Directed by | |||
| Andrey Konchalovskiy | (as Andrei Konchalovsky) | ||
Writing credits(WGA) | ||
| Andrey Konchalovskiy | (teleplay) (as Andrei Konchalovsky) & | |
| Chris Solimine | (teleplay) | |
| Homer | (epic poem) | |
Original Music by | |||
| Eduard Artemev | (as Edward Artemyev) | ||
Cinematography by | |||
| Sergey Kozlov | (director of photography) (as Sergei Kozlov) | ||
Film Editing by | |||
| Michael Ellis | |||
Production Design by | |||
| Roger Hall | |||
Art Direction by | |||
| John King | (supervising art director) | ||
| Anne Seibel | (uncredited) | ||
Set Decoration by | |||
| Karen Brookes | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Jeanette Freeman | .... | crowd hair supervisor | |
| Daniel Parker | .... | makeup and prosthetics designer | |
| Petra Schaumann | .... | hairdresser | |
| Suzanne Stokes-Munton | .... | chief hairdresser | |
| Julia Wilson | .... | crowd supervisor (1997) | |
| Jeremy Woodhead | .... | makeup artist | |
| Marcelle Genovese | .... | hair stylist (uncredited) | |
| Sarah Love | .... | chief hair stylist: second unit (uncredited) | |
| Rosanna Mintoff | .... | makeup artist (uncredited) | |
| Rossana Parker | .... | makeup artist (uncredited) | |
| Nikita Rae | .... | hair stylist (uncredited) | |
| Suzanne Stokes-Munton | .... | wig designer (uncredited) | |
Production Management | |||
| Ali Akdeniz | .... | production manager: Turkey | |
| Gerry Gore | .... | unit manager | |
| Gil Whelan | .... | production manager: second unit | |
| Tom White | .... | unit manager: Turkey (uncredited) | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | third assistant director | |
| Guy Heeley | .... | second assistant director | |
| Terry Madden | .... | first assistant director: second unit | |
| Rupert Ryle-Hodges | .... | first assistant director | |
| Arthur Wooster | .... | second unit director | |
| Yagiz Alp Akaydin | .... | additional second assistant director (uncredited) | |
| Winston Azzopardi | .... | third assistant director: Malta (uncredited) | |
| Harry Boyd | .... | second second assistant director (uncredited) | |
| Stephen Cranny | .... | first assistant director: second unit (uncredited) | |
| Arzu Goknar | .... | local first assistant director (uncredited) | |
Art Department | |||
| John Allenby | .... | property master | |
| Leon Apsey | .... | assistant construction manager | |
| Martin Asbury | .... | storyboard artist | |
| Brian Bishop | .... | scenic artist | |
| Brian Blues | .... | supervising carpenter | |
| Michael Boone | .... | assistant art director (as Mike Boone) | |
| Dennis Bovington | .... | construction manager | |
| Peter Dorme | .... | draughtsperson | |
| Frederic Evard | .... | stand-by art director | |
| Kevin Fowler | .... | supervising stagehand | |
| Barry Gates | .... | dressing props | |
| Robert Hill | .... | stand-by props | |
| Andrew Holder | .... | chief sculptor | |
| Margaret Horspool | .... | junior draughtsperson | |
| Len Huntingford | .... | art director: Malta | |
| Marat Kim | .... | conceptual artist | |
| Paul Kirby | .... | standby art director | |
| Sonja Klaus | .... | production buyer | |
| Steve Macdonald | .... | stand-by props | |
| Christopher Mason | .... | supervising painter | |
| Dean Norgate | .... | stand-by | |
| Ian Norgate | .... | supervising rigger | |
| Norman North | .... | stand-by | |
| Paul Nott-Macaire | .... | stand-by | |
| Roy O'Connor | .... | dressing props (as Roy O'Conner) | |
| Mark Reynolds | .... | property storeman | |
| John Wright | .... | stand-by | |
| Anthony Caron-Delion | .... | draughtsman (uncredited) | |
| Frederic Evard | .... | art director: Turkey (uncredited) | |
| Dan Frye | .... | propmaker (uncredited) | |
| Jody King | .... | assistant sculptor (uncredited) | |
| Darren Reynolds | .... | chargehand stand-by props: second unit (uncredited) | |
| Andy Thomson | .... | art department assistant (uncredited) | |
Sound Department | |||
| Peter Baldock | .... | sound editor | |
| Paul Carr | .... | sound re-recording mixer | |
| John Casali | .... | sound maintenance | |
