Presents the lives and loves of a family of cousins from 1939 to the present. Follows very closely the Mary Wesley novel. Begins with a funeral and uses the reminiscences of those gathered ... See full summary »
Set in 1870s England, the story tells of Annabella Lagrange and the terrible secret her wealthy parents have kept from her. When she finally learns the truth, she runs away and eventually ... See full summary »
Yorkshire in the 1880's: Joe Skinner marries Lily Whitmore, the woman he has long admired, to give a name to her illegitimate child by Lionel Fillmore, the opportunistic son of an ... See full summary »
Tide of Life follows the fortunes of young housekeeper, Emily Kennedy, as she learns about relationships with three very different men. Forced from home of her first employer, Sep McGilby ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ... See full summary »
The dodgy business deals of an older brother finally catch up with him, forcing him and his blameless younger brother to seek refuge in the family theme park business in Blackpool. The ... See full summary »
This was an adaptation that was almost bound to fail. Squeezing 12 novels into eight hours of television allows just 40 minutes per novel. 'The Valley of Bones' was condensed into just 17 minutes. If this had been done well it would truly have been a miracle of compression. However, it was achieved by eliminating about two-thirds of the book.
So it is really rather surprising that the adaptors should have created scenes which were only hinted at rather than described in the book. I counted four, all of which added unnecessary violence and gore. I think if Powell had wanted to make these scenes explicit he would have done so - but he preferred for them to happen offstage.
What is also hard to forgive was the decision to play fast and loose with the chronology towards the end of the series. For example, the launch of 'Fission' should have been immediately after the end of the war rather than somewhere in the mid 50s, while the award of the Magnus Donners prize took place in 1968 or 9 rather than 1963. Anyone who has any feel at all for the period would know that the difference is immense.
But there are good things about this too. The casting is excellent with no-one out of place; the atmosphere for the most part convincing and compelling. A pity that the cast did not have the chance to work through a real adaptation, rather than this drastic and unsatisfactory abridgement.
17 of 18 people found this review helpful.
Was this review helpful to you?