Muhammad Ali stars as himself in this dramatised version of his life story up to the late 1970s. It includes his Olympic triumphs as Cassius Clay, his conversion to Islam, his refusal of ... See full summary »
Muhammad Ali, in a rare acting role, plays Gideon Jackson, an ex-slave in 1870's Virginia who gets elected to the U.S. Senate in Washington D.C. and battles other former slaves and white ... See full summary »
On October 1, 1975, World Heavyweight Boxing Champion Muhammad Ali was in the ring with his arch rival Joe Frazier for the third time. This fight in the Philippines, which has been ... See full summary »
It's 1974, Muhammed Ali is 32 and thought by many to be past his prime. George Forman is ten years younger and the Heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a backer in Mobutu Sese Suko, the dictator of Zaire and the "Rumble in the Jungle" is set. A musical festival, featuring the America's top black performers, like James Brown and B.B. King, is also planned. Written by
Gary Dickerson <firstname.lastname@example.org>
When the film won the Academy Award for Best Feature Documentary, George Foreman and Muhammad Ali came to the stage with the filmmakers to show they had made peace long since the bout shown in the film. To that end, their friendship was warm enough for Foreman to help Ali, by then stricken with Parkinson's Disease, climb the steps to the stage. See more »
Muhammad Ali, he was like a sleeping elephant. You can do whatever you want around a sleeping elephant; whatever you want. But when he wakes up, he tramples everything.
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fascinating piece of history, even for non-fight fans
It goes nearly without saying that Ali is a transcendent figure of his generation. For those currently in their twenties who did not grow up in Ali era, this film is a glimpse at why the world choked up upon seeing Ali light the flame at the Atlanta Olympiad.
While Gast's footage of Ali in Kinshasa is sparse, interview segments with Plimpton, Mailer and Lee, and a pulsing soundtrack fill in the blanks to tell a surprisingly complete tale. The characters are fascinating: A young Don King, who had not yet made his name; a sullen, menacing George Foreman bearing no resemblance to the huckster we see today; the creepy Mobutu, who is rarely seen though his presence is felt, and Howard Cosell, who appears briefly to predict the defeat of the man who practically created him. Far, FAR superior to Michael Mann's Ali, which lifted huge pieces from this documentary. While Mann's film provides much more for the eye, Gast's "Kings" is a superior example of pure storytelling.
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