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Thieves (1996)
"Les voleurs" (original title)

7.0
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Ratings: 7.0/10 from 1,505 users  
Reviews: 9 user | 27 critic

In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »

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Title: Thieves (1996)

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3 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Alex
Laurence Côte ...
Juliette Fontana
...
Jimmy Fontana
Fabienne Babe ...
Mireille
Didier Bezace ...
Ivan
Julien Rivière ...
Justin
Ivan Desny ...
Victor
Régis Betoule ...
Régis
Pierre Perez ...
Fred
Naguime Bendidi ...
Nabil
Didier Raymond ...
Lucien
Jean-Louis Meunier ...
Eric Kreikenmayer ...
Adjoint Alex
Jean-Jacques Cravero ...
Travesti 1
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Storyline

In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship. Images of paragliders, sun bathers, and opera suggest an expansive, colorful world outside the constricted lives of these characters. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

opera | singing in a car | lyon | boy | glass | See more »

Taglines:

C'est important d'avoir un ennemi, c'est meme vital.

Genres:

Crime | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexuality, some violent moments and language | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

25 December 1996 (USA)  »

Also Known As:

Thieves  »

Box Office

Opening Weekend:

$128,974 (USA) (27 December 1996)

Gross:

$939,304 (USA) (21 February 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

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Did You Know?

Quotes

Marie: Before Christ was a time of orgies. Then came love.
Alex: Love's less fun.
Marie: Probably. In orgies you give your all. No more, no less. In love, it's never enough. It's always too much or not enough.
See more »

Connections

Referenced in Les convoyeurs attendent (1999) See more »

Soundtracks

Sugar Sugar
Written by Jeff Barry, Andy Kim
Performed by The Archies
(C)1962 by Don Kirshner Music/Kirshner Songs
(P) 1969 Jeff Berry
Licensed Upbeat Records inc.
Courtesy of Master Licensing
Avec l'aimable autorisation de Nota Bene
See more »

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User Reviews

 
Fascinating, if slightly puzzling
21 March 1999 | by (Brooklyn, NY) – See all my reviews

A love triangle. A crime story. A drama about fraternal conflict. All could make fine stories on their own, but in this film they're thrown together, and then given a philosophical spin (appropriate, since one of the characters is a philosophy professor). It's also more character-driven than you'd expect from this type of story; we are taken into the character's motivation, so we understand their actions, rather than have them driven by plot machinations. And it's done like a novel, flashing back and forth, so actions unfold gradually to reveal another layer. Unfortunately, as, it seems, with many films from France, the story doesn't so much end as stop. This may be appropriate with something like, say, UN COEUR EN HIVER, but it left me feeling a little cheated here. Still, this is worthwhile viewing.

Of the actors, the only ones which are immediately familiar to me are Daniel Auteuil and Catherine Deneuve. Auteuil is playing someone who has trouble expressing himself, a character he seems to specialize him, based on what I've seen of his films (JEAN DE FLORETTE/MANON OF THE SPRING and UN COEUR EN HIVER), and he does another fine job here. I've never been a fan of Deneuve; I usually find her too inexpressive and icy. Here, however, she plays a character you usually don't find in crime films; an older woman having an affair with someone younger (here, a woman) who isn't fading or scheming. She makes Marie, who at first seems didactic, fully human.


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