Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
A NASA astronaut (Thornton), forced to retire years earlier so he could save his family farm, has never give up his dream of space travel and looks to build his own rocket, despite the government's threats to stop him.
Director:
Michael Polish
Stars:
Billy Bob Thornton,
Virginia Madsen,
Max Thieriot
Jack London's classic adventure story about the friendship developed between a Yukon gold hunter and the mixed dog-wolf he rescues from the hands of a man who mistreats him.
Director:
Randal Kleiser
Stars:
Klaus Maria Brandauer,
Ethan Hawke,
Seymour Cassel
Chronicles the motorcycle trip of Ben Tyler as he rides from Toronto to Tofino, British Columbia. Ben stops at landmarks that are both iconic and idiosyncratic on his quest to find meaning in his life.
Two young children are stranded in the Australian outback and are forced to cope on their own. They meet an Aborigine on "walkabout": a ritualistic separation from his tribe.
American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1960s and struggles to find a balance between island culture and the expatriates who live there.
Director:
Bruce Robinson
Stars:
Johnny Depp,
Aaron Eckhart,
Michael Rispoli
A true story about a group of American teenage boys who crew a school sailing ship to gain experience, discipline, or whatever their parents feel they lack. The voyage is a true adventure for them all but it has its downs as well as ups. Written by
Rob Hartill
Many sailors claimed no line squall existed. The derecho line thunderstorm that struck the USA Eastern Seaboard on 29 June 2012 is the kind of "line squall", that wrecked the actual sailboat on which the plot of the film is based. See more »
Goofs
In the scene where the Albatross comes across the Cuban Military Patrol Ship, electronics on the Cuban ship, most notably the Radar System, weren't available in the configuration seen in the early 1960s. See more »
Quotes
Chuck:
The Albatross wasn't just a ship or a school, it was something that we made, something that's inside of us. That's who you are Skipper, what you gave us you carried us, now let us carry this together. Let us carry this together.
See more »
"SOMETHIN' ELSE"
Written by Sharon Sheeley & 'Bob Cochran'
Performed by Eddie Cochran
Courtesy of EMI Records
Under license from CEMA Special Markets See more »
White Squall is based on a true story; ultimately tragic but also of the 'inspiring' sort we get often at the movies. It could've been the kind of corny 'this is what I learned and now I'm blah blah' kind of storytelling that gets excruciating after a while in Hollywood movies. Apparently, thankfully, Ridley Scott knew this and took on White Squall as a challenge: take a character ensemble, the kind of 'male camaraderie' picture that with a few alterations (i.e. reduce some sexual content) could have been produced in the 50s or 60s with a Burt Lancaster or other as the lead, and make it mostly tough and sentimental only in that rugged John Ford sort of sensibility. He succeeded admirably as his film is what it wants to be, which is surprising considering the "it's Dead Poets Society at sea" criticisms I had read online. It's fairly old-fashioned in some ways, but its presented in all the ways that matter.
What's also impressive is seeing Scott attempt an ensemble based around character and, up until the last quarter of the picture, not really based on plot. He's done other pictures that have been ensembles, in fact a lot of them, but mostly they're wrapped around the story as it unfolds. In White Squall a lot of things happen, and characters come and go and lessons are learned and there are even a few tears, but it's based around character and it's fascinating to see Scott work with this nearly loose structure. Certainly his cast is a big help, as Jeff Bridges makes an equally formidable lead as the Skipper of the Albatross, the ship for a group of young men going for many months out to sea to "become men", or rather take the SATs and become a stronger community on a ship. While we only see snippets of how excellent he can be as an actor throughout until the final agonizing scenes during and after the ship wreck, the rest of the cast holds up just as well (Scott Wolf, Balthazar Getty, Ethan Embry, a really good Jeremy Sisto in an unpredictable 'rich kid' role, and John Savage as the older 'intellectual' type).
It goes without saying sometimes White Squall does run into some hokey or just some territory that is almost put in as an intentional INSPIRATION scene (in caps), like when the boys are at the remote island and run around up the hill to sign that buried book. Yet it's not what doesn't work but what does that makes the film impressive, and it holds up extremely well against its counterparts that don't have a keen eye for the facts in the story as well as making the characters not simply cardboard cut-outs. It's pretty conventional, but in the finest way imaginable, and has a pretty amazing climax out at sea with the title event (maybe not Perfect Storm but without computers all the more impressive).
4 of 5 people found this review helpful.
Was this review helpful to you?
White Squall is based on a true story; ultimately tragic but also of the 'inspiring' sort we get often at the movies. It could've been the kind of corny 'this is what I learned and now I'm blah blah' kind of storytelling that gets excruciating after a while in Hollywood movies. Apparently, thankfully, Ridley Scott knew this and took on White Squall as a challenge: take a character ensemble, the kind of 'male camaraderie' picture that with a few alterations (i.e. reduce some sexual content) could have been produced in the 50s or 60s with a Burt Lancaster or other as the lead, and make it mostly tough and sentimental only in that rugged John Ford sort of sensibility. He succeeded admirably as his film is what it wants to be, which is surprising considering the "it's Dead Poets Society at sea" criticisms I had read online. It's fairly old-fashioned in some ways, but its presented in all the ways that matter.
What's also impressive is seeing Scott attempt an ensemble based around character and, up until the last quarter of the picture, not really based on plot. He's done other pictures that have been ensembles, in fact a lot of them, but mostly they're wrapped around the story as it unfolds. In White Squall a lot of things happen, and characters come and go and lessons are learned and there are even a few tears, but it's based around character and it's fascinating to see Scott work with this nearly loose structure. Certainly his cast is a big help, as Jeff Bridges makes an equally formidable lead as the Skipper of the Albatross, the ship for a group of young men going for many months out to sea to "become men", or rather take the SATs and become a stronger community on a ship. While we only see snippets of how excellent he can be as an actor throughout until the final agonizing scenes during and after the ship wreck, the rest of the cast holds up just as well (Scott Wolf, Balthazar Getty, Ethan Embry, a really good Jeremy Sisto in an unpredictable 'rich kid' role, and John Savage as the older 'intellectual' type).
It goes without saying sometimes White Squall does run into some hokey or just some territory that is almost put in as an intentional INSPIRATION scene (in caps), like when the boys are at the remote island and run around up the hill to sign that buried book. Yet it's not what doesn't work but what does that makes the film impressive, and it holds up extremely well against its counterparts that don't have a keen eye for the facts in the story as well as making the characters not simply cardboard cut-outs. It's pretty conventional, but in the finest way imaginable, and has a pretty amazing climax out at sea with the title event (maybe not Perfect Storm but without computers all the more impressive).