IMDb > The Whole Wide World (1996)
The Whole Wide World
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The Whole Wide World (1996) More at IMDbPro »

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The Whole Wide World -- Open-ended Trailer from Sony Pictures Classics


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Novalyne Price Ellis (memoir One Who Walked Alone)
Michael Scott Myers (screenplay)
View company contact information for The Whole Wide World on IMDbPro.
Release Date:
20 December 1996 (USA) See more »
A true story about the true love of the greatest pulp fiction writer of all time.
In Texas in the 1930s, young schoolteacher Novalyne Price meets a handsome, eccentric, interesting young man named Robert Howard... See more » | Add synopsis »
Plot Keywords:
7 wins & 5 nominations See more »
(7 articles)
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User Reviews:
Best Little Movie in the Whole Wide World See more (83 total) »


  (in credits order) (complete, awaiting verification)

Vincent D'Onofrio ... Robert E. 'Bob' Howard

Renée Zellweger ... Novalyne Price

Ann Wedgeworth ... Mrs. Howard

Harve Presnell ... Dr. Howard

Benjamin Mouton ... Clyde Smith

Michael Corbett ... Mayor Booth Adams
Helen Cates ... Enid
Marion Eaton ... Woman on Bus
Chris Shearer ... Truett Vinson
Leslie Buesing ... Ethel
Libby Villari ... Etna Reed Price
Sandy Walper ... Mammy
Dell Aldrich ... Mrs. Hemphill (as Dell F. Aldrich)

Elizabeth D'Onofrio ... Mrs. Smith

Antonia Bogdanovich ... Teacher
Stephen Marshall ... Director

Directed by
Dan Ireland 
Writing credits
Novalyne Price Ellis (memoir One Who Walked Alone)

Michael Scott Myers (screenplay)

