| William Smith | ... | Major | |
| David 'Shark' Fralick | ... | Sam Harper (as David Shark Fralick) | |
| Christopher Ogden | ... | Jody Baker | |
| Leslie Neale | ... | Sally Baker | |
| Bo Hopkins | ... | Sgt. Twining | |
| Matthew Flint | ... | Phil | |
| Anne Tremko | ... | Louise Harper | |
| Isaac Hayes | ... | Jed Crowley | |
| Timothy Bottoms | ... | Mr. Crandall | |
| Tim Grimm | ... | Ralph | |
| P.J. Soles | ... | Madge Cronin | |
| Tom McFadden | ... | Mac Cronin (as Thom McFadden) | |
| Zachary McLemore | ... | Barry Cronin | |
| Morgan Paull | ... | Mayor | |
| Richard Cummings Jr. | ... | Dan | |
| Robert Forster | ... | Congressman Cummings | |
| Frank Pesce | ... | Barker | |
| Jason Adelman | ... | Jesse | |
| Laura Alcalde | ... | Park Mother | |
| Raquel Alessi | ... | Girl Student (as Raquel Allessi) | |
| Abby Ball | ... | Rick | |
| Stanton Barrett | ... | Clete | |
| Mark Chadwick | ... | Willie on Stilts | |
| Chris Durand | ... | Sergeant | |
| Taylor Jones | ... | Boy Student | |
| Desirae Klein | ... | Barbeque Girl | |
| Jason Lustig | ... | Undertaker | |
| Joseph Vitare | ... | Kuwaiti Captain | |
| Steve Moramarco | ... | Himself - The Abe Lincoln Story - Guitar / Vocals | |
| Jonathon Stearns | ... | Himself - The Abe Lincoln Story - Piano | |
| Gary Viggers | ... | Himself - The Abe Lincoln Story - Bass | |
| Peter Fullerton | ... | Himself - The Abe Lincoln Story - Drums |
Directed by | |||
| William Lustig | |||
Writing credits(WGA) | ||
| Larry Cohen | (written by) | |
Produced by | |||
| George G. Braunstein | .... | producer | |
| Don Daniel | .... | line producer | |
| Gina Fortunato | .... | associate producer | |
Original Music by | |||
| Mark Governor | |||
Cinematography by | |||
| James A. Lebovitz | (as James Lebovitz) | ||
Film Editing by | |||
| Bob Murawski | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Charlotte Malmlöf | |||
Art Direction by | |||
| Sue Savage | |||
Set Decoration by | |||
| Piper Ferguson | (as Piper Renee Ferguson) | ||
Costume Design by | |||
| Amy Wetherbee | |||
Makeup Department | |||
| Debra-Lee Davidson | .... | key makeup artist (as Debi Davidson) | |
| Christine M. Steele | .... | hair stylist (as Christine Steele) | |
Production Management | |||
| Don Daniel | .... | unit production manager | |
| Gina Fortunato | .... | production manager: second unit | |
Second Unit Director or Assistant Director | |||
| Laurence Barbera | .... | first assistant director | |
| Kelli L. Bright | .... | second second assistant director (as Kelli Bright) | |
| Richard A. Cooper | .... | second assistant director (as Rick Cooper) | |
| Lisa L. Hyde | .... | second second assistant director (as Lisa Hyde) | |
| Rebecca Levinson | .... | second assistant director | |
| Bob Murawski | .... | third unit director | |
| Spiro Razatos | .... | second unit director | |
Art Department | |||
| Angel Acosta | .... | property master | |
| Mike Boudreau | .... | assistant property master | |
| Aubin Crowel | .... | scenic artist (as Aubin Crowell) | |
| Aubin Crowel | .... | swing (as Aubin Crowell) | |
| Wayne Feit | .... | lead person | |
| Tim Roberts | .... | lead person | |
| Beth Schneider | .... | set dresser | |
Sound Department | |||
| Jon Ailetcher | .... | production sound mixer | |
| Suzanne Angel | .... | adr editor | |
| Nancy Lee Bleisch | .... | assistant post-production sound coordinator | |
| Gary Boatner | .... | boom operator | |
| Sarah Brady | .... | adr supervisor | |
| John Brasher | .... | sound re-recording mixer | |
| Roy Braverman | .... | sound effects editor | |
| Geoff Clark | .... | post-production sound coordinator | |
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby | |
| Kieron Estrada | .... | utility sound | |
| Michael Ferdie | .... | dialogue assistant | |
| Eric Hoeschen | .... | adr mixer | |
| Eric Hoeschen | .... | foley mixer | |
| Marty Hutcherson | .... | sound re-recording mixer | |
| Carlos Isais | .... | sound recordist | |
| Manny Laba | .... | boom operator: second unit | |
| Adriane Marfiak | .... | sound effects editor | |
| Peggy McAffee | .... | sound effects editor | |
| Bruce Murphy | .... | dialogue editor | |
| Benjamin Patrick | .... | production sound mixer: second unit (as Ben Patrick) | |
| Laurence Puchalsky | .... | dialogue assistant (as Laurence Pulchalsky) | |
| Doug Reed | .... | foley artist | |
| Linda Wehde | .... | adr assistant | |
Special Effects by | |||
| Joe Castro | .... | special makeup effects crew: Sota Effects | |
| Francious Delas | .... | special makeup effects crew: Sota Effects | |
