A free spirited yoga instructor finds true love in a conservative lawyer and they got married on the first date. Though they are polar opposites; her need of stability is fulfilled with him, his need of optimism is fulfilled with her.
Greg gets stripping lessons at home, then discovers a secret door in their bedroom to a hidden attic closet full of dolls which scare Dharma as 'bad karma', Jane remembers the previous tenants moved ...
Greg is delighted by an office visit from a very polite Harvard Law School student, Rick Sanderson. But to his horror discovers afterward he's been had at a hair-brain game they apparently still play...
Hot-tempered journalist Maya Gallo got herself fired from yet another job when she made an anchorwoman cry on the air with some gag copy on the teleprompter. Unable to find a job anywhere ... See full summary »
Laura San Giacomo,
In this sitcom, Charlie, who takes Mike Flaherty's place in later years, is the Deputy-Mayor of New York City, and his team of half-wits must constantly save the Mayor from embarrassment and the media.
Michael J. Fox,
Ally McBeal and Billy Thomas were going steady throughout their childhoods. Ally even followed Billy to Harvard law school despite having no interest in law. But when Billy chose to pursue ... See full summary »
Al Bundy is a misanthropic women's shoe salesman with a miserable life. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.
There could hardly be an odder match, but love knows no reason. Assistant D.A. Greg Montgomery, the son of successful businessman Edward Montgomery and Kitty, the queen of socialite snob-ism, falls madly in love with the utterly unconventional free spirit Dharma Finkelstein, the daughter of hippie couple Larry Finkelstein and Abby O'Neil. Even if they can't break the couple up, both in-law families-who never agree on anything else-stir up trouble as they are shocked by each other's lifestyle. Greg's lazy and incompetent colleague Pete Cavanaugh and Dharma's odd friend Jane, don't help their relationship either, between which another improbable hate-love chemistry develops. Written by
Actors Alan Rachins and Mitchell Ryan, who play the respective fathers of the titular characters, have both played attorneys at Los Angeles law firms that employed an attorney played by Amanda Donohoe. Alan Rachins starred in all 8 seasons of the TV series "L.A. Law" (1986-1994), which also starred Donohoe for seasons 5-6. Mitchell Ryan appeared in the Jim Carrey film 'Liar, Liar' (1997). Additionally, Mitchell Ryan guest starred in an episode of "L.A. Law." Both actors also appeared in episodes of The Golden Girls (1985), playing men who dated Blanche Devereaux. See more »
[about running opponent Karen Love]
It's her name. I mean, how can you *not* vote for "care and love"? Guess I might as well change my name to "lower taxes and free balloons for all the kids."
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The end of the opening montage for the series has several pairings of word expressing opposites, such as: sun and moon, yin and yang, sugar and spice. See more »
Yes, there are parallels to "I Love Lucy," but with a degree of introspection which was impossible for TV in those days. I regard this show as one of the last of the US broadcast networks' "second golden age," which emerged at the end of the seventies.
The actors use their voices extremely well; their timing, phrasing and range of modulation are expertly refined and restrained, and amazingly accomplished for TV. There are very few essential sight gags; when replaying the (excellent quality) audio track alone, I am intrigued by how well it would have worked on radio.
I notice some don't seem to "get" the parents, seeing them as shallow stereotypes. But their roles were written and played with the winking insight that the characters have become quite well aware their lifestyles, values and belief systems were folly. With evident embarrassment, they pragmatically and self-consciously stick to their pretensions, as they provide the only structure they dare trust enough to hold their fragile self-identities and relationships together.
This is gently revealed in the dynamic between and among the folks. The kids may seem to be center stage, but having themselves already caught on, essentially play "straight man" together to the poignant unfolding of their parents' subdued realizations as they sail into the fading expectations of middle age.
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