Section One, a clandestine anti-terrorist organization, fakes the death of a jailed, convicted murderer and, believing her twin assets of beauty and ability to kill will make her a valuable... See full summary »
Mr. Jones agrees to surrender to The Collective in return for the release of Michael's son and Nikita's promise to take control of Section One. The Collective kills Jones and frees Adam. Nikita and ...
Hardened criminal Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent 'Bob' arranges a staged death, so ... See full summary »
After another teenager disappears from the idyllic suburb of Sunshine Hills, Suzy, the girl-next-door of every boy's dreams, persuades Daniel, a fourteen-year-old with an obsessive crush, to help her uncover the truth.
Randal 'Randy' Ackers looses his family savings and the company's reserve funds in an 'easy profit scheme' and commits suicide. His widow Dianne hopes to build a new life in California but ... See full summary »
Catherine is a violent and disturbed young lady who is shot down by the government in one of her escapades. She wakes up in a training facility and is taught to use weapons, combat, and is ... See full summary »
Kelly, a successful career woman and single mother, and her friend Evelyn are both in search of the ideal man. Kelly eventually finds herself torn between sophisticated art dealer Thomas ... See full summary »
Section One, a clandestine anti-terrorist organization, fakes the death of a jailed, convicted murderer and, believing her twin assets of beauty and ability to kill will make her a valuable new operative, trains her in the fighting skills necessary to succeed in her new job. The new operative, code-named 'Josephine', proves to be somewhat less ruthless than planned, however, as she had been falsely convicted and never murdered anyone. Written by
Doug Sederberg <firstname.lastname@example.org>
Composer Sean Callery was made to listen to "Lust for Life" by Iggy Pop and told by Joel Surnow it was "the heart and soul of the show". Callery drew inspiration from it and from European techno-pop to create the score for LFN. See more »
There's been entirely too much externalizing of emotion lately.
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It seems that one genre of film has rarely been successfully translated to tv: The spy film. Can't think of one off the top of my head--except the cartoons like Lancelot Link and Danger Mouse. I suppose in the sixties--Man From Uncle, Mission Impossible.
But here comes La Femme Nikita, a very stylish show, no question, with a certain ruthlessness about it that seems cold and dangerous. Everyone in it seems to adequately convey the sense of dangling over a precipice, waiting for the stark harsh powers to send them to their doom. But until then, they combat various and sundry international terrorists.
While the acting never really rises above adequate--the dialogue really doesn't allow it, the characterizations themselves are rather enjoyable. Megalomaniac Operations, icy Madelaine, zombie like Michael, etc. There's a certain menace that hangs in the air, as if even humanistic Nikita wouldn't hesitate to put a bullet in you were the situation to require it.
I'm not suprised this show draws a devoted following--probably some who put it in the same late nineties genre of women wandering around beating the hell out big bad men (see VIP, Xena, Buffy, etc) But it's rather a bit more than that, the plots are routinely more complex than most spy movies--the last few James Bond movies in particular, maybe they could donate a few writers to the cause in bringing some life in that series.
The endless maneuvering for advantage, the incredible withering amorality, the sudden violence ... and don't forget the clothes, all give this a pretty slick, sexy feel to it. Like a very shiny, glistening new gun--lethal, but undeniably attractive.
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