Muhammad Ali stars as himself in this dramatised version of his life story up to the late 1970s. It includes his Olympic triumphs as Cassius Clay, his conversion to Islam, his refusal of ... See full summary »
Muhammad Ali, in a rare acting role, plays Gideon Jackson, an ex-slave in 1870's Virginia who gets elected to the U.S. Senate in Washington D.C. and battles other former slaves and white ... See full summary »
Thirty-Two year-old Muhammad Ali takes on what was at that time, one of the most powerful boxers in the history of the sport, in one last shot at greatness. Ali employs his "rope-a-dope" ... See full summary »
On October 1, 1975, World Heavyweight Boxing Champion Muhammad Ali was in the ring with his arch rival Joe Frazier for the third time. This fight in the Philippines, which has been ... See full summary »
It's 1974, Muhammed Ali is 32 and thought by many to be past his prime. George Forman is ten years younger and the Heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a backer in Mobutu Sese Suko, the dictator of Zaire and the "Rumble in the Jungle" is set. A musical festival, featuring the America's top black performers, like James Brown and B.B. King, is also planned. Written by
Gary Dickerson <email@example.com>
When the film won the Academy Award for Best Feature Documentary, George Foreman and Muhammad Ali came to the stage with the filmmakers to show they had made peace long since the bout shown in the film. To that end, their friendship was warm enough for Foreman to help Ali, by then stricken with Parkinson's Disease, climb the steps to the stage. See more »
It is befitting that I leave the game just like I came in, beating a big bad monster who knocks out everybody and no one can whup him. That's when little Cassius Clay from Louisville, Kentucky, came up to stop Sonny Liston. The man who annihilated Floyd Patterson twice. HE WAS GONNA KILL ME! But he hit harder than George. His reach is longer than George's. He's a better boxer than George. And I'm better now than I was when you saw that 22-years old undeveloped kid running from Sonny Liston. I'm...
[...] See more »
When We Were Kings
Written by Andy Marvel, Amy Powers and Arnie Roman
Liedela Music (ASCAP), W&R Group (ASCAP), World of Andy Music, Inc. (ASCAP)
Romanesque, Inc. (ASCAP), Powers That Be Music (ASCAP)
Performed by Brian McKnight and Diana King
Brian McKnight appears courtesy of Mercury Records
Diana King appears courtesy of The Work Group
Produced by Andy Marvel See more »
This is one of the most inspirational films I have seen in quite some time. I remember when this film was given the Academy award for best documentary, and hearing criticisms from some in the so-called "liberal" press (a reason to knock down this straw-man theory) that the film as undeserving of this title. Well after just seeing the film on video and reading some other comments from IMDB users claiming the same thing, I will have to outright disagree.
The point of this film was not about the fight itself or George Forman, (yes he played a role) as some have argued it should have. It was about the symbolism that this fight possessed, especially revolving around Muhammad Ali' and the causes he fought for. Recently ESPN selected the top 100 Athletes of all time (well they should have said American Athletes, but that's our American arrogance for you) and Ali was picked third behind Babe Ruth and Michael Jordan. The definition of "greatest athlete" is ambiguous, but in my mind Ali, through this film and my recent is truly, "The greatest" as he so claimed.
The film did an excellent job of getting as much footage as possible of all that occurred during the preparation that led to the fight and how it symbolized the joining of black people in America and Africa for a common cause in defeating their oppressors (US - white supremecy, and in Africa - European Colonialism). (which was clearly the main focus of the film) Yes, their were flaws in the film, and it was carried by the narration, Ali's unbelievably charismatic personality, and the numerous intelligent quotes that were made by him.
But those that wish to criticize the "music" as they call it, clearly have NO UNDERSTANDING OF BLACK CULTURE. This film was a celebration of it, focusing on GREAT MUSICIANS such as James Brown and B.B. King. These artists represent a significant part of black American culture, and knowing how important it probably was to all of those black Americans to go to Africa to spite the white American culture (which wanted the fight there), which they felt used them, was something that was revolutionary.
Before seeing this film I knew little about the "Rumble in the Jungle," and little about Ali, but after seeing this film, I have come to realize that he really was "the greatest."
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