There could hardly be an odder match, but love knows no reason- assistant DA Greg Montgomery, the golden spoon son of successful businessman Edward Montgomery and his bossy spouse Kitty, ... See full summary »
Greg gets stripping lessons at home, then discovers a secret door in their bedroom to a hidden attic closet full of dolls which scare Dharma as 'bad karma', Jane remembers the previous tenants moved ...
Edward is miserable in retirement, no more work or purpose, just dragged along by Kitty, who feels her best years finally started. Dharma made Greg give her a stock investment account, but was stupid...
Greg is delighted by an office visit from a very polite Harvard Law School student, Rick Sanderson. But to his horror discovers afterward he's been had at a hair-brain game they apparently still play...
Billie, a woman in her 30's want to settle down, have a family. When she tells her boyfriend, James this, he tells her he doesn't want that, so they break up. She goes and gets drunk and ... See full summary »
There could hardly be an odder match, but love knows no reason- assistant DA Greg Montgomery, the golden spoon son of successful businessman Edward Montgomery and his bossy spouse Kitty, the queen of socialite snob-ism, falls madly in love with the utterly unconventional free spirit Dharma Finkelstein, truly the daughter of hippie couple Larry Finkelstein and Abby O'Neil, who never fail to go against whatever even smells like convention. Even if they can't break the couple up, both in-law families -who never agree on anything else- never cease to stir as much as they are shocked by these incompatible lifestyles. Neither do the best friends help, Greg's lazy and incompetent, parasitic 'colleague' Pete Cavanaugh and Dharma's even more bizarre, bossy Jane, between which two another improbable hate-love chemistry develops. Written by
Jenna Elfman's real-life husband Bodhi Elfman appeared in 2.6: A Closet Full of Hell and 3.11: Lawyers, Beer and Money, and as performance artist "Terry" in episode 5.8, "Home Is Where the Art Is". See more »
[while Abby is dealing tarot cards]
Can we just get this over with? Hit me.
[looks at the card]
Hit me again.
Abigail Kathleen 'Abby' O'Neil:
Now, Dharma, "death" doesn't always mean death. Sometimes it just means a change is coming.
Yeah! Like a haircut.
I didn't dream you died in a fiery haircut!
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Producer Chuck Lorre ends each episode with what he calls a "vanity card" - At the top of the screen you see "Chuck Lorre Productions" and a different number followed by a big paragraph of quirky remarks. The card appears onscreen for less than 2 seconds, not enough time to read it. Each episode has a different card. See more »
Dharma & Greg has changed how I view sitcoms. Having seen all of D&G I don't find anything else to be as funny as it used to be. Frasier, Home Improvement, Drew Carey, According to Jim, Sports Night, all used to be my favorites but now none of them make me bellow out in laughter as hard and as often as Dharma & Greg does.
This show has everything! Intelligent humour which requires the viewer to pay attention and of course the plethora of silly humour for which Dharma is famous. It's hilarious, but also very touching at times, both sides of the coin are written superbly and acted with great skill. Unrealistic things such as dead Indian ghosts and the general craziness of Dharma go side by side with the common realisms of life, characters munching on something as they talk, brushing their teeth, paying their bills. The show covers all types of humour, all types of emotion, all types of situations, it has everything.
The writing and acting in this show are superb. The perfect timing and tremendous skill of Jennal Elfman and Thomas Gibson translate into one of the most memorable relationships on television, Dharma and Greg are as real a TV couple as you can get. The other cast members are also all very talented and play their roles perfectly. With such a high quality of actors, the writers and producers were able to pull off some amazing shows.
Where Dharma & Greg stands apart from all other shows is in how you laugh at it. you don't! You laugh WITH it. In Raymond you laugh at the characters when they get in one of their many arguments. In Frasier you laugh when he and Niles do something snobbish. There is a general trend in sitcom humour, akin to the newspaper saying of 'it bleeds, it leads', that trend is making us laugh by making the characters miserable, making them argue, in general, we laugh at their misfortune. On the other hand Dharma is at its best when we are laughing with the characters, at their happiness, because unlike most other shows, the characters in D&G do laugh. They laugh at themselves, at each other, at the situations they encounter, and when they are laughing and having a good time I find it much more funny, much more real, then when I'm asked to laugh at Ray's pathetic brother or Jim's flimsy excuses to his angry wife. Life is funny, why do none of the characters in other sitcoms realize it?
In short, I find Dharma & Greg to be a very funny, uplifting show, the best I've ever seen. It's sappy to say, but watching D&G makes me feel good, and that's amazing seeing as its only a television show, but I guess that's what makes it such a good one.
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