The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Welcome to the Montecito Resort & Casino in Las Vegas, where you can do anything you want... but Ed Deline and his crack surveillance team will be watching. Just remember, what happens in Vegas, stays in Vegas...
Oz chronicles life inside an experimental cell block in the Oswald Maximum Security Correctional Facility: Level Four called Emerald City. Under unit manager Tim McManus and Warden Leo Glynn, the inmates in Em City all struggle to fulfill their own needs. Some fight for power; either power over the drug trade or power over the other inmate factions. Others want money, either through slinging 'tits' (drugs), gambling or other scams. Others, Corrections officers and inmates alike, simply want to survive long enough to make parole or even to see tomorrow. The show gives a no-holds-barred account of prison life with all the plots, subplots and conflicts given context and explaination by the show's wheelchair-bound narrator, Augustus Hill. Written by
Kareem Said's name before his conversion to Islam was Goodson Truman. Zahir Arif's name before conversion was Jerome Van Dyke. See more »
When Doctor Gloria Nathan (Lauren Velez) talks to Ryan O'Reilly (Dean Winters) about his cancerous tumour in his chest, she says that the lump is "under the left nipple". However, he was clearly bleeding from the right nipple and ever clutching the right one while in the infirmary... See more »
[Keller is leaving to stand trial in Massachusetts for a murder he did not commit]
Back here. Or in heaven.
You really think we're going to get into heaven?
Aw, you and me together. God doesn't have the balls to keep us out.
[Keller is pulled away by the guards, zoom in on Beecher's sad face, Augustus begins narration]
The worst stab wound is the one to the heart. Sure, most people survive it, but the heart is never quite the same.
[cut to Augustus, sitting in the dark]
[...] See more »
Not only the best show on TV currently, but one of the best shows of all-time.
Consistently well-written and acted, Oz is without a doubt the best thing on TV. Quality wise, it's up there with the first 4 seasons of Homicide: Life on the Street as the most compelling hour of television drama. Presenting a harsh and realistic view of prison life, Oz is a wonderful mixture of superb acting and character development; all of which rides on a nuanced and erudite core (Foucault's Panopticon is the inspiration for Em City's design...and ultimate failure). It is the only show on TV, that I can think of, that has presented characters who were intensely dislikable one moment and oddly empathetic the next. That I am repulsed by, sympathetic with, intrigued about, and involved with every character that has lived, died or survived on the show, is no small feat. Good TV exists. And, for my money, Oz is not only good TV, it is better than most films released throughout the year.
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