| Michael Caine | ... | Captain Nemo | |
| Patrick Dempsey | ... | Pierre Arronax | |
| Mia Sara | ... | Mara | |
| Bryan Brown | ... | Ned Land | |
| Adewale Akinnuoye-Agbaje | ... | Cabe Attucks (as Adewale Akinnouye-Agbaje) | |
| John Bach | ... | Thierry Arronax | |
| Nicholas Hammond | ... | Saxon | |
| Peter McCauley | ... | Admiral McCutcheon | |
| Kerry Armstrong | ... | Lydia Rawlings | |
| Cecily Chun | ... | Imei (as Cecily Anna) | |
| Ken Senga | ... | Shimoda | |
| Gerry Day | ... | Nitongu | |
| Steven Grives | ... | Garfield (as Steven Grieves) | |
| Boe Kaan | ... | Ivanda | |
| Damian Monk | ... | Dennison | |
| Jeff Dornan | ... | American Scientist | |
| Gabriel Carr | ... | Russian Scientist | |
| Peter Settle | ... | British Scientist (as Peter Steele) | |
| Peter Scheidel | ... | Austrian Scientist | |
| Duke Bannister | ... | Scientist #2 | |
| Christopher Pate | ... | Conductor | |
| rest of cast listed alphabetically: | |||
| Bryon Williams | ... | (uncredited) | |
Directed by | |||
| Rod Hardy | |||
Writing credits(WGA) | ||
| Jules Verne | (novel) | |
| Brian Nelson | (teleplay) | |
Produced by | |||
| Dean Barnes | .... | producer (as Dean W. Barnes) | |
| Jeffrey M. Hayes | .... | executive producer | |
| Tom Hoffie | .... | line producer | |
| Keith Pierce | .... | executive producer | |
| Richard Pierce | .... | executive producer | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| James Bartle | |||
| Ron Hagen | |||
| Bruce Phillips | |||
Film Editing by | |||
| Drake Silliman | |||
Casting by | |||
| Vicki Huff | (as Victoria Huff) | ||
Art Direction by | |||
| Michael Rumpf | |||
Set Decoration by | |||
| Daryl Porter | |||
Makeup Department | |||
| Maree McDonald | .... | assistant makeup artist (as Maree MacDonald) | |
| Cathy McKay | .... | assistant hair stylist | |
| José Luis Pérez | .... | hair stylist (as Jose Perez) | |
| Margaret Stevenson | .... | key makeup artist | |
Production Management | |||
| Julie Forster | .... | production manager | |
Art Department | |||
| Daniel Cairns | .... | art department runner | |
| Laura Elkington | .... | art department runner | |
| Andrew Gardiner | .... | construction manager | |
| Ray Pedler | .... | scenic artist | |
| Rolland Pike | .... | property master | |
| Michael Sarley | .... | storyboard artist | |
| Matt Sloan | .... | props | |
Sound Department | |||
| Daniel Colman | .... | sound effects editor | |
| Norval D. Crutcher III | .... | supervising adr editor | |
| Al Gomez | .... | supervising foley mixer | |
| David Kitchens | .... | sound supervisor | |
| Ben Zarai | .... | supervising sound editor | |
Special Effects by | |||
| Mont Fieguth | .... | special effects (as Monty Fieguth) | |
| Angelo Sahin | .... | special effects foreman | |
| Kym Sainsbury | .... | prosthetics supervisor | |
Visual Effects by | |||
| Eric Backman | .... | model maker | |
| Mark Benard | .... | visual effects artist | |
| Kerry Bidwell | .... | model maker | |
| Chris Chitty | .... | miniatures engineering | |
| Richard Chitty | .... | miniatures engineering | |
| David Cuthbert | .... | model maker | |
| Michael Daczynski | .... | model maker | |
| Ben Gibson | .... | model maker | |
| Adam Grace | .... | model maker | |
| Brad Greenwood | .... | sculptor | |
| Brett Harrison | .... | model maker | |
| Ian Kath | .... | model maker | |
| Josh Madrers | .... | model maker | |
| Paul McCarthy | .... | model maker | |
| Neil McLaughlin | .... | miniatures engineering | |
| Raji Naru | .... | miniatures engineering | |
| Bruce Phillips | .... | visual effects director of photography | |
| Dennis Pradella | .... | model maker | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Grant Radziwill | .... | model maker | |
| Glenn Robbins | .... | assistant modelmaker | |
| Alison Ross | .... | model maker | |
| Elan Soltes | .... | visual effects supervisor | |
| Peter Stephen | .... | assistant modelmaker | |
| David Tremont | .... | miniatures supervisor | |
| Tony Voevodin | .... | model maker | |
| Angie Wills | .... | visual effects coordinator | |
| Marusha Xeros | .... | visual effects coordinator | |
Stunts | |||
| Shea Adams | .... | stunt performer | |
| Chris Anderson | .... | stunt coordinator | |
| Mick Corrigan | .... | stunt performer | |
| Scotty Gregory | .... | stunt performer | |
| Puven Pather | .... | stunt performer | |
| Mick Van Moorsel | .... | stunt performer | |
| Ryctor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Sean Aston | .... | grip: dive unit | |
| Jason Binnie | .... | second assistant camera | |
| Phil Cross | .... | underwater director of photography | |
| David Elmes | .... | first assistant camera | |
| Ross Isaacs | .... | underwater camera operator | |
| Andrew Jerram | .... | first assistant camera: underwater unit | |
| Peter McDougall | .... | underwater camera operator | |
| Daryl Pearson | .... | best boy | |
Costume and Wardrobe Department | |||
| Andrea Hood | .... | key costumer | |
Editorial Department | |||
| John Hoffhines | .... | assistant editor | |
| Susan J. Vinci | .... | assistant editor: visual effects | |
Music Department | |||
| Fernand Bos | .... | music editor | |
| David Franco | .... | music supervisor | |
| Lolita Ritmanis | .... | orchestrator | |
| Jonathan Sacks | .... | orchestrator | |
Other crew | |||
| Russell Boyd | .... | location manager | |
| Judy Hallin | .... | assistant to producer | |
| Sheryl Hayward | .... | production coordinator: Los Angeles | |
| Wade Krawczyk | .... | assistant armourer | |
| Toni Pearson | .... | assistant accountant | |
| Jenny Quigley | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section |
jules verne makes imaginative books, but let's face it, the attempts to move them to the big screen are destined to fail. especially if you're lacking money. jules had such wild ideas that they cannot be produced anywhere but inside the readers mind.
this particular one has a great cast, but the mini way too long compared to the boredom it arouses. i had to use three days to watch it because i kept falling asleep.
the special effects look amateurish, and all the intensity from the book has vanished somewhere in the production. all i felt about it was a little claustrophobia.
a tip to the crew: you should have asked the champ, kevin costner, he could have probably told that it's not automatically an epic if you make it long. you need some events, too, you know.