Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir... See full summary »
Tsai Ming-liang returns with this latest entry in his Walker series, in which his monk acquires an unexpected acolyte in the form of Denis Lavant as he makes his way through the streets of a sun-dappled Marseille.
Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of ... See full summary »
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
Chronicles the love life of a man, Zhenbao. He has a steamy fling with the wife of a friend, the saucy and exciting Red Rose. Even though he feels happy with her, he knows he will not end ... See full summary »
Stanley Kwan's view in this film is both personal and collective memories towards Hong Kong in 1997. He cites one famous line from Cantonese opera "Princess Chang Ping", "I deny, I deny, ... See full summary »
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
This is a mess, something made with some sort of self-exploration in mind, inaccessible to us.
The subject is males who play women or womanish roles in films. The stance of the film is that there is such a thing as discrete homosexuality and gender identity and that the Chinese are adventurous, far more so that the west. But it keeps stumbling over itself as the interviewed Chinese seem not to understand the framework. They just do what has been done, incubated in a culture that was parallel to the one that developed the rather stringent roles we as say Americans are working with.
We had the curse of Pauline Christianity and all that flows, shaping gender and sex in a uniquely western model gilded with guilt. There is much to explore in that model. And much to explore in the Chinese one. But to smash the two together and pick and choose as a matter of self-justification well, that's perverse.
Some of the film segments are lovely.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
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