George 'Beau' Brummel, a penniless but witty London gentleman, maintains a refined lifestyle with his loyal servant, cook Robinson. Only the friendship of the unpopular Hanoverian heir and ... See full summary »
Presents the lives and loves of a family of cousins from 1939 to the present. Follows very closely the Mary Wesley novel. Begins with a funeral and uses the reminiscences of those gathered ... See full summary »
In northern England around 1900, the worker John O'Brien lives near poverty in a small house in the worker's district. He falls in love with Mary, the teacher of his highly intelligent ... See full summary »
Yorkshire in the 1880's: Joe Skinner marries Lily Whitmore, the woman he has long admired, to give a name to her illegitimate child by Lionel Fillmore, the opportunistic son of an ... See full summary »
When the fabulous Moonstone diamond is stolen, all the suspects appear to have alibis. Even the young girl who owns the diamond won't say whom she saw took it. Her fiancee calls in the ... See full summary »
On the eve of World War I, Agnes Conway manages both the business and the problems of her troubled family. She finds the strength to break class barriers and help her sister Jessie marry a ... See full summary »
A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.
This was an adaptation that was almost bound to fail. Squeezing 12 novels into eight hours of television allows just 40 minutes per novel. 'The Valley of Bones' was condensed into just 17 minutes. If this had been done well it would truly have been a miracle of compression. However, it was achieved by eliminating about two-thirds of the book.
So it is really rather surprising that the adaptors should have created scenes which were only hinted at rather than described in the book. I counted four, all of which added unnecessary violence and gore. I think if Powell had wanted to make these scenes explicit he would have done so - but he preferred for them to happen offstage.
What is also hard to forgive was the decision to play fast and loose with the chronology towards the end of the series. For example, the launch of 'Fission' should have been immediately after the end of the war rather than somewhere in the mid 50s, while the award of the Magnus Donners prize took place in 1968 or 9 rather than 1963. Anyone who has any feel at all for the period would know that the difference is immense.
But there are good things about this too. The casting is excellent with no-one out of place; the atmosphere for the most part convincing and compelling. A pity that the cast did not have the chance to work through a real adaptation, rather than this drastic and unsatisfactory abridgement.
17 of 18 people found this review helpful.
Was this review helpful to you?