Dante and his girlifrend Micky run a very profitable drug operation in a seaside town, aided and abetted by a host of teens who sell the smack at discos around town, as well as by Lucas, a ... See full summary »
Redmond is a young guy who can't find what to do with his life. When his uncle Sam gives him the bag to deliver to some uptown connection he fails to do so and it gets them in trouble with ... See full summary »
Mike, Danny, and Rick are grown men who share a house in Chicago. They take on a fourth house mate, John, who is Mike's estranged first cousin. John's welcome to the house is crowned by his... See full summary »
John C. McGinley
A worker at a Russian nuclear facility gets exposed to a lethal dose of radiation. In order to provide for his family, he steals some plutonium and sets out to sell it on Moscow's black market with the help of an incompetent criminal.
Scott Z. Burns
Valeriu Pavel Dan
Danish electronic master Anders Trentemøller takes himself out of the driver's seat in the new video for his Lost's "Gravity," choosing instead to put the focus on a man (Oscar Isaac) learning about life via the carpool lane.
Tue Walin Storm
Firas Al Khazaali,
Michael Q. Schmidt
Dante and his girlifrend Micky run a very profitable drug operation in a seaside town, aided and abetted by a host of teens who sell the smack at discos around town, as well as by Lucas, a corrupt cop who's on the take. Their downfall comes when they suspect one of the boys, Pep, of ripping them off, and his accidental death causes disloyalty among the teens, who suspect Dante offed them. All of this is perfect for the return of Gabriel, a one-time partner of Dante, who has just been released from jail, and has an almost angelic demeanor and the certainty that he can fix everyone's lives. Written by
Gary Dickerson <email@example.com>
Sporting an excellent cast and appealing stylistic elements, ILLTOWN visits the theme of what happens when people trapped in a life of crime they began as kids are drawn by the normal maturation process to middle-class values. Like much good storytelling, this film starts with vagueness and confusion but gradually gels into a coherent story. The problem is that it falls apart again in the last third, and we are never sure what really happened to the characters at the end. Still, the film is eminently watchable, and if you can handle the irresolution, I would recommend it for rental.
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