| Clive Copland | .... | boom operator | |
| David Crozier | .... | production sound mixer | |
| Gillian Dodders | .... | sound editor | |
| Joe Gallagher | .... | sound editor | |
| Ben Barker | .... | assistant sound editor (uncredited) | |
| Sandy Buchanan | .... | adr mixer (uncredited) | |
| Mark DeSimone | .... | adr mixer (uncredited) | |
| John Motyer | .... | location sound mixer (uncredited) | |
Special Effects by | |||
| Terry Bridle | .... | special effects technician | |
| Andrew Bunce | .... | special effects technician | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | special effects technician | |
| Dave Eltham | .... | senior special effects technician (as David Eltham) | |
| Waldo Mason | .... | silicone technician | |
| Steve Patton | .... | special effects technician (as Steve Paton) | |
| Alan Perez | .... | special effects | |
| Nick Smith | .... | special effects technician (as Nicholas Smith) | |
| Paul Stephenson | .... | special effects modeller | |
| Tim Willis | .... | senior special effects technician (as Timothy Willis) | |
| Richard Darwin | .... | animatronic model designer (uncredited) | |
| Mark Hunter | .... | animatronic designer (uncredited) | |
| Ceri Nicholls | .... | special effects assistant (uncredited) | |
| Matthew Smith | .... | special effects crew (uncredited) | |
| John Stephenson | .... | creative supervisor: Jim Henson's Creature Shop (uncredited) | |
Visual Effects by | |||
| Matthew Cope | .... | visual effects coordinator | |
| Timothy Greenwood | .... | senior effects editor (as Tim Greenwood) | |
| Scott Griffin | .... | coordinator: Framestore | |
| Andy Lomas | .... | CGI supervisor | |
| Mike McGee | .... | visual effects supervisor | |
| Fiona Walkinshaw | .... | producer: Framestore | |
| Andrew Daffy | .... | animator (uncredited) | |
| John Fuller | .... | animator (uncredited) | |
| Arnon Manor | .... | visual effects (uncredited) | |
| Sarah Marchant | .... | inferno artist (uncredited) | |
| Roma O'Connor | .... | production coordinator (uncredited) | |
| Pedro Sabrosa | .... | visual effects artist (uncredited) | |
Stunts | |||
| Gerry Crampton | .... | stunt coordinator | |
| Richard Bradshaw | .... | stunts (uncredited) | |
| Rob Inch | .... | stunts (uncredited) | |
| Crispin Layfield | .... | stunts (uncredited) | |
| Brian Nickels | .... | stunts (uncredited) | |
| Shaun Wallace | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Gary Dormer | .... | electrical rigger | |
| Chuck Finch | .... | gaffer (as Robert 'Chuck' Finch) | |
| Catherine Frift | .... | clapper loader | |
| Mike Frift | .... | camera operator | |
| Wayne Leach | .... | electrician (1997) | |
| Malcolm MacIntosh | .... | camera operator: second unit (as Malcolm Mcintosh) | |
| Billy Merrell | .... | best boy (as Billy Merrill) | |
| Simon Mills | .... | focus puller | |
| Dean Morrish | .... | clapper loader | |
| John Payne | .... | grip | |
| Martin Shepherd | .... | focus puller | |
| Oliver Upton | .... | still photographer | |
| Arthur Wooster | .... | director of photography: second unit | |
| Darren Bailey | .... | remote camera technician (uncredited) | |
| Stephen Finch | .... | electrician (uncredited) | |
| Kevin Fraser | .... | key grip: second unit (uncredited) | |
| John Gamble | .... | first assistant camera (uncredited) | |
| Alan Grayley | .... | additional electrician (uncredited) | |
| Tony Jackson | .... | Steadicam operator (uncredited) | |
| Frédéric North | .... | pilot: camera helicopter (uncredited) | |
| Simon Werry | .... | aerial camera operator (uncredited) | |
Casting Department | |||
| Harry Audley | .... | additional casting | |
| Noel Davis | .... | casting: U.K. | |
| Lynn Kressel | .... | casting | |
| Oded Levy | .... | additional casting | |
| Sue Wood | .... | additional casting | |
Costume and Wardrobe Department | |||
| Paul Colford | .... | costume assistant | |
| Steven Kirkby | .... | costume supervisor (as Steve Kirkby) | |
| Joe Kowalewski | .... | costume assistant (as Josef Kowalewski) | |
