This film tells two interwoven stories of two single-parent families in a poor, racially-mixed neighborhood in Brooklyn. The first story is about a young black man (with aspirations of ... See full summary »
Lawrence Gilliard Jr.,
A disgruntled wife of a cheating husband takes off on a road trip with her husband's "other woman". The two women pick up a hitchhiker who may, or may not, be a robber and murderer on the ... See full summary »
Nearing his 60th birthday, a movie producer discovers that he may have less than a year to live as a result of inoperable cancer. The effects of his disease take the toll on him and his ... See full summary »
Daniel von Bargen,
A young black man pretends he is an art student in order to pick up girls at the Guggenheim Museum. When the attractive - and white - assistant director of a SoHo gallery overhears him, she assumes he is an artist and offers to exhibit his work. He plays along when she suggests how much he could earn from "his" paintings. Within days he's living a double life, paying a formally-trained artist junkie for her rejected works, and falling in love with the assistant director. Things very quickly get way out of hand. This is rather conventional plotting - we've all seen the "double-life with romantic complications" scenario many times before. This film's strength, however, lies in its use of that scenario to critique, quite savagely, both the New York art scene and black/white power relations. It exposes the lies at the heart of both in a very economical and satisfying way.
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