With things wild in Em City, O'Reily begins a surprising affair. Zabitz asks Schillinger for protection from Keller--who tries to get into the rehab program to make amends with Sister Pete. Beecher ...
Season Four premiere. The world of Oz--an experimental prison within a prison known as the Emerald City--reopens its doors with the inmates still on a 24-hour lockdown and prison officials struggling...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Oz chronicles life inside an experimental cell block in the Oswald Maximum Security Correctional Facility: Level Four called Emerald City. Under unit manager Tim McManus and Warden Leo Glynn, the inmates in Em City all struggle to fulfill their own needs. Some fight for power; either power over the drug trade or power over the other inmate factions. Others want money, either through slinging 'tits' (drugs), gambling or other scams. Others, Corrections officers and inmates alike, simply want to survive long enough to make parole or even to see tomorrow. The show gives a no-holds-barred account of prison life with all the plots, subplots and conflicts given context and explanation by the show's wheelchair-bound narrator, Augustus Hill. Written by
The prisoner's inmate numbers begin with two digits indicating the year they were incarcerated and then a letter which is the first letter of their last name. The only exception is inmates whose last name begins with O, such as Ryan O'Reilly. Because prison officials believed that an O could be easily mistaken for a zero, they use the letter P for inmates whose last name begins with O. See more »
When Doctor Gloria Nathan (Lauren Velez) talks to Ryan O'Reilly (Dean Winters) about his cancerous tumour in his chest, she says that the lump is "under the left nipple". However, he was clearly bleeding from the right nipple and ever clutching the right one while in the infirmary... See more »
Its influence will elevate the level of television drama for years to come.
The stature of this program must be measured in the context of its format. These are not feature films, but one hour dramas, no different in concept or constraint from countless other network counterparts. But, oh how different in result.
Oz is not for everyone. It is violent, lurid, obscene, profane and controversial. Oz us narrated dramatically by a "Greek Chorus" of inmates who make insightful observations not just about Oz, but applicable to the outside world as well. The talent, none of it marquee, is nonetheless the finest assembly of supporting actors an ensemble cast could hope for.
In order to keep ratings up, the stories sometimes veer into the unbelievable, but the grit and reality are never gone for long. Oz is also a bundle of irony. Although it deals with homosexuality with insight and objectivity in every episode, it just as often bristles with gratuitous homoerotic overtone. Despite the fact that it overflows with action and violence, it never mistakes kenesis for story.
Sometimes, Oz borders on, and crosses well into, genius. Its often surreal direction elevates otherwise base events to sublime levels. Music, pacing, convoluted story lines careening and intersecting in ways that are at the same time graceful and clumbsy, just like real life.
This is said to be the last season of Oz, and yet, only two seasons are on DVD. With constant reruns and each episode being aired about a dozen times a week, you may be tired of this jewel anyway, but its influence will elevate the level of television drama for years to come.
57 of 67 people found this review helpful.
Was this review helpful to you?