| Justine Luxton | .... | costume design assistant | |
| William Steggle | .... | costume assistant | |
| Allison Wyldeck | .... | costume supervisor | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Mags Arnold | .... | first assistant editor | |
| Olga Grinshpun | .... | assistant editor | |
| Nikolai Malakhov | .... | lightworks engineer | |
| Asa Shoul | .... | telecine colorist (as A. Shoul) | |
| Gary Szabo | .... | telecine colorist (as G. Szabo) | |
Music Department | |||
| Amina Annabi | .... | vocal coach (as Amina Amabi) | |
| Sean Defeo | .... | engineer | |
| Michael Gibbs | .... | additional orchestrator (as Mike Gibbs) | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Malcolm McLaren | .... | music consultant | |
| Julian Kershaw | .... | orchestrator (uncredited) | |
| Kirsty Whalley | .... | additional score mixer (uncredited) | |
Other crew | |||
| Fatos Akdeniz | .... | location manager: Turkey | |
| Marco Assante | .... | assistant: Armand Assante | |
| Patricia Barr | .... | unit nurse (as Pat Barr) | |
| Jean Bourne | .... | script supervisor | |
| Tim Bricknell | .... | production assistant | |
| R.H. Davies | .... | marine coordinator (as Robin Davies) | |
| Bryon Fear | .... | assistant: Dyson Lovell | |
| Muharrem Gulmez | .... | assistant location manager: Turkey (as Muko Gulmez) | |
| Alina Gulyaeva | .... | assistant: A. Konchalovsky (as Alina Gouliaeva) | |
| Andy Hennigan | .... | financial controller | |
| Amrik Heyer | .... | additional choreographer | |
| Sarah Hinch | .... | production secretary | |
| Lesley Keane | .... | contact: London (as Leslie Keane) | |
| Rita Kozma | .... | assistant accountant | |
| Blanca Li | .... | choreographer | |
| Steve Morphew | .... | utility stand-in (as Stephen Morphew) | |
| Gerard Naprous | .... | horse master | |
| Tori Parry | .... | production coordinator | |
| Steve Ricard | .... | utility stand-in | |
| Fiona Richards | .... | floor runner | |
| Jonathan Scott | .... | floor runner | |
| William Steggle | .... | set supervisor | |
| Alistair Thompson | .... | assistant accountant | |
| Joyce Turner | .... | production coordinator: second unit | |
| Elizabeth West | .... | script supervisor: second unit | |
| Ginnette Wilson | .... | assistant accountant | |
| Bernice Wright | .... | assistant set supervisor | |
| Tim Baish | .... | production assistant (uncredited) | |
| Anna Cachia | .... | production assistant (uncredited) | |
| Clair Chrysler | .... | stand-in: Greta Scacchi (uncredited) | |
| Britt Harrison | .... | script consultant (uncredited) | |
| Andrew Litvin | .... | assistant to producer (uncredited) | |
| Roger McGowan | .... | marine rigger (uncredited) | |
| Katryna Samut-Tagliaferro | .... | assistant location manager: Malta (uncredited) | |
| Ahmet T. Uygun | .... | assistant location manager: Turkiye (uncredited) | |
| Tom White | .... | location assistant (uncredited) | |
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| Alexander | Eragon | Clash of the Titans | Helen of Troy | Solomon |
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This is a fine, beautifully crafted version of Homer's The Odyssey. Armand Assante gives a sterling performance as the King of Ithica, who's journey to return from the siege of Troy leads him on a 20-odd year quest to find his way home to his beloved wife Penelope.
If you have read The Odyssey, you will know what kind of challenge it would have been to adapt it into a coherent film and the filmmakers here did a superb job. In capturing all of the excitement, enticement and rollicking adventure of the epic, they brought to life a superlative story rich in imagination.
Kudos to the fine cast, including Eric Roberts as Eurymachus, Greta Scacchi as Penelope and an arresting cameo by Christopher Lee as the blind prophet Tiresias. Eduard Artemyev melodious score only adds to the epic feel.
Not without flaws (Troy is skimmed by a little too fast, and some of the visual effects are a little clunky), but the human element of the story is well dramatized. A supremely entertaining epic.