| Josh Foster | .... | special makeup effects crew: Sota Effects | |
| John C. Hartigan | .... | special effects supervisor: Ultimate Effects | |
| Roy Knyrim | .... | special makeup effects supervisor: Sota Effects | |
| Albert Lannutti | .... | special effects foreman: Ultimate Effects | |
| Jerry Macaluso | .... | special makeup effects supervisor: Sota Effects | |
| Steve Newquist | .... | special effects assistant: Ultimate Effects | |
| Mark Villalobos | .... | special makeup effects crew: Sota Effects (as Mark Villalobo) | |
| Bill Zahn | .... | special makeup effects crew: Sota Effects | |
Visual Effects by | |||
| David Fred Masselink | .... | optical effects line-up (uncredited) | |
Stunts | |||
| David Barrett | .... | stunts | |
| Mark Chadwick | .... | stunts | |
| Gilbert B. Combs | .... | stunts (as Gil Combs) | |
| Edward Conna | .... | stunts (as Eddie Conna) | |
| Phil Culotta | .... | stunts | |
| Chris Durand | .... | stunts | |
| David M. Graves | .... | stunts (as David Graves) | |
| Charles Grisham | .... | stunts | |
| Rebecca Levinson | .... | stunts | |
| Greg Millea | .... | stunts | |
| Denney Pierce | .... | stunts (as Denny Pierce) | |
| Spiro Razatos | .... | stunt coordinator | |
| Scott Rogers | .... | stunts | |
| Monty L. Simons | .... | stunts (as Monty Simons) | |
| Tony Snegoff | .... | stunts | |
| Tim Trella | .... | stunts | |
| Keith Woulard | .... | stunts (as Keith Woolard) | |
Casting Department | |||
| Tom Thacker | .... | extras casting | |
| Bianca Cioffi-Zaring | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Shea Koslow | .... | seamstress | |
| Jennifer Kouba | .... | wardrobe supervisor | |
| Nadia Smith | .... | seamstress | |
Editorial Department | |||
| Paul Hart | .... | assistant editor | |
| Mike Mertens | .... | color timer | |
| Fred Teetzel | .... | negative cutter | |
Music Department | |||
| Lisa Anne Miller | .... | orchestrator | |
| Jack K. Tillar | .... | music editor (as Jack Tillar) | |
Transportation Department | |||
| Daniel Deprest | .... | driver | |
| Craig Lietzke | .... | transportation captain | |
| Sean Neel | .... | driver | |
| Glen R. Polzel | .... | driver (as Glen Polzel) | |
| David Shaffer | .... | transportation coordinator (as Dave Shafer) | |
Other crew | |||
| Robin Bianchi | .... | script supervisor | |
| Nancy Lee Bleisch | .... | adr loop group | |
| Maria Bloom Luke | .... | assistant post-production accountant | |
| Steve Blum | .... | adr loop group | |
| Michele Bock | .... | key set production assistant (as Michelle Bock) | |
| Charmaine Boos | .... | studio teacher | |
| Charmaine Boos | .... | welfare worker | |
| Dick Brooks | .... | publicist | |
| Mauni P. Caves | .... | location manager (as Mauni Caves) | |
| Gregory Cole | .... | production assistant | |
| Peter Coleman | .... | chef | |
| Ed Cook | .... | adr loop group | |
| Linda O. Cook | .... | adr loop group | |
| Sherri Cosentino | .... | production coordinator (as Sheri Cosentino) | |
| Michael Donner | .... | post-production accountant | |
| Tim Dornberg | .... | adr loop group | |
| Maureen Duffy | .... | completion bond: Film Finance Inc. | |
| Cleber Farano | .... | craft service (as Cleber Ferano) | |
| Maria Govan | .... | key set production assistant | |
| Paul Hart | .... | stock footage researcher | |
| Paul Heath | .... | key set production assistant | |
| Alex Klyusner | .... | production assistant | |
| Sammy Kriestorac | .... | production assistant | |
| Jay Lee | .... | location manager: second unit | |
| Guy Mann-Dude | .... | projectionist | |
| Oscar Miranda | .... | production assistant | |
| Gracie Moore | .... | adr loop group | |
| Glenn Nishida | .... | engineer | |
| Buckley Norris | .... | production insurance: AON/Albert G. Ruben | |
| Autumn Rivers | .... | assistant production coordinator | |
| Felice Schachter | .... | production coordinator | |
| Suzanne St. Pierre | .... | craft service | |
| George Sweney | .... | production accountant | |
| David Van Dam | .... | assistant location manager | |
| Bill Witka | .... | security officer | |
| Kurt Woolner | .... | completion bond: Film Finance Inc. | |
Thanks | |||
| Jody Fedele | .... | special thanks | |
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| lenticular 3D image as VHS cover art | bgrubb |
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I rented this in the mood for a really bad movie that I could rip to shreds but to my surprise, and despite what everyone else seems to think of it, it was actually quite good!
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.