Mac, LiAnn, and Vic are recruited by a top-secret government agency, working out of Vancouver, British Columbia, Canada. They have many (mis)adventures together, and soon, they are joined ...
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Set in Hong Kong and Vancouver, the story follows Mac Ramsey and Li Ann Tsei, lovers and professional thieves who are separated while fleeing the powerful Hong Kong underworld crime lord ... See full summary »
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
This sitcom in named after two of the six main characters, each with a name rather suggesting the other gender: Jaqueline 'Jack' and David 'Jill' Jillefski, who gradually realize they were ... See full summary »
Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs. One Englishman, John Smith, is captured by the ... See full summary »
Danièle J. Suissa
The Director assigns Mac to uncover why the Janczyk crime family has been venturing into uncharted hoodlum territory. While investigating, he discovers that the family is now being run by ... See full summary »
This ensemble comedy/drama revolves around Brett Parker, a brilliant but morally empty sports agent who begins to find redemption in spite of himself when he moves back to his hometown to ... See full summary »
Mac, LiAnn, and Vic are recruited by a top-secret government agency, working out of Vancouver, British Columbia, Canada. They have many (mis)adventures together, and soon, they are joined by Jackie Janczyk, a teenage mob boss. Written by
A sad case of a series being created to cash in on a name. John Woo had very little to do with "John Woo's Once A Thief"; he certainly didn't direct any of the episodes. Consequently, the action sequences one might expect from a John Woo project were lacking -- which is actually no surprise considering the constraints of a television shooting schedule. However, it was the writing of the show that was the real villain. Viewers got treated to the worst features of lowbrow action flicks (shallow characters, absurd dialogue, implausible situations, leaden pacing), and none of the compensatory strengths (a sense of humour about it all).
Towards the end of the series, the writing got a little better, and a couple of episodes were almost passably entertaining in a campy sort of way. But it was too little, too late, and the series mercifully came to an end after 22 episodes.
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