Produced by
Gregory Cascante .... executive producer
Luis Colina .... associate producer
Carl Colpaert .... producer (as Carl-Jan Colpaert)
Vincent D'Onofrio .... producer
Dan Ireland .... producer
Donald Kushner .... executive producer
Peter Locke .... executive producer
Lawrence Mortorff .... co-executive producer
Benjamin Mouton .... co-producer
Michael Scott Myers .... co-producer
Kevin Reidy .... producer
Jill Silverthorne .... line producer
Robert Strauss .... co-executive producer
Original Music by
Harry Gregson-Williams 
Cinematography by
Claudio Rocha 
Film Editing by
Luis Colina 
Casting by
Laurel Smith 
Production Design by
John Frick 
Set Decoration by
Terri Wright  (as Terri L. Wright)
Costume Design by
Gail McMullen 
Makeup Department
Tammy Lema .... key makeup artist
Kelly Nelson .... hair stylist
Production Management
Vicki Ellis .... unit production manager
Linda Pallin .... post-production supervisor
Second Unit Director or Assistant Director
Mateo Barnstone .... second second assistant director
Sarah Casper .... second assistant director
Marshall Crosby .... first assistant director
Jonathan Winfrey .... first assistant director
Art Department
Amy Cadenhead .... buyer
John Carrel .... swing gang
Jesus Carrera .... constructor (as Jesus 'Chuy' Carrera)
John Coven .... storyboard artist
Stanford Gilbert .... property master (as Stan Gilbert)
Patricia Gura .... lead scenic artist (as Trish Gura)
Mark Hanks .... swing gang
Tara Lane .... second assistant props
King Orba .... first assistant props (as Mark Wallace)
Darren Patnode .... first assistant props (as Darren Patrode)
Amy Scofield .... swing gang
Jim Simard .... lead man
Gabriella Villarreal .... draper (as Gabriella Villareal)
Valerie Yandell .... swing gang
Michael Bayer .... co-lead man (uncredited)
Richard M. Moore .... carpenter (uncredited)
Sound Department
Beau Biggart .... adr recordist
Lance Brown .... sound designer: fantasy sequences
Ed Carr .... sound re-recording mixer (as Ed Carr III)
Tim Chilton .... foley artist
Matt Colleran .... sound re-recordist (as Matthew Colleran)
Richard F.W. Davis .... sound effects editor (as Richard Davis)
John Glaeser .... boom operator
Tommy Goodwin .... foley mixer
Ron Harris .... adr recordist
Monett Holderer .... foley artist (as Monette Holderer)
Adam Kroloff .... sound effects editor
Bruce Nazarian .... supervising sound editor
Jay Nierenberg .... sound designer: fantasy sequences
Dennis Patterson .... sound re-recording mixer
Jill Schachne .... foley artist
Ken Segal .... production sound mixer
Cara Singleton .... sound utility
Robert Troy .... adr editor
Robert Troy .... dialogue editor
Reid A. Woodbury Jr. .... adr editor (as Reid Woodbury)
Reid A. Woodbury Jr. .... dialogue editor (as Reid Woodbury)
James Wright .... stereo sound consultant: Dolby
Doug Madick .... foley artist (uncredited)
Camera and Electrical Department
Allen Barnwell .... best boy electric
Casey Campbell .... electrician
Jason Goodowens .... best boy grip (as Jason K. Goodowens)
Randy 'Mongo' Halpern .... dolly grip
Randy 'Mongo' Halpern .... key grip
Rick Johnson .... gaffer
Jack McHaney .... electrician
Rob McKim .... electrician
Mark Miks .... camera loader
Barry Norwood .... second assistant camera
Garth Parr .... electric intern
Garth Parr .... grip
Melissa Phillips .... grip
Kosta Rigopoulos .... company grip (as Kosta Rigopolous)
Mario Ruiz .... grip
Bud Scott .... company grip
Ademir Silva .... first assistant camera
Roger Smith .... director of photography: second unit
Roger Smith .... gaffer
Teri Thomson Randall .... second assistant camera: second unit (as Teri Randall)
Ralph Watson .... Steadicam operator (as Ralph Watsoni)
Dan Zaitz .... still photographer
Casting Department
Delfino Hernandez .... casting assistant: Texas
Carla James .... casting: Texas
Curtis Winter .... casting assistant: Los Angeles
Costume and Wardrobe Department
Carlos Brown .... wardrobe supervisor
Lee Hunsaker .... costumer (as Lee Hunsacker)
Janice Janacek .... wardrobe assistant (as Janice Janecek)
Danielle Valenciano .... set costumer
Editorial Department
Greg D'Auria .... second assistant editor (as Gregory D'Auria)
Nathan Easterling .... second assistant editor
Teresa Garber .... post-production coordinator (as Teresa Cintron)
Debra Goldfield .... first assistant editor
Lisa Jacobs .... post-production assistant
Music Department
Slamm Andrews .... music mixer
Slamm Andrews .... music recordist
Edrian Colina .... music editor
Bob Daspit .... musician: guitar
Steve Durnin .... musician: French horn
Jim Ercole .... musician: clarinet
Harry Gregson-Williams .... musician: piano
Brian Grossman .... source music supervisor
Miss Monroe .... musician: featured voice
Jud Pratt .... assistant music editor
Spencer Proffer .... executive music consultant
Amy Wilkins .... musician: harp
Boris Zelkin .... music copyist
Woofgang Zellweger .... musician: featured voice
Transportation Department
Konrad N. Besch .... driver
Raul Carrera .... driver
