| Juliet Aubrey | ... | Sarah Thorman | |
| Alan Bird | ... | Solicitor (episode) | |
| David Bradley | ... | Dave Waters | |
| Jeremy Clyde | ... | Reginald Thorman | |
| Janet Dale | ... | Alice Bradley | |
| Jack Davenport | ... | Robert Bradley | |
| Judi Earl | ... | Mary Taggart | |
| William Gaminara | ... | Mr. Quinton (unconfirmed) | |
| Sally Grey | ... | Carrie Bradley | |
| Michael Gunn | ... | Greg Hubbard | |
| Harry Herring | ... | Arthur Bloom | |
| David Howey | ... | John Bradley | |
| Dave Johns | ... | Man (unconfirmed) | |
| Ian Kelly | ... | James Crockford | |
| Delena Kidd | ... | Peggy Waters | |
| Judy Loe | ... | Kate Thorman | |
| Aedin Moloney | ... | Maggie | |
| Rupert Penry-Jones | ... | Stanley Thorman | |
| John Quarmry | ... | Samuel Bennett (episode) | |
| Steve Ramsden | ... | Schindler (unconfirmed) | |
| Jason Roberts | ... | Georgie Taggart (episode) | |
| Mike Rossi | ... | Jimmy (episode) | |
| Leslie Schofield | ... | Billy Taggart | |
| Margaretta Scott | ... | Lady Clinton-Smyth | |
| Leonard Silver | ... | (unconfirmed) | |
| Justine Waddell | ... | Millie Thorman | |
| Vin Welch | ... | Parson (episode) | |
| Henry Woolley | ... | Devenish (episode) |
Directed by | |||
| Roy Battersby | |||
Writing credits(in alphabetical order) | ||
| Catherine Cookson | novel | |
| Gordon Hann | ||
Produced by | |||
| Don Bell | .... | associate producer | |
| Ray Marshall | .... | producer | |
| Keith Richardson | .... | executive producer | |
Original Music by | |||
| Dominic Muldowney | (original music by) | ||
| Colin Towns | |||
Cinematography by | |||
| Robin Vidgeon | |||
Film Editing by | |||
| Philip Kloss | |||
Casting by | |||
| Susie Bruffin | |||
| Liz Vincent-Fernie | |||
Production Design by | |||
| Ashley Wilkinson | |||
Art Direction by | |||
| Steve Ritchie | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Nadia El-Saffar | .... | makeup artist | |
| Gillian Garner | .... | makeup artist | |
| David Myers | .... | chief hair stylist | |
| David Myers | .... | chief makeup artist | |
Sound Department | |||
| John Coates | .... | boom operator | |
| Jennie Evans | .... | sound editor | |
| Danny Longhurst | .... | sound editor | |
Camera and Electrical Department | |||
| Moira Conway | .... | still photographer | |
| Geoff Glover | .... | camera operator | |
Costume and Wardrobe Department | |||
| James Cotter-Craig | .... | wardrobe assistant | |
| Rosie Grant | .... | assistant costume designer | |
| Karen McKinlay-Gunn | .... | wardrobe supervisor | |
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| Full cast and crew | Company credits | IMDb UK section |
Being from Catherine Cookson land i am a bit biased to promote the television works of the great lady's novels...but this one surpassed any of the previous adaption i had seen.
The moth is a tale of love across the classes, featuring Robert Bradley(Jack Davenport), a working class carpenter working in the shipyards on the Tyne, (NOTE: The Shipyard used is no more than three miles from my house), Sarah Thorman(Juliet Aubrey), an upper class woman with a seemingly mad sister, who is in fact devastatingly vulnerable and a mere child in a woman's body.
The development of the separate stories which eventually culminate in Robert being accused of bedding his cousin and fathering her child, and Sarah's mother dieing, leaving her to cope with failing finances and keeping a household going under the constant glare of her father and then her brother.
When the two main characters finally end up in close contact with one another, there is a spark from the very beginning, but it is a spark Sarah tries hard to hide for the sake of her reputation and her sister, but eventually Robert making her see how badly the family home is failing brings her to her senses and makes her fall in love with him...
All in all...a beautiful piece...check it out.
Also Jack Davenport(a broad southerner) taking on a Geordie accent...hilarious.
******** (out of 10)