At the end of World War I, the Bannerman family re-opens the Grand Hotel after a lengthy closure and a costly re-furbishing. The hotel has been in the family for a long time and John ... See full summary »
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At the end of World War I, the Bannerman family re-opens the Grand Hotel after a lengthy closure and a costly re-furbishing. The hotel has been in the family for a long time and John Bannerman and his wife Sarah desperately want to make a go of it. Their son Stephen has returned from the wars without any physical harm but still suffers from the mental anguish of seeing so many of his comrades-in-arms falling on the battlefield. When they learn that their accountant has squandered what little money they had left, they must turn to John's brother Marcus, a successful businessman who has eschewed any interest in the hotel over the years but now seems ready to plunge into the business with both feet. He also has an interest in Sarah. For the most part, the staff take pride in their work and are lead by the Hall Porter, Jacob Collins, who lost his son in the war and by Kate Morris one of the chamber maids who, by force of her own personality, is bound to make an impression on anyone who ... Written by
garykmcd
My wife and I thoroughly enjoyed The Grand. The other review on this page is accurate in all of it's particulars but does not capture the feeling of opulence and grandeur that the series brings to the small screen. Contrary to the other comments, one does care about the characters from the original Bannerman's to the quintessential bad guy, Marcus. The writing, though smattered with some convenient dramatic plot devices, is terrific. The single best episode, when Clive goes home to see his father, is a masterpiece of writing, with compassion for someone "different", the ultimate outsider among so many others in this cast of characters. The unexpected turn at the end is marvelous. We are watching "Duchess of Duke Street" concomitantly with "TG" and the acting is so much better and deeper, the characters so much more filled out and the story lines so much better, that there is no comparison. We highly recommend that you stick with it. You will be rewarded. Incidentally, we got this out of our public library on VHS, so look for it there.
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My wife and I thoroughly enjoyed The Grand. The other review on this page is accurate in all of it's particulars but does not capture the feeling of opulence and grandeur that the series brings to the small screen. Contrary to the other comments, one does care about the characters from the original Bannerman's to the quintessential bad guy, Marcus. The writing, though smattered with some convenient dramatic plot devices, is terrific. The single best episode, when Clive goes home to see his father, is a masterpiece of writing, with compassion for someone "different", the ultimate outsider among so many others in this cast of characters. The unexpected turn at the end is marvelous. We are watching "Duchess of Duke Street" concomitantly with "TG" and the acting is so much better and deeper, the characters so much more filled out and the story lines so much better, that there is no comparison. We highly recommend that you stick with it. You will be rewarded. Incidentally, we got this out of our public library on VHS, so look for it there.