Ronald D. Chambers .... transportation coordinator (as Ron Chambers)
Joe Dye .... driver: honeywagon
Matt Koellner .... driver
Steve Kuhn .... picture car coordinator
Clide Nichols .... driver: picture car
Michael Paschall .... driver
Ronald L. Paschall .... transportation captain (as Ron Paschall)
Mike Poth .... driver
Robert Rowland .... driver
Kenneth West .... picture car mechanic
Jay Wylie .... transportation co-captain
Other crew
Alan Abrams .... legal services
Eleonore Adlon .... generous support and guidance (as Elenore Adlon)
Felix O. Adlon .... generous support and guidance (as Felix Adlon)
Percy Adlon .... generous support and guidance
Alma Alaniz .... stand-in
Christopher Ball .... production financing: Newmarket Capital Group (as Chris Ball)
Gregg Bell .... key set production assistant
Cheryl Bergman .... travel services
Mervin Burnett .... stand-in
Michael R. Casey .... location manager (as Michael Casey)
Vivian Chisolm .... wolf owner
Joe Colvin .... assistant: Kevin Reidy
J. Antonio De La Ossa Jr. .... generous support and guidance
Kathleen Dempsey .... production office secretary: Los Angeles (as Kathy Dempsey)
Nathan Easterling .... production office assistant
Vicki Ellis .... production accountant
William Ellis .... generous support and guidance
Sims E. Ellison .... generous support and guidance
Sandy Flowers .... craft service
Billie Greenbaum Shane .... title designer (as Billie Greenbaum)
Daniel Hastings .... production office assistant
Wendy Hurst .... wolf owner
Amy Janota .... production office assistant
Robert O. Kaplan .... legal services
Sylvia Marroquin .... assistant accountant
Sheryl Denise McCormick .... caterer
Nansee Park .... assistant: Vincent D'Onofrio
Todd Redilla .... set production assistant
Renee Rosenfeld .... script supervisor
Natalie Samanon .... production executive: Cineville
C.R. Smith .... supervisor: American Humane Association
Patricia Solano .... assistant: Dan Ireland
Anke Thommen .... production coordinator
Raigen Thornton .... medic
William Tyrer .... production financing: Newmarket Capital Group
Martha Waters .... set production assistant
Orian Williams .... production office assistant
April Wood .... assistant production coordinator
Hans Zimmer .... generous support and guidance
Leticia Alaniz .... stand-in: Renee Zellweger (uncredited)
Gina Carollo .... accountant (uncredited)
John K. Adams .... special thanks (as John Adams)
Moody Anderson .... special thanks: Texas Traders
Michael Apostolina .... special thanks
Lynn Asma .... special thanks
Carl Bressler .... special thanks
Emma Burnham .... special thanks
Stephen Cain .... special thanks
John Carrabino .... special thanks
Cori Cascante .... special thanks
Kenneth C. Christmas Jr. .... special thanks
Ethan Coen .... special thanks
Joel Coen .... special thanks
Doug Collins .... special thanks
Mickey Cottrell .... special thanks
Olivia d'Abo .... special thanks
Darrell Davis .... special thanks (as Craig Davis)
Raymond De Felitta .... special thanks (as Raymond de Fellita)
Tom DeCerchio .... special thanks (as Tom de Cerchio)
Martin Donovan .... special thanks
Kayla Eiriksson-Lopez .... special thanks (as Tami Lopez)
Marvin Ellis .... special thanks
Novalyne Price Ellis .... dedicatee
Carol A. Ellison .... special thanks
Gwen Field .... special thanks
Geoffrey Gilmore .... special thanks
Nicole Given .... special thanks
Anais M. Hayes .... special thanks
Vanessa Hayes .... special thanks
William Hochberg .... special thanks
Tracey Jacobs .... special thanks
Greg Kachel .... special thanks
Daphna Kastner .... special thanks
Sal Ladestro .... special thanks
Barbara Levy .... special thanks
Glenn Lourd .... special thanks
Billie Ruth Loving .... special thanks
Darryl Macdonald .... special thanks
Joanne Moore .... special thanks
Adam Moos .... special thanks
Ms. Alla Ray Morris .... in loving memory of
James Mouton .... special thanks
Terri Mouton .... special thanks
Verla Mouton .... special thanks
Dorian Muncey .... special thanks
Annette Myers .... special thanks
Scott Myers .... special thanks
Patricia Nava .... special thanks
Paul Nipper .... special thanks
Ruben Oliva .... special thanks
Lisa Onodera .... special thanks
Bennie Peltola .... special thanks
Scott Peltola .... special thanks
Leonard Pollack .... special thanks
Lucy Pond .... special thanks
Alexandra Rose .... special thanks
Bernard Rose .... special thanks
Theresa Russell .... special thanks
Gabriela Sabet .... special thanks
Sam Schwartz .... special thanks
Reid Shane .... special thanks
Michael Shaw .... special thanks
Adam Milo Smalley .... special thanks (as Adam Smalley)
Lance Smith .... special thanks
Karen Tangorra .... special thanks
Walter Teller .... special thanks
Stacy Title .... special thanks
Robert Troy .... special thanks
Ronaldo Vasconcellos .... special thanks
Louis Venosta .... special thanks
Lisa Viola .... special thanks
Suzanne Zimmer .... special thanks
Claire Zlozower .... special thanks
Crew verified as complete

