fact that this is, in fact, the way TR behaved. And anyone who cares to witness Mr. Berenger's other performances (including his most recent roll, as a delightfully dour and cynical sheriff, on USA's "Peacemakers") can see, his sensitivity to the depth of the characters he plays is extraordinary - one can almost pity him, in this case, for choosing to play a man who himself embodied unbelievable melodrama.

Suffice to say, the entire picture is worth watching, just to see bully old Teddy back again, alive and in the flesh, trying to start a war, and then trying to fight and win that war... Berenger brings it all to life, brilliantly. He shouts "bully!" with enthusiasm, he studiously prepares several pairs of spectacles for his expedition to Cuba, we see him trying to improve his piping, asthma-riddled voice, the better to command his soldiers

  • and, later, we see him fall quite out of his chair at the jest of a


comrade, declaiming, "I was overcome with mirth!" Such scenes will overcome the viewer with mirth, as well - but a knowing mirth.

Having said that, this film's best moment is near the beginning, and it involves Illeana Douglas, who plays Teddy's wife, Edith, with a healthy dash of long-suffering tolerance, as if she would leave the set if she could just quit loving the man she'd married. Her defense of the macho (but defenseless) TR in the face of the French is played off terrifically. She comes across as precisely what Edith herself, in fact, was - a woman who had long since resigned herself to the hell-for-leather forays of her headstrong husband... and she defends him with the ruthlessness of a woman who knows that no foreigner will ever understand the boundless Americanism (or worldy childishness) of her husband.

This is not a brilliant film, but it is an entertaining one. The battle scenes are well done, but, aside from what I mentioned above, the real fun in the picture is in the "boot-camp" scenes. A well-cast and icily forbidding Sam Elliott, along with the silent, brooding threat-in-being of David Midthunder, makes these scenes more interesting than the typical military drill-sergeant fare. By the end of the training process, even those watching the movie are longing for the approval of the aloof and mysterious Midthunder - who, in a nicely balanced final scene, explains himself in a way that banishes mystery, conjures comradeship, and evokes sympathy.

One other character commends attention here. Gary Busey plays the ancient Confederate General Joseph Wheeler - a hero of the Civil War (for the South, anyway). Like Berenger, his acting is sure to be termed overdone, excepting the reality that his character was, in fact, a hell-for-leather, horse-riding, Yankee-skewering madman... And there is great pleasure in the watching of Busey bringing this nutty semi-senile General to life. He demands assurances from the President, and we see him repeatedly mistake the Spanish, who we Americans were fighting in this war, for "Yankees." (In the end, the addled, overweight, and over-enthusiastic General settles upon the phrase "them Yankee Spaniards," when referring to the enemy...) It is a fun portrayal of a man whose time has past, but who refuses to acknowledge the fact. Busey's Wheeler is so wound up in the sound of the guns, that he loses all reason, becomes delirious, and yet, beneath it all, hangs inadvertantly to the vestiges of heroism. I think there is little choice but to root for the ill-guided but irresistable General. Having such a melodramatic icon on screen with a viviedly-created TR is almost too much fun to bear.

There is humour and adventure enough for all, in this.

In the end, I recommend this picture for the terrific performances of Tom Berenger and Illeana Douglas, as well as the historical accuracy of much of it. I have left out, in these comments, sympathetic and effective performances by Chris Noth and Holt McCallany, who help make the movie go, and serve to tie the audience into the volunteer soldier idiom. Francesco Quinn brings patriotism, duty, and honour to life - unexpectedly (at least, to Anglo-Americans who know nothing of Latin qualities) in the guise of a love-struck Latin-American. His character, I think, speaks the most towards what modern soldiers might say, that we "all fight for each other." Quinn elevates these platitudes into reality, as the film portrays him carrying out his values, making decisions according to a code he had initially resisted in the interests of staying with his sweetheart. I have also left out Brad Johnson, who's trite "bad-man who learns honour" roll is, nevertheless, well-played. I could write much more... alas, just watch it, and see. A lot of fun. And very, very well done.


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