US merchant sailor Alex Walker (Kevin Anderson) is stranded in Mexico, penniless and wanted by the police. He meets and joins up with an unlikely couple - aging but likable shit Phillip ... See full summary »
Romantic comedy that mixes magical realism with traditional Australian urban-outback contrasts. The plot centers on a bored woman (the eponymous Wendy) who conjures up the perfect lover, ... See full summary »
Textile company heir Wayland is accused of murder of a prostitute named Elizabeth, whose body was found cut in two in the park. The murder is investigated by tough detective Kennesaw and ... See full summary »
Unimpassioned look at the lives of struggling L.A. scene rock stars follows main character, Gwen, on her quest for the top. Working as an assistant to a film production designer, she tries ... See full summary »
Michael Des Barres
Cassie has a miserable job in a bar, is lonely and depressed. Her boyfriend left her when she told him that she's pregnant. After several failed suicide attempts she'd given away her baby ... See full summary »
A beach runner and bookworm (Goldblum) has difficulty communicating with his son. He meets a psychic on a pier at the beach and soon his world turns topsy-turvy with a serial killer coming ... See full summary »
A young black man pretends he is an art student in order to pick up girls at the Guggenheim Museum. When the attractive - and white - assistant director of a SoHo gallery overhears him, she assumes he is an artist and offers to exhibit his work. He plays along when she suggests how much he could earn from "his" paintings. Within days he's living a double life, paying a formally-trained artist junkie for her rejected works, and falling in love with the assistant director. Things very quickly get way out of hand. This is rather conventional plotting - we've all seen the "double-life with romantic complications" scenario many times before. This film's strength, however, lies in its use of that scenario to critique, quite savagely, both the New York art scene and black/white power relations. It exposes the lies at the heart of both in a very economical and satisfying way.
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