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Rated PG for a substantial amount of mild language and mature thematic elements
111 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Renée Zellweger, upon receiving her Oscar for Cold Mountain (2003), thanked Vincent D'Onofrio for teaching her how to act, referring to her experiences in this movie.See more »
Factual errors: Early in the film, Mrs. Howard tells Bob that his publisher, Mr. Wright, called from New York. Weird Tales, edited by Farnsworth Wright, was actually published in Chicago.See more »
[first lines]
Novalyne Price:I met Bob Howard today. My old sweetheart, Clyde, brought him over.
See more »
Movie Connections:
Referenced in Conan: The Rise of a Fantasy Legend (2005) (V)See more »
Black StompersSee more »


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14 out of 17 people found the following review useful.
Best Little Movie in the Whole Wide World, 13 September 2005
Author: shermatz from Cedar Rapids, IA

I was thrilled to read the (almost) unanimous praise for this FANTASTIC little movie by fellow viewers, and I must chime in with my wholehearted agreement. Every once in a while you blunder across an under-financed and straight-to-video movie that just absolutely flattens you with that rare convergence of talent, story & production, and you're reminded anew of just how powerful a film can be.

Most of the previous postings give a good outline of the plot, so I won't recap it here. "The Whole Wide World" is remarkable in all sorts of ways, but I must use my space here to further celebrate the masterful acting of the leads, Vincent D'Onfrio (as Bob Howard) and Renee (as Novalyne Price). Indeed, the skill of the portrayals completely conveys the sense of time, place and emotional temperament necessary to draw us into their worlds--and break our hearts. And yeah, you're just absolutely made of stone if you're not weeping just a little as the credits roll(or trying hard not to). It's testament to D'Onfrio's amazing talent that we can clearly see Bob's misanthropic shortcomings, but still we hope this tragic misfit of a guy can (as another fan wrote here)"meet her half way." A DEEP, insightful performance by Vincent who has quietly been doing the same in lesser roles for decades now.

And I gotta give Renee her full due as well. She was EXCELLENT, fully credible, spiky, tender, flirtatious, frustrated, and ultimately emotionally exhausted trying to figure out this neurotic but strangely charming man she tried to get close to. Seeing this movie reminds me of "Casablanca" in the sense that you can't imagine anyone else in the Bogart & Bergman roles; no doubt other actors would have given their all, but I can't see how anyone other than Vincent & Renee could have spiked our hearts so fiercely.

Who would have ever thought that such a GREAT movie could be made of the abortive love life of Robert E. Howard? Of course that's not really what makes the movie great--as Flaubert said when asked to identify Madame Bovary, he replied "I am;" and so it is with "The Whole Wide World," where we are poignantly reminded of our own failures to engage with life and love in the ways we believe they should play out.

Again, I'm THRILLED to see how many other fans recognize the unique quality of this movie. I encountered it obliquely, noting its synopsis in the New Yorker back in '96 and thinking "what a curious thing to base a movie on." For some reason my sister tracked it down and loaned me a dubbed-from-TV video cassette; crummy video and sound, but the movie still BLEW ME AWAY (and it still does--thankfully it's now available on DVD). Given Renee's star power I don't think it will ever vanish completely, but we can only hope others will take a chance on this little masterpiece so it can one day receive the acclaim its excellence deserves.

I'd also be remiss if I didn't put in a small plug here for Robert E. Howard the pulp fictioneer; it wasn't complete hyperbole for Novalyne to dub him "the best pulp fiction writer..." His writing stands up well today; plenty of brawny page-turning adventure that still delivers fabulous escapist thrills for guys. But if some of us guys can watch this movie and worship it, I'd bet at least a few of the girls can read some Robert E. Howard today and get a sense of the tough-but-hurting guy depicted in the movie. But one certainly need not read Howard to appreciate this amazing movie on its own stellar merits.

Was the above review useful to you?
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The poem that robert resites to his mother is? Mizey7
Get thee to the Hallmark channel! concrescent-578-231568
Just purchased the movie this weekend. efurcolo
One of the hottest cinema kiss of all time tgclark2
Olivia D'Abo